Prelude No.15 Flashcards

1
Q

How many Preludes are there?

A

24 (12 major, 12 minor)

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2
Q

3 other Romantic composers

A

Liszt, Mendelssohn and Schumann

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3
Q

Describe 3 differences between music in the Classical and Romantic periods

A
  • Romantic music is more expressive and emotional
  • Romantic music has longer structures and forms
  • Technological advances in instruments are exploited in Romantic period leading to larger orchestras
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4
Q

Name the term for the ‘flexible tempo’ used in Romantic music

A

Rubato

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5
Q

What year was the Raindrop Prelude composed?

A

1839

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6
Q

What is the structure of the Raindrop Prelude?

A

Ternary form (ABA)

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7
Q

What is the time signature of the Raindrop Prelude?

A

C (common time, also known as 4/4)

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8
Q

Tonality of Raindrop Prelude

A
  • D flat major

- Modulates to enharmonic tonic minor, C sharp minor in section B

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9
Q

Harmony of Raindrop Prelude

A
  • Mainly diatonic, some chromaticism
  • Sections A and B end with imperfect cadences
  • Prelude ends with a perfect cadence
  • Dominant Pedal throughout most of the piece
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10
Q

Where was Chopin born?

A

Poland

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11
Q

Detailed structure of Raindrop Prelude

A

A: D flat major, lyrical melody in right, repeated quavers in left
B: C sharp minor, left plays chordal melody, right plays repeated quavers
A: D flat major, shorter, right plays melody, short coda

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12
Q

Rhythmic features of Raindrop Prelude

A
  • Septuplets
  • Dectuplets
  • Repeated quavers throughout
  • Dotted rhythm used in section A
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13
Q

What does Sostenuto mean?

A

Play legato and in an unhurried manner

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14
Q

Melody of Raindrop Prelude

A
  • At beginning, lyrical right hand melody decorated with ornaments (e.g. acciaccatura, turn), some dotted rhythms and chromaticism
  • Melody moves to bass in section B, narrower range, longer notes
  • Made up of mostly four- and eight-bar phrases
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15
Q

Texture of Raindrop Prelude

A
  • Homophonic (except for the last two bars)
  • A: RH melody, broken chords in LH
  • B: LH melody, RH dominant pedal which is mostly inverted and is doubled in octaves in some sections, texture is more chordal than section A
  • A: back to original texture, short monophonic passage in the coda
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16
Q

Dynamics of Raindrop Prelude

A
  • Crescendos and Diminuendos
  • Wide range of dynamics (pp to ff), no sudden contrasts
  • A is quieter than B
17
Q

Use of piano in Raindrop Prelude

A
  • Mostly middle and lower ranges of piano
  • Not virtuoso in character, Chopin concentrates on legato, singing tone
  • Wide dynamic range
  • Sustaining pedal helps create legato melodies