PRELIMS II Flashcards

1
Q

IT IS THE ABILITY TO PRODUCE MAN’S
CREATIVITY.

A

ART

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2
Q

ELEMENTS OF ARTS

A
  1. LINE
  2. SHAPE
  3. FORM
  4. SPACE
  5. COLOR
  6. TEXTURE
  7. VALUE
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3
Q

_______ AN ELEMENT OF ART DEFINED BY A POINT MOVING IN SPACE. LINE MAY BE TWO-OR THREE-DIMENSIONAL, DESCRIPTIVE, IMPLIED, OR ABSTRACT.

A

LINE

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4
Q

AN ELEMENT OF ART THAT IS TWO-DIMENSIONAL, FLAT,
OR LIMITED TO HEIGHT AND WIDTH.

A

SHAPE

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5
Q

AN ELEMENT OF ART THAT IS THREE-DIMENSIONAL AND
ENCLOSES VOLUME; INCLUDING HEIGHT, WIDTH, AND DEPTH (AS
IN A CUBE, A SPHERE, A PYRAMID, OR A CYLINDER). THE FORM
MAY ALSO BE FREE FLOWING.

A

FORM

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6
Q

AN ELEMENT OF ART BY WHICH POSITIVE AND NEGATIVE
AREAS ARE DEFINED OR A SENSE OF DEPTH ACHIEVED IN A WORK OF
ART.

A

SPACE

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7
Q

AN ELEMENT OF ART MADE UP OF THREE PROPERTIES: HUE,
VALUE, AND INTENSITY.

A

COLOR

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8
Q

AN ELEMENT OF ART THAT REFERS TO THE WAY THINGS
FEEL, OR LOOK AS IF THEY MIGHT FEEL IF TOUCHED.

A

TEXTURE

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9
Q

THE LIGHTNESS OR DARKNESS OF TONES OR COLORS. WHITE
IS THE LIGHTEST VALUE; BLACK IS THE DARKEST.

A

VALUE

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10
Q

OUR ABILITY TO APPRECIATE, ANALYZE
AND CRITIQUE A WORK OF ART.

A

ART APPRECIATION

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11
Q

THE ABILITY TO INTERPRET AND
UNDERSTAND MAN-MADE ARTS AND
ENJOY THEM THROUGH ACTUAL WORK
EXPERIENCE WITH ART TOOLS AND
MATERIALS.

A

ART APPRECIATION

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12
Q

IT IS A STRONG FOUNDATION IN THE ARTS AND
SCIENCES AND AIMS TO PROMOTE AWARENESS OF
THE INTERRELATIONSHIPS OF ALL FIELDS OF
KNOWLEDGE.

A

HUMANITIES

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13
Q

HUMANITIES IS DERIVED FROM THE LATIN WORD
“________”

A

HUMANNUS

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14
Q

THIS DIVISION OF ART STUDY THAT
USES HIS CREATIVITY, IMAGINATION
AND EXPRESSION IN ORDER TO
PRODUCE OR CREATE HIS OWN
ARTWORK.

A

ART PRODUCTION

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15
Q

THIS IS A PRODUCT OF A NEW WAY
OF COLONIALISM IN THE
POST-MODERN ERA OR THE
CONTEMPORARY.

A

GLOBALIZATION

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16
Q

THIS REFERS TO THE STUDY OF
BEAUTY.

A

AESTHETICS

17
Q

HARRY BROUDY’S FORMULATION OF
AESTHETIC RESPONSE

A

FORMAL

TECHNICAL

EXPERIENTIAL

CONTEXTUAL

PERSONAL

18
Q

THE OFFICIAL AGENCY FOR
CULTURE IN THE PHILIPPINES

A

NATIONAL COMMISSION ON
CULTURE AND THE ARTS

19
Q

EVERY SOCIETY HAS ITS OWN ART, WHICH IS
ENCOURAGED AND MOLDED BY THE
PATRONAGE IT GETS FROM ITS MEMBERS.

A

ART IS CULTURAL

20
Q

THIS IS A PRODUCT OF MAN’S IMAGINATION,
CREATIVITY, AND EXPRESSION THROUGH
ACQUIRED INFORMATION FROM THE SOCIETY

A

ART IS CULTURAL

21
Q

IT IS THE CREATION OF ART
WTHATMUST BE SOMETHING OF
PERSONAL AND KNOWLEDGEABLE
VALUE.

A

ART IS EXPERIENCE

22
Q

IT IS THE ARTICULATION AND
TRANSMISSION OF NEW
INFORMATION AND VALUES.

A

ART IS UNIVERSAL

23
Q

IT IS THE COMMON MEANS OF
EXPRESSING THEIR THOUGHT AND
FEELINGS.

A

ART IS COMMUNICATION

24
Q

IS A BODY OF ART MOVEMENTS THAT
SOUGHT TO CONTRADICT SOME
ASPECTS OF MODERNISM OR SOME
ASPECTS THAT EMERGED OR
DEVELOPED IN ITS AFTERMATH.

A

TRADITIONAL ART

25
Q

FUNCTIONS OF ARTS

A

SOCIAL FUNCTION
POLITICAL FUNCTION
PERSONAL FUNCTION
SPIRITUAL FUNCTION

26
Q

THE FUNCTION OF ARTWORK
EXPRESSES BELIEFS, CUSTOMS,
TRADITIONS, AND NORMS.

A

SOCIAL FUNCTION

27
Q

THESE ARTWORK FUNCTIONS
REINFORCE OR ENHANCE A SENSE
OF IDENTITY AND IDEOLOGICAL
CONNECTION TO SPECIFIC PARTIES.

A

POLITICAL FUNCTION

28
Q

THE FUNCTION OF ART IS
DEPENDENT ON THE ARTIST WHO
CREATED IT.

A

PERSONAL FUNCTION

29
Q

THESE ARTWORK FUNCTIONS HAVE
RELIGIOUS SIGNIFICANCE.

A

SPIRITUAL FUNCTION

30
Q

A TERM THAT REFERS TO THE
DEVELOPMENT OF FORMS IN THE ART THAT
ARE RELATED TO PARTICULAR HISTORICAL
PERIODS.

A

STYLE

31
Q

IT IS THE ABILITY OF THE MIND
TO BE CREATIVE IN ARTS.

A

IMAGINATION

32
Q

IT IS THE USE OF IMAGINATION OR
ORIGINAL IDEAS IN ART.

A

CREATIVITY

33
Q

IT ALSO REFERS TO
“INVENTIVENESS”.

A

CREATIVITY

34
Q

THE DIVISION OF ART STUDY
ALLOWS PEOPLE TO LEARN THE
HISTORICAL DEVELOPMENTS OF
ART.

A

ART HISTORY