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ARTS AND HUMANITIES > Preliminaries & Definitions > Flashcards

Preliminaries & Definitions Flashcards

1
Q

IT IS THE ABILITY TO PRODUCE MAN’S
CREATIVITY.

A

art

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2
Q

ACCORDING TO OSCAR WILDE “_____”
IS THE MOST INTENSE _____ __ _____ THAT THE WORLD
HAS KNOWN.”

A

Art
Mode of Individualism

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3
Q

THIS IS A PRODUCT OF MAN’S
IMAGINATION, CREATIVITY, AND EXPRESSION.

A

art

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4
Q

AN ELEMENT OF ART THAT IS THREE-DIMENSIONAL AND
ENCLOSES VOLUME; INCLUDING HEIGHT, WIDTH, AND DEPTH (AS
IN A CUBE, A SPHERE, A PYRAMID, OR A CYLINDER). IT MAY ALSO BE FREE FLOWING.

A

Form

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5
Q

AN ELEMENT OF ART THAT IS TWO-DIMENSIONAL, FLAT, OR
LIMITED TO HEIGHT AND WIDTH.

A

shape

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6
Q

AN ELEMENT OF ART DEFINED BY A POINT MOVING IN SPACE.
IT MAY BE TWO-OR THREE-DIMENSIONAL, DESCRIPTIVE,
IMPLIED, OR ABSTRACT.

A

line

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7
Q

AN ELEMENT OF ART MADE UP OF THREE PROPERTIES: HUE,
VALUE, AND INTENSITY.

A

color

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8
Q

3 properties of color

A

Hue, Intensity, Value

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9
Q

AN ELEMENT OF ART BY WHICH POSITIVE AND NEGATIVE AREAS
ARE DEFINED OR A SENSE OF DEPTH ACHIEVED IN A WORK OF ART.

A

space

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10
Q

AN ELEMENT OF ART THAT REFERS TO THE WAY THINGS
FEEL, OR LOOK AS IF THEY MIGHT FEEL IF TOUCHED.

A

texture

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11
Q

THE LIGHTNESS OR DARKNESS OF TONES OR COLORS. WHITE
IS THE LIGHTEST; BLACK IS THE DARKEST. THE HALFWAY
BETWEEN THESE EXTREMES IS CALLED MIDDLE GRAY.

A

value

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12
Q

QUALITY OF BRIGHTNESS AND
PURITY (HIGH = COLOR IS STRONG AND BRIGHT; LOW = COLOR IS FAINT AND DULL)

A

intensity

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13
Q

NAME OF COLOR

A

hue

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14
Q

HUE’S
LIGHTNESS AND DARKNESS (A COLOR’S _____ CHANGES WHEN WHITE
OR BLACK IS ADDED)

A

value

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15
Q

ABILITY TO APPRECIATE, ANALYZE
AND CRITIQUE A WORK OF ART.

A

Art appreciation

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16
Q

IT IS A STRONG FOUNDATION IN THE ARTS AND
SCIENCES AND AIMS TO PROMOTE AWARENESS OF
THE INTERRELATIONSHIPS OF ALL FIELDS OF
KNOWLEDGE.

A

humanities

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17
Q

THE ABILITY TO INTERPRET AND
UNDERSTAND MAN-MADE ARTS AND
ENJOY THEM THROUGH ACTUAL WORK
EXPERIENCE WITH ART TOOLS AND
MATERIALS.

A

Art Appreciation

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18
Q

THIS MEANS A CRAFT OR A
SPECIALIZED FORM OF SKILL.

A

Art

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19
Q

REPRESENTS PEOPLE’S HIGHEST GOALS,
ASPIRATIONS, HOPES, DREAMS, AND AMBITION AS
WELL AS THEIR CHALLENGES, DISILLUSIONMENTS,
AND FRUSTRATIONS.

A

humanities

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20
Q

HUMANITIES IS Derived from the word “_____”.

A

Humannus

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21
Q

THIS DIVISION OF ART STUDY THAT
USES HIS CREATIVITY, IMAGINATION
AND EXPRESSION IN ORDER TO
PRODUCE OR CREATE HIS OWN
ARTWORK.

A

Art production

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22
Q

THIS IS A PRODUCT OF A NEW WAY
OF COLONIALISM IN THE
POST-MODERN ERA OR THE
CONTEMPORARY.

A

Globalization

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23
Q

THIS REFERS TO THE STUDY OF
BEAUTY.

A

aesthetics

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24
Q

HARRY BROUDY’S FORMULATION OF
AESTHETIC RESPONSE

A

•FORMAL
•TECHNICAL
• EXPERIENTIAL
•CONTEXTUAL
• PERSONAL

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25
Q

THE OFFICIAL AGENCY FOR
CULTURE IN THE PHILIPPINES

A

NATIONAL COMMISSION ON
CULTURE AND THE ARTS

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26
Q

EVERY SOCIETY HAS ITS OWN ART, WHICH IS
ENCOURAGED AND MOLDED BY THE
PATRONAGE IT GETS FROM ITS MEMBERS.

A

ART IS CULTURAL

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27
Q

IT IS THE CREATION OF ART
THAT MUST BE SOMETHING OF
PERSONAL AND KNOWLEDGEABLE
VALUE.

A

ART IS EXPERIENCE

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28
Q

THIS IS A PRODUCT OF MAN’S IMAGINATION,
CREATIVITY, AND EXPRESSION THROUGH
ACQUIRED INFORMATION FROM THE SOCIETY

A

ART IS CULTURAL

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29
Q

IT IS THE ARTICULATION AND
TRANSMISSION OF NEW
INFORMATION AND VALUES.

A

ART IS UNIVERSAL

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30
Q

IT IS THE COMMON MEANS OF
EXPRESSING THEIR THOUGHT AND
FEELINGS

A

ART IS COMMUNICATION

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31
Q

IS A BODY OF ART MOVEMENTS THAT
SOUGHT TO CONTRADICT SOME
ASPECTS OF MODERNISM OR SOME
ASPECTS THAT EMERGED OR
DEVELOPED IN ITS AFTERMATH.

A

Traditional art

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32
Q

THE FUNCTION OF ARTWORK
EXPRESSES BELIEFS, CUSTOMS,
TRADITIONS, AND NORMS.

A

Social Function

33
Q

THESE ARTWORK FUNCTIONS
REINFORCE OR ENHANCE A SENSE
OF IDENTITY AND IDEOLOGICAL
CONNECTION TO SPECIFIC PARTIES

A

political function

34
Q

THE FUNCTION OF ART IS
DEPENDENT ON THE ARTIST WHO
CREATED IT.

A

Personal Function

35
Q

THESE ARTWORK FUNCTIONS HAVE
RELIGIOUS SIGNIFICANCE

A

Spiritual Function

36
Q

A TERM THAT REFERS TO THE
DEVELOPMENT OF FORMS IN THE ART THAT
ARE RELATED TO PARTICULAR HISTORICAL
PERIODS.

A

style

37
Q

IT IS THE ABILITY OF THE MIND TO
BE CREATIVE IN ARTS.

A

imagination

38
Q

THE USE OF IMAGINATION OR
ORIGINAL IDEAS IN ART.

A

Creativity

39
Q

ALSO REFERS TO
“INVENTIVENESS”.

A

creativity

40
Q

THE DIVISION OF ART STUDY
ALLOWS PEOPLE TO LEARN THE
HISTORICAL DEVELOPMENTS OF
ART.

A

art history

41
Q

THE PERIOD WHEN THE EARLIEST
PEOPLE PERFORMED AND
DISCOVERED COLORED ANIMAL
DRAWINGS ON THE WALLS OF CAVES.

A

pre-historic

42
Q

THE PERIOD THAT SAW THE
REBIRTH OR REAWAKENING OF
CULTURE AND THE ARTS.

A

renaissance

43
Q

IT IS THE FIRST FORM AND AS A
GREAT INFLUENCE IN THE ART OF
THE COUNTRY.

A

religion

44
Q

ART THAT APPEALS TO THE SENSE
OF SIGHT THAT IS MAINLY VISUAL IN
NATURE.

A

visual arts

45
Q

ART FORMS THAT CREATE WORKS THAT ARE
PRIMARILY VISUAL IN NATURE SUCH AS
CERAMICS, DRAWING, PAINTING, SCULPTURE,
PRINT-MAKING, PHOTOGRAPHY , FILM MAKING
AND ARCHITECTURE

A

visual art

46
Q

AN IMAGE USING PIGMENTS
ON A SURFACE SUCH AS PAPER OR CANVAS.

A

painting

47
Q

•BEST DESCRIBED AS THE APPLICATION OF
PIGMENTS TO A SURFACE, IT IS A
TWO-DIMENSIONAL ART FORM

A

painting

48
Q

THIS MADE USE OF LIGHT AND DARK
CONTRAST AND TONES IN
PAINTINGS.

A

CHIAROSCURO

49
Q

IS DEFINED AS THE APPLICATION OF
COLORED PIGMENTS TO A FLAT SURFACE,
USUALLY CANVAS, PAPER, WOOD, OR
PLASTER.

A

painting

50
Q

•PAINTING TECHNIQUE WITH
PIGMENT APPLIED THICKLY WITH A
PALETTE KNIFE TO RAISE AREAS
FROM THE CANVAS

A

impasto

51
Q

ART FORM PRACTICED MAINLY FOR
ITS AESTHETIC VALUE AND ITS
BEAUTY RATHER THAN ITS
FUNCTIONAL VALUE

A

fine arts

52
Q

ART FORM THAT IS BEST
DESCRIBED AS THREE-DIMENSIONAL,
IT CAN BE CREATED BY MOULDING,
CARVING, WELDING, ASSEMBLING AND
CASTING.

A

sculpture

53
Q

THIS REFERS TO THE ART OF PUTTING
TOGETHER SUCCESSIONS OF STILL
IMAGES IN ORDER TO CREATE AN
ILLUSION OF MOVEMENT.

A

film

54
Q

THIS EMBODIES A PLAN OF
CONSTRUCTION AND DESIGN IN THE
MAKING OF BEAUTIFUL BUILDINGS.

A

architecture

55
Q

THIS REFERS TO A LIVE ART OR THE
ARTIST’S MEDIUM AND IS MAINLY
THE HUMAN BODY WHICH HE USES
TO PERFORM

A

performance

56
Q

ART OF BODY MOVEMENTS THAT IS
ATTUNED TO A MUSICAL PIECE, IN
ANCIENT TIMES IT WAS USED AS A
FORM OF WORSHIP

A

dance

57
Q

PATTERN OF SOUNDS MADE
BY MUSICAL INSTRUMENTS, VOICES,
OR COMPUTERS, OR A COMBINATION OF
THESE, INTENDED TO
GIVE PLEASURE TO PEOPLE LISTENING TO IT

A

music

58
Q

•PERFORMANCE OF DRAMA.
ACTORS PERFORM ON STAGE IN
FRONT OF A LIVE AUDIENCE

A

theater

59
Q

THIS FOCUSES ON WRITING USING
UNIQUE STYLES IN ORDER TO
EXPRESS THEMSELVES AND
COMMUNICATE EMOTIONS TO THE
READERS.

A

literary art

60
Q

THE ART OF USING WORDS TO
EXPRESS THOUGHTS, IDEAS, AND
FEELINGS.

A

literature

61
Q

THIS PERTAINS TO AN ART FORM
WHERE THE ARTIST EXPRESSES HIS
EMOTIONS THROUGH WORDS.

A

poetry

62
Q

THIS REFERS TO AN ELEMENT OF
ART WHICH MEANS A PATH MOVING
POINT THROUGH SPACE.

A

line

63
Q

A TWO-DIMENSIONAL CLOSED AREA
THAT IS DEFINED BY OTHER
ELEMENTS OF ART.

A

shape

64
Q

AREA IN ARTWORK THAT
OCCUPIES THE ENTIRE SURFACE.

A

volume

65
Q

THIS PRINCIPLE OF ART REFERS TO
THE DISTRIBUTION OF THE VISUAL
ELEMENTS IN VIEW OF THEIR
PLACEMENT IN RELATION TO EACH
OTHER.

A

proportion

66
Q

PERTAINS TO THE SIZE IN
RELATION TO WHAT IS NORMAL FOR
THE FIGURE OR OBJECT IN
QUESTION.

A

scale

67
Q

•ELEMENT OF ART THAT IS
THREE-DIMENSIONAL AND ENCLOSES
VOLUME; INCLUDES HEIGHT, WIDTH,
AND DEPTH AS IN CUBE, SPHERE, A
PYRAMID OR A CYLINDER.

A

form

68
Q

PAINTER WHO CREATED THE LAST
SUPPER

A

LEONARDO DA VINCI

69
Q

HE IS KNOWN FOR HIS NATURE
LANDSCAPE. “BUHAY SA
LALAWIGAN,BUKID”

A

FERNANDO AMORSOLO

70
Q

HE IS KNOWN TO BE THE BROTHER
OF A WELL-KNOWN HERO GENERAL
IN THE PHILIPPINES
•HE CREATED “SPOLARIUM”

A

JUAN LUNA

71
Q

HE IS KNOWN TO BE THE AUTHOR OF THE
TWO REVOLUTIONARY BOOKS IN THE
PHILIPPINES HISTORY
•NOLI ME TANGERE
•EL FILIBUSTERISMO

A

JOSE RIZAL

72
Q

•THE MAN WHO USED MULTI-MEDIA
IN EXPRESSIONISM.

A

JOSE JOYA

73
Q

NATIONAL ARTIST OF THE
PHILIPPINES 2022 FOR DESIGN

A

SALVACION LIM-HIGGINS

74
Q

•IN HIS VIEW OF REALITY, HE CLAIMED
THAT MAN IS BOUND TO ACHIEVE A LIFE
OF FULFILLMENT AND HAPPINESS.

A

ARISTOTLE

75
Q

•ALL ARTISTIC CREATION IS A FORM
OF IMITATION OR ‘MIMESIS’

A

PLATO

76
Q

A GERMAN ARTIST OF “A VIEW NEAR
VOLTERRA.”

A

JEAN BAPTISTE-CAMILLE COROT

77
Q

CREATED THE PAINTING OF THE
SISTINE CHAPEL CEILING

A

LEONARDO DA VINCI

78
Q

•“STARRY NIGHT” IS HIS RENOWNED
MASTERPIECE

A

VINCENT VAN GOGH

79
Q

HE CLAIMED THAT EVERY PARTICULAR
SUBSTANCE IN THE WORLD HAS AN
END OR ‘TELOS’ WHICH MEANS
PURPOSE.

A

ARISTOTLE

ARTS AND HUMANITIES (1 decks)

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