Praveshika Poorna Theory Flashcards

1
Q

sargaam geet

A

composition in raag with words as the swar notation of composition. no other words

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2
Q

instruments (percussion) in Hindustani:

A

tabla, pakhwaj, dholak, manjira, Tasha, Dhol, DimaDee

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3
Q

swar

A

naad useful to make music

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4
Q

instruments in Carnatic:

A

veena, violin, bansuri, tanpura, nadaswaram

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5
Q

Sangeet

A

“geetam waadyam tathaa nrityam sangeetamuchyate”

vocal and instrumental music and dance make up sangeet

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6
Q

naad

A

dhwani at fixed frequency

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7
Q

two styles of Indian music:

A
Uttar Bharateey (Hindustani)
DakshiN bhaarateey (Carnatic)
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9
Q

alankaar / palaTe

A

progression of pattern of notes ascending or descending

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10
Q

instruments on Hindustani:

A

sitar, sarod, santoor, bansuri, violin, shehnai, harmonium, tanpura, sarangi

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11
Q

instruments (percussion) in Carnatic:

A

mrundungum, GhaTam, Thavil, Khanjira

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11
Q

shuddha swars

A

7 main notes in Indian classical music

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12
Q

mandra saptak

A

saptak lower to singer

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13
Q

wirkut/ vikrut swars

A

variation of the swar can be higher (Ma) or lower (Re, Ga, Dha, Ni)

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15
Q

sthaayee/ asthaayee

A

first part of the bandish, usually in mandra and madhya octave

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16
Q

warjit swars

A

swars that are excluded from the raag

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17
Q

teevra swar

A

swar higher than shuddha swar (Ma)

18
Q

taar saptak

A

saptak higher to singer

19
Q

saptak

A

range of 12 swars (vikrut and shuddha)

21
Q

wadi swar

A

most important swar in raag

22
Q

lakshaN geet

A

a composition in the raag about the raag

23
Q

antaraa

A

second part of bandish, usually near taar saptak Sa

24
Q

samwadi swar

A

second most important swar in raag

25
Q

madhya saptak

A

the normal range of saptak for the singer

26
Q

LakshaN geet definition

A

composition tells about raag

26
Q

dhwani

A

any audible sound

26
Q

komal swar

A

lower than shuddha (Re, Ga, Dha, Ni)

27
Q

naad three properties

A
ChhoTaa baDaapan (volume)
unchaa neechaapan (pitch)
Jaati athaba guN (tone, tonal quality)