Power and Conflict Poetry Flashcards
Remains by Simon Armitage
Key Ideas & Context
Key Ideas: Psychological suffering - even after conflict is over.
Guardsman Tromans - Iraq 2003. PTSD.
‘The Not Dead’
Context: Highlights the violence that people experience, mental suffering.
‘poems of survivors - the damaged, exhausted men’
Wanted to increase awareness about the horrors of the war.
Remains by Simon Armitage
Language
- Metaphor ‘I see every round as it rips through his life.’ - taking his soul, destroying his family, his future. Last effects of war.
- Brutal imagery: ‘tosses his guts back into his body’ ‘carted off in the back of a lorry’ - emotionless, negligent nature of war. Disturbing image. Reduction of humanity into waste/cattle. Rhyme emphasises the routine (exposed to death and violence, lost respect and value for life)
- Gruesome imagery: ‘sort of inside out’ ‘image of agony’ - transition from colloquial to emotional language - confessional tone, process of reliving memories.
Remains by Simon Armitage
Form & Structure
- Enjambment and caesura - tension, builds up violent imagery, unable to separate past events, cause past to flow into present. Haunted by past. Moment will continue (influence his future)
‘Then I’m home on leave.’ - should be the end of his suffering. This isn’t the case. VOLTA (false)
2.Shift of blame - ‘somebody else and somebody else’ avoids the blame –> towards the end, he accepts his role and responsibility.
- Motif of blood - represents guilt/remorse.
- Opens in media res. Mirrors confusion of war, not mentally prepared. ‘probably armed, possibly not’ - loss of innocence, loss of peace (interrupts his peace)
Exposure by Wilfred Owen
Key Ideas & Context
Key ideas : the speaker describes the terrifying experience of a night in the trenches in the first world war. The poem shows the trauma experienced by soldiers in the trenches.
Context:Poem was written in 19 12, while Owen was fighting in the trenches, which greatly adds to its authenticity, since it is written by an actual soldier in the midst of conflict. In contemporary bitten, war was romanticised to the point where it had gained mythical status, this was reflected in most other old war poetry which focused on the honour of fighting. Owen dispelled “the old lie’ and exposed the horrors of war.
Exposure by Wilfred Owen
Language
- Personification of mother nature: ‘the merciless iced east winds that knive us…’ - a foe as deadly as the Germans. Weather is the enemy, takes no prisoners. Harsh conditions. Ellipsis (no ultimate good outcome from war, relentless nature of war) Sibilance (creates hissing/slicing sound of the wind)
- Refrain: ‘but nothing happens’ - monotony of war, waiting for the enemy, action.
- Cold imagery: ‘pale flakes with fingering stealth’ frost’ ‘all their eyes are ice’ - eyes are window to the soul, destroyed their souls, left them soulless.
Exposure by Wilfred Owen
Form & Structure
1.Cyclical structure - nothing happened on the front line, war will continue (futile), soldiers will continue to die, despite suffering they are achieving nothing.
- Repetition of questions - unnecessary wars/decisions made by those in power. Owen is questioning the purpose of war.
- Caesura - ‘pause over half known faces.’ - burying the dead, was the war worth it?, pause for respect.
- ‘Knive us’/’Nervous’ - half rhyme. Leaves the reader dissatisfied, war is not how it should be. Half rhyme barely holds the poem together - mirrors the mental state of the soldiers (holding onto hope)
Poppies by Jane Weir
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Poppies by Jane Weir
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Poppies by Jane Weir
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Charge of the Light Brigade by Alfred Lord Tennyson
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Charge of the Light Brigade by Alfred Lord Tennyson
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Charge of the Light Brigade by Alfred Lord Tennyson
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Bayonet Charge by Ted Hughes
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Bayonet Charge by Ted Hughes
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Bayonet Charge by Ted Hughes
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War Photographer by Carol Ann Duffy
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War Photographer by Carol Ann Duffy
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War Photographer by Carol Ann Duffy
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