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english gcse revision > power and conflict poetry > Flashcards

power and conflict poetry Flashcards

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1
Q

who wrote Ozymandias?

A

Percy Bysshe Shelley

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2
Q

who wrote London?

A

William Blake

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3
Q

who wrote The Prelude?

A

William Wordsworth

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4
Q

who wrote My Last Duchess?

A

Robert Browning

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5
Q

who wrote The Charge of the Light Brigade?

A

Alfred Lord Tennyson

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6
Q

who wrote Exposure?

A

Wilfred Owen

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7
Q

who wrote Storm on the Island?

A

Seamus Heaney

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8
Q

who wrote Bayonet Charge?

A

Ted Hughes

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9
Q

who wrote Remains?

A

Simon Armitage

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10
Q

who wrote Poppies?

A

Jane Weir

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11
Q

who wrote War Photographer?

A

Carol Ann Duffy

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12
Q

who wrote Tissue?

A

Imtiaz Dharker

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13
Q

who wrote The Emigrée?

A

Carol Rumens

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14
Q

who wrote Checking Me Out History?

A

John Agard

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15
Q

who wrote Kamikaze?

A

Beatrice Garland

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16
Q

what could you compare Ozymandias with?

A

London, The Prelude, My Last Duchess

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17
Q

what could you compare London with?

A

Ozymandias, Storm on the Island

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18
Q

what could you compare The Prelude with?

A

Ozymandias

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19
Q

what could you compare My Last Duchess with?

A

Ozymandias

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20
Q

what could you compare The Charge of the Light Brigade with?

A

Kamikaze, Checking Out Me History, Bayonet Charge

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21
Q

what could you compare Exposure with?

A

Bayonet Charge, Remains

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22
Q

what could you compare Storm on the Island with?

A

London, The Emigrée

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23
Q

what could you compare Bayonet Charge with?

A

The Charge of the Light Brigade, Exposure, Kamikaze

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24
Q

what could you compare Remains with?

A

Exposure, War Photographer

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25
Q

what could you compare Poppies with?

A

Kamikaze

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26
Q

what could you compare War Photographer with?

A

Remains, The Emigrée

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27
Q

what could you compare Tissue with?

A

The Emigrée

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28
Q

what could you compare The Emigrée with?

A

Storm on the Island, War Photographer, Tissue

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29
Q

what could you compare Checking Out Me History with?

A

The Charge of the Light Brigade, The Emigrée

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30
Q

what could you compare Kamikaze with?

A

The Charge of the Light Brigade, Poppies, Bayonet Charge

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31
Q

“a shattered visage lies, whose frown and wrinkled lip, and sneer of cold command”

A

Ozymandias, Shelley

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32
Q

“a __ visage lies, whose __ and wrinkled lip, and __ of cold __”

A

shattered, frown, sneer, command

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33
Q

“‘My name is Ozymandias, King of Kings: Look on my works, ye Mighty, and despair!’”

A

Ozymandias, Shelley

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34
Q

“‘My name is __, King of __: Look on my works, ye __, and __!’”

A

Ozymandias, Kings, Mighty, despair

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35
Q

“Nothing beside remains… boundless and bare, The lone and level sands stretch far away”

A

Ozymandias, Shelley

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36
Q

“Nothing beside remains… __ and bare, The lone and __ sands __ far away”

A

boundless, level, stretch

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37
Q

“I wander through each chart’d street, Near where the chart’d Thames does flow”

A

London, Blake

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38
Q

“I wander through each __ street, Near where the chart’d Thames does __”

A

chart’d, flow

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39
Q

“Every black’ning Church appalls, And the hapless Soldier’s sigh Runs in blood down Palace walls.”

A

London, Blake

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40
Q

“Every __ Church appalls, And the __ Soldier’s sigh Runs in blood down __ walls.”

A

black’ning, hapless, palace

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41
Q

“How youthful harlots curse / Blasts the new-born infant’s tear, And blights with plagues the marriage hearse.”

A

London, Blake

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42
Q

“How youthful __ curse / __ the new-born infant’s tear, And __ with plagues the marriage __.”

A

harlots, Blasts, blights, hearse

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43
Q

“One summer (led by her) I found A little boat tied to a willow tree Within a rocky cove, its usual home.”

A

The Prelude, Wordsworth

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44
Q

“One __ (led by her) I found A little boat tied to a __ tree Within a rocky cove, its usual __.”

A

summer, willow, home

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45
Q

“Small circles glittering idly in the moon, Until they melted all into one track Of sparkling light.”

A

The Prelude, Wordsworth

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46
Q

“Small circles __ idly in the moon, Until they __ all into one track Of sparkling __.”

A

glittering, melted, light

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47
Q

“Went heaving through the water like a swan; When, from behind that craggy steep till then / The horizon’s bound, a huge peak, black and huge”

A

The Prelude, Wordsworth

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48
Q

“Went heaving through the water like a __; When, from behind that __ steep till then / The __ bound, a huge peak, black and __”

A

swan, craggy, horizon’s, huge

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49
Q

“There hung a darkness, call it solitude / Or blank desertion. No familiar shapes remained”

A

The Prelude, Wordsworth

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50
Q

“There hung a __, call it __/ Or __ desertion. No familiar shapes __”

A

darkness, solitude, blank, remained

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51
Q

“too soon made glad, Too easily impressed, she liked whate’er She looked on, and her looks went everywhere.”

A

My Last Duchess, Browning

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52
Q

“too soon made glad, Too easily __, she liked __ She looked on, and her looks went __.”

A

impressed, whate’er, everywhere

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53
Q

“She thanked men, -good! but thanked Somehow -I know not how- as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift.”

A

My Last Duchess, Browning

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54
Q

“She __ men, -good! but thanked Somehow -I know not how- as if she __ My gift of a nine-hundred-years-old __ With anybody’s gift.”

A

thanked, ranked, name

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55
Q

“Oh sir, she smiled, no doubt, Whene’er I passed her, but who passed without Much the same smile?”

A

My Last Duchess, Browning

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56
Q

“Oh sir, she __, no doubt, Whene’er I passed her, but who __ without Much the same smile?”

A

smiled, passed

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57
Q

“Notice Neptune, though, Taming a seahorse, thought a rarity”

A

My Last Duchess, Browning

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58
Q

“Notice __, though, Taming a __, thought a rarity”

A

Neptune, seahorse

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59
Q

“Not tho’ the soldier knew Some one had blunder’d”

A

The Charge of the Light Brigade, Tennyson

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60
Q

“Not tho’ the __ knew Some one had __”

A

soldier, blunder’d

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61
Q

“Into the jaws of Death, Into the mouth of Hell Rode the six hundred.”

A

The Charge of the Light Brigade, Tennyson

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62
Q

“Into the jaws of __, Into the mouth of __ Rode the six hundred.”

A

Death, Hell

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63
Q

“Honour the charge they made! Honour the Light Brigade, Noble six hundred!”

A

The Charge of the Light Brigade, Tennyson

64
Q

“Honour the __ they made! __ the Light Brigade, __ six hundred!”

A

charge, Honour, Noble

65
Q

“Our brains ache, in the merciless iced east winds that knive us…”

A

Exposure, Owen

66
Q

“Our brains __, in the merciless __ east winds that __ us…”

A

ache, iced, knive

67
Q

“Like twitching agonies of men among its brambles. Northward, incessantly, the flickering gunnery rumbles”

A

Exposure, Owen

68
Q

“Like twitching __ of men among its __. Northward, incessantly, the __ gunnery rumbles”

A

agonies, brambles, flickering

69
Q

“Slowly our ghosts drag home: glimpsing the sunk fires, glozed With crusted dark-red jewels”

A

Exposure, Owen

70
Q

“Slowly our __ drag home: glimpsing the __ fires, glozed With __ dark-red __”

A

ghosts, sunk, crusted, jewels

71
Q

“Tonight, this frost will fasten on this mud and us… The burying-party, picks and shovels in shaking grasp, Pause over half-known faces”

A

Exposure, Owen

72
Q

“Tonight, this frost will __ on this mud and us… The burying-party, picks and __ in shaking __, Pause over __ faces”

A

fasten, shovels, grasp, half-known

73
Q

“We are prepared: we build our houses squat”

A

Storm on the Island, Heaney

74
Q

“We are __: we build our houses __”

A

prepared, squat

75
Q

“you know what I mean - leaves and branches Can raise a tragic chorus in a gale”

A

Storm on the Island, Heaney

76
Q

“you know what I mean - __ and branches Can raise a __ chorus in a __”

A

leaves, tragic, gale

77
Q

“the flung spray hits The very windows, spits like a tame cat Turned savage.”

A

Storm on the Island, Heaney

78
Q

“the __ spray hits The very windows, __ like a tame cat Turned __.”

A

flung, spits, savage

79
Q

“Strange, it is a huge nothing that we fear.”

A

Storm on the Island, Heaney

80
Q

“Strange, it is a huge __ that we fear.”

A

nothing

81
Q

“Suddenly he awoke and was running - raw In raw-seamed hot khaki, his sweat heavy”

A

Bayonet Charge, Hughes

82
Q

“Suddenly he __ and was running - raw In __ hot khaki, his __ heavy”

A

awoke, raw-seamed, sweat

83
Q

“In what cold clockwork of the stars and the nations Was he the hand pointing that second?”

A

Bayonet Charge, Hughes

84
Q

“In what __ clockwork of the stars and the __ Was he the hand __ that second?”

A

cold, nations, pointing

85
Q

“He plunged past with his bayonet toward the green hedge, King, honour, human dignity, etcetera- Dropped like luxuries”

A

Bayonet Charge, Hughes

86
Q

“He __ past with his bayonet toward the green hedge, __, honour, human __, etcetera- Dropped like __”

A

plunged, King, dignity, luxuries

87
Q

“probably armed, possibly not”

A

Remains, Armitage

88
Q

“probably __, possibly not”

A

armed

89
Q

“and he’s there on the ground, sort of inside out, pain itself, the image of agony.”

A

Remains, Armitage

90
Q

“and he’s there on the __, sort of inside out, __ itself, the image of __.”

A

ground, pain, agony

91
Q

“End of story, except not really. His blood-shadow stays on the street, and out on patrol I walk right over it week after week.”

A

Remains, Armitage

92
Q

“End of __, except not really. His blood-__ stays on the street, and out on __ I walk right over it week after week.”

A

story, shadow, patrol

93
Q

“Sleep, and he’s probably armed, possibly not. Dream, and he’s torn apart by a dozen rounds.”

A

Remains, Armitage

94
Q

“__, and he’s probably armed, possibly not. __, and he’s torn apart by a dozen __.”

A

Sleep, Dream, rounds

95
Q

“not left for dead in some distant, sun-stunned, sand-smothered land or six-feet-under in desert land.”

A

Remains, Armitage

96
Q

“not left for __ in some distant, sun-stunned, sand-__ land or six-feet-under in __ land.”

A

dead, smothered, desert

97
Q

“I wanted to graze my nose across the tip of your nose, play at being Eskimos like we did when you were little.”

A

Poppies, Weir

98
Q

“I wanted to __ my nose across the __ of your nose, play at being __ like we did when you were little.”

A

graze, tip, Eskimos

99
Q

“I resisted the impulse to run my fingers through the gelled blackthorns of your hair.”

A

Poppies, Weir

100
Q

“I resisted the __ to run my fingers through the gelled __ of your hair.”

A

impulse, blackthorns

101
Q

“I was brave, as I walked with you, to the front door, threw it open, the world overflowing like a treasure chest. A split second and you were away, intoxicated.”

A

Poppies, Weir

102
Q

“I was __, as I walked with you, to the front door, threw it open, the world __ like a treasure chest. A split second and you were away, __.”

A

brave, overflowing, intoxicated

103
Q

“On reaching the top of the hill I traced the inscriptions on the war memorial, leaned against it like a wishbone”

A

Poppies, Weir

104
Q

“On reaching the top of the hill I traced the __ on the war memorial, leaned against it like a __”

A

inscriptions, wishbone

105
Q

“The dove pulled freely against the sky, an ornamental stitch, I listened, hoping to hear your playground voice catching on the wind.”

A

Poppies, Weir

106
Q

“The dove pulled freely against the sky, an __ stitch, I listened, hoping to hear your __ voice catching on the __.”

A

ornamental, playground, wind

107
Q

“In his dark room he is finally alone with spools of suffering set out in ordered rows. The only light is red and softly glows”

A

War Photographer, Duffy

108
Q

“In his __ room he is finally alone with spools of __ set out in ordered rows. The only light is __ and softly glows”

A

dark, suffering, red

109
Q

“Rural England. Home again to ordinary pain which simple weather can dispel, to fields which don’t explode beneath the feet of running children in a nightmare heat.”

A

War Photographer, Duffy

110
Q

“Rural England. Home again to ordinary __ which simple weather can dispel, to fields which don’t __ beneath the feet of running children in a __ heat.”

A

pain, explode, nightmare

111
Q

“A stranger’s features faintly start to twist before his eyes, a half-formed ghost.”

A

War Photographer, Duffy

112
Q

“A stranger’s features faintly start to __ before his eyes, a half-formed __.”

A

twist, ghost

113
Q

“A hundred agonies in black and white from which his editor will pick out five or six for Sunday’s supplement. The reader’s eyeballs prick with tears between the bath and pre-lunch beers.”

A

War Photographer, Duffy

114
Q

“A hundred __ in black and white from which his editor will pick out five or six for Sunday’s __. The reader’s eyeballs __ with tears between the __ and pre-lunch beers.”

A

agonies, supplement, prick, bath

115
Q

“Paper thinned by age or touching, the kind you find in well-used books, the back of the Koran, where a hand has written in the names and histories”

A

Tissue, Dharker

116
Q

“Paper thinned by age or __, the kind you find in __ books, the back of the Koran, where a __ has written in the names and __”

A

touching, well-used, hand, histories

117
Q

“The sun shines through their borderlines, the marks that rivers make, roads, railtracks, mountainfolds”

A

Tissue, Dharker

118
Q

“The sun shines through their __, the marks that rivers make, __, railtracks, __”

A

borderlines, roads, mountainfolds

119
Q

“raise a structure never meant to last, of paper smoothed and stroked and thinned to be transparent, turned into your skin.”

A

Tissue, Dharker

120
Q

“raise a __ never meant to last, of paper smoothed and __ and thinned to be __, turned into your skin.”

A

structure, stroked, transparent

121
Q

“There once was a country… I left it as a child but my memory of it is sunlight-clear”

A

The Emigrée, Rumens

122
Q

“There once was a country… I left it as a child but my memory of it is __-clear”

A

sunlight

123
Q

“It may be at war, it may be sick with tyrants, but I am branded by an impression of sunlight.

A

The Emigrée, Rumens

124
Q

“It may be at __, it may be sick with __, but I am branded by an __ of sunlight.

A

war, tyrants, impression

125
Q

“They accuse me of absence, they circle me. They accuse me of being dark in their free city. My city hides behind me. They mutter death, and my shadow falls as evidence of sunlight.”

A

The Emigrée, Rumens

126
Q

“They accuse me of __, they circle me. They accuse me of being __ in their free city. My city hides behind me. They mutter __, and my shadow falls as __ of sunlight.”

A

absence, dark, death, evidence

127
Q

“Dem tell me Wha dem want to tell me / Bandage up me eye with me own history / Blind me to my own identity”

A

Checking Out Me History, Agard

128
Q

“__ tell me Wha dem want to tell me / __ up me eye with me own history / Blind me to my own __”

A

Dem, Bandage, identity

129
Q

“Nanny / see-far woman of mountain dream / fire-woman struggle”

A

Checking Out Me History, Agard

130
Q

“Nanny / __ woman of mountain dream / fire-woman __”

A

see-far, struggle

131
Q

“a healing star among the wounded / a yellow sunrise to the dying”

A

Checking Out Me History, Agard

132
Q

“a __ star among the wounded / a __ sunrise to the dying”

A

healing, yellow

133
Q

“Dem tell me wha dem want to tell me / But now I checking out me own history / I carving out me identity”

A

Checking Out Me History, Agard

134
Q

“Dem tell me wha dem want to __ me / But now I checking out me own __ / I __ out me identity”

A

tell, history, carving

135
Q

“a samurai sword in the cockpit, a shaven head full of powerful incantations and enough fuel for a one-way journey into history”

A

Kamikaze, Garland

136
Q

“a __ sword in the cockpit, a shaven head full of powerful __ and enough fuel for a __ journey into history”

A

samurai, incantations, one-way

137
Q

“he must have looked far down at the little fishing boats strung out like bunting on a green-blue translucent sea”

A

Kamikaze, Garland

138
Q

“he must have looked far down at the little fishing boats __ out like __ on a green-blue __ sea”

A

strung, bunting, translucent

139
Q

“And though he came back my mother never spoke again in his presence, nor did she meet his eyes and the neighbours too, they treated him as though he no longer existed”

A

Kamikaze, Garland

140
Q

“And though he came back my __ never spoke again in his presence, nor did she meet his __ and the neighbours too, they __ him as though he no longer __”

A

mother, eyes, treated, existed

141
Q

“And sometimes, she said, he must have wondered which had been the better way to die.”

A

Kamikaze, Garland

142
Q

“And sometimes, she said, he must have __ which had been the better way to __.”

A

wondered, die

143
Q

what’s the context/theme behind Ozymandias?

A

romanticism, nature overcoming humanity’s rule

144
Q

what’s the context/theme behind London?

A

romanticism, government control, inspired by Bastille

145
Q

what’s the context/theme behind The Prelude?

A

romanticism, nature being almighty, Wordsworth’s own experience

146
Q

what’s the context/theme behind My Last Duchess?

A

written in perspective of the Duke of Ferrara, control over women

147
Q

what’s the context/theme behind The Charge of the Light Brigade?

A

the Crimean war, shows how nationalism can warp people’s views

148
Q

what’s the context/theme behind Exposure?

A

Owen’s own experience in WW1, how the conditions of war were worse than the combat in some ways

149
Q

what’s the context/theme behind Storm on the Island?

A

Heaney’s Irish heritage, Stormont and Ireland’s political turbulence

150
Q

what’s the context/theme behind Bayonet Charge?

A

WW1, though Hughes was not in it himself, losing faith in your country, war wrecking nature

151
Q

what’s the context/theme behind Remains?

A

Guardsman Tromans’ experience in war, PTSD from war

152
Q

what’s the context/theme behind Poppies?

A

mothers in the war losing sons/husbands, grief and childhood nostalgia

153
Q

what’s the context/theme behind War Photographer?

A

the experience of taking photos of the horrors or war, the lack of care people have for war unless it’s affecting them

154
Q

what’s the context/theme behind Tissue?

A

how things weren’t made to last, paper telling a life story

155
Q

what’s the context/theme behind The Emigrée?

A

emigrating as a child and not realising how bad things were, disrespect received by emigrants

156
Q

what’s the context/theme behind Checking Out Me History?

A

how history is told by the victors, how the history curriculum is whitewashed and ignores black history

157
Q

what’s the context/theme behind Kamikaze?

A

kamikaze pilots in the WW2, tradition, too much faith in your country can be harmful

english gcse revision (1 decks)

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