POST MODERNISN Flashcards

1
Q

According to him postmodern narrative is ahistorical (and hence politicaly dangerous) playing only with pastiched images and aesthetic forms that produce a degraded historicism- ADORNIAN tradition (consumer)

A

Jameson

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2
Q

According to him postmodern fiction remains historical, precisely because it problematizes history through parody, and thus retains its potential for cultural critique- AVANT GARDE (artist as producer)

A

Hutcheon

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3
Q

literary movement that averts from absolute meaning and instead emphasizes play of fragmentation, metafiction, and intertextuality.

This rose to prominence in the late 1950s and early 1960s as a reaction to modernist literature’s quest for meaning in light of the significant human rights violations of WWII.

A

Postmodern Literature

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4
Q

Origin of postmodern literature.

A

Its precursor, predecessor (modernist) emphasized a quest for meaning, suggesting the author as an enlightenment-style creator of
order and mourning the chaotic world.

After the series of human rights violations that occurred during and after WWII (including the atomic bombings of japan, and Japanese internment in the US), writers began to feel as if meaning was an impossible quest, and that the only way to move forward was to embrace meaninglessness fu ly.

Thus: postmodern literature rejected (or reposed on/ built upon) many of the forerunners of modernism (ideologies), including shunning meaning, intensifying and celebrating fragmentation and disorder, and initiating a major shift in literary tradition.

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5
Q

Core Ideas of Postmodern

A
  1. Embrace Randomness
  2. Playfulness
  3. Fragmentation
  4. Metafiction
  5. Intertextuality
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6
Q

rejects the idea of absolute meaning and instead embrace randomness and disorder.
It often employs unreliable narrators to further muddy the waters with extreme subjectivity and prevent readers from finding meaning during the story.

A

Embrace randomness

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7
Q

while modernist writers mourned the loss of order, postmodern writers revel in it, often using tools like black humor,
wordplay, irony and other techniques of playfulness to dizzy readers and muddle the story.

A

Playfulness

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8
Q

moving literary works more toward co lage-style forms, temporal distortion, and significant jumps in character and
place

A

fragmentation

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9
Q

is a self-conscious literary style in which the narrator or characters are aware that they are part of a work of fiction.

A

Metafiction

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10
Q

as a form of co lage-style writing, many postmodern authors wrote their work overtly in dialogue with other texts.

The techniques they employed included pastiche (or imitating other authors’ styles) and the combination of high and low culture (writing that explores on subjects that were previously considered inappropriate for literature).

A

Intertextuality

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