positions Flashcards
The Anniversary:
ME: Transcendent timelessness of the experience of love in contrast to the world of time in which we live.
In this poem, Donne reflects upon the transcendent timelessness of the experience of love in contrast to the world of time in which we live. Donne uses the poem to commemorate the first meeting of the lovers ‘a year’ ago, suggesting that, despite the ravages of time, their love is capable of transcending decay and death. He uses semantic fields of royalty, associated conceits regarding treason, lineation and other structural devices to communicate these ideas about the possibility of love transcending the ravages of time.
The Canonisation
Left alone by outside world to love freely and argues for the spiritual/supremacy of their love
Holy Sonnet III Oh might those sighs and tears
interdependent imagery of pain and sin to express the speaker’s simultaneous desire and dread regarding the “coming ills” of his penitence, courtesy of his sinful, idolatrous past, with no relief of previous “past joys” to help him.
Holy Sonnet XVII Since she whom I loved
Expresses a quiet sense of injustice whilst simultaneously reinforcing his faith/insatiable desire for God, turning his efforts to divine affection despite its present insufficiency at delivering satisfaction.
Good Friday 1613
Guilt at travelling West (clue in title) on the day commemorating Christ’s crucifixion. Intense religious meditation @ turning point in life
Holy Sonnet V I am a little world
In this Holy Sonnet - range of techniques - central microcosmic conceit, geographical and apocalyptic imagery, as well as enjambment and caesura, to explore and try and control his dread of God’s retribution due to his past sins.
Holy Sonnet XIX: O vex to me
In this sonnet, (Donne uses semantic fields of conflict and change, powerful verbs of fear and the final rhyming couplet to explore) thespeaker’s self-reproach about the fluctuations in his faith and his fear about the eternal consequences of this “inconstancy”.
SELF-REPROACH:
Hymn to God the Father
Confession of overwhelming sinfulness. Incompleteness. What drives it is fear, not love. His sin of fear is the last & most dominant sin. Yet light-hearted, emphasized by ‘father’ in title & anaphoric informal ‘Thou’. He is like the prodigal son, has squandered his (spiritual) wealth.
Song: Sweetest love, I do not go…
Little philosophizing, rhythms of verse are smooth & mellifluous. Preoccupied with parting, anxious about time, preoccupied with own ideas. Different arguments to persuade mistress not to worry about trip away. Dramatic situation.
THEIRS: In this song, the speaker uses different arguments to persuade his mistress (or perhaps Donne’s own wife in 1611) not to “sigh” and worry about his trip away, since he will return. He uses a range of techniques, such as antithetical imagery of death and intimacy, sound effects and a final life-affirming rhyming couplet, to urge his lover to be more optimistic about his trip away.
The Funeral
Imagines himself as martyr of love who has died because of lover’s rejection; mixture of lightheartedness & seriousness. Punish her by suicide & satisfaction of carrying part of her to grave.
theirs: In “The Funeral”, Donne uses morbid, grotesque conceits and imagery as the speaker desperately contemplates becoming a martyr to love because the addressee has rejected him.
A Valediction of Weeping
theirs: In this farewell poem, Donne uses water,cartographic and deathimagery and conceits as his speaker urges them both to try and contain their sorrow at parting, perhaps because such intense grief may prefigure the death of their seemingly fragile relationship.
Elegy: The Autumnal
Autumn (‘age’s glory’) is seen as fruition & contrasted against the final decay seen in winter.
theirs OVERVIEW: In Donne’s Elegy: The Autumnal, Donne shapes the reader’s response to the idea that “young beauties” cannot compare to the subject’s mature beauty with his use of seasonal motifs, antithetical imagery of youth and maturity as well as some shocking, comical conceits.
the blossom
Cynical attitude to parting & fidelity by parodying traditional Petrarchan addresses by the lover to his heart. Tells his own heart to leave cold, unresponsive woman behind.
In ___, Donne parodies the Petrarachan trope of the lover speaking to his heart, using such methods as the symbol of the blossom, colloquial speech patterns and precise verbs (modals and imperatives) all to show the speaker desperately trying to regain control of his heart and move on to another, more welcoming lover.
Farewell to Love
The speaker rejects romantic & physical love to lead a more religious, chaste life; at the end, though, the humorous tone seems to undermine the serious conviction of the speaker
theirs; : In this complex, playful poem, Donne uses a wide range of methods, such as sexual innuendo, semantic fields of depression and references to death, to suggest that the speaker will now reject romantic, physical love in favour of religious fervour but also to undercut this message with humorous double meanings and conceits.
Love’s alchemy
Lyric poem peaker denies Petrarchan ideal of love (mysterious & women worthy), instead maintaining love is a ‘vain bubble’s shadow’, retorting to cynicism & misogyny to express, in a mechanical, arrogant tone, his disillusionment & alienation.
Twicknam Garden
Narrator seeks consolation for a broken heart in beauties of nature but ends up corrupting environment with miserable perspective & suicidal disposition
In this poem, Donne uses poetic techniques, such as religious and natural imagery, as well as an extended stone fountain conceit, to explore how he is being “killed” by unrequited love, since his mistress is the only “true” woman and the pain of her rejection is therefore even sharper.
A Valediction Forbidding Mourning
Earnest love lyric poem, uses metaphysical wit to comfort lover at their parting, asking her to ‘endure’ the grief & separate calmly as their love is transcendental & they will reunite.
Love’s Exchange
Speaker who believes that he has given his body and soul to love & received no reward in return: a bargain, ‘exchange’, but between ‘Love’ & [usually] the devil, this is paradoxical.
theirs: In Love’s Exchange, Donne uses the central conceit of an ‘exchange’, or pact with Cupid, legal and gruesome imagery to present a speaker who feels powerfully that he has given his body and soul to love and received no reward in return.
Elegy: Change
In _______ Donne uses juxtaposingimagery of the profane and sacred, as well as animal and geographical imagery, to argue that, because of women’s inconstancy, he may as wellconsider a change of lovertoo.
Mine: Speaker advances the thought that a woman in inconstancy is natural. Fears mistresses inconstancy, yet finally accepts philosophy of variety in love, whilst maintaining his right to remain constant. Concerned with the need for discrimination/limits.
The Ecstasy
In this poem, Donne uses contrasting imagery of the body and the soulto muse on the possibility of achieving an”ecstasy” when the souls of two lovers leave their bodies and co-mingle. However,he then argues that such a spiritual exaltation is potentially incomplete without physical consummation as well.
The Apparition
A poem in which a hurt speaker attempts with vengeance to threaten a woman who has rejected him, in an attempt to get her back: can be seen as humorous; certainty/sexual jealousy can appeal to vanity of woman/flattering– an intimate, generous compliment– love poem!; threatening (vengeful, hurt, cruel, gloating lover intimidate).
She becomes ‘neglected’ instead of him, and the assertion that his love is ‘spent’ is undermined by the intensity of the tone.
Holy Sonnet IX If poisonous minerals
In the octave of this holy Petrarchan sonnet, Donne’s techniques include interrogatives, conditionals and natural imagery, used to question God’s (mis)treatment of him, concerned very much with the earthly sphere. However, after the volta, Donne uses imagery of cleansing and a pleading tone to explore the omnibenevolent, forgiving nature of God.
Holy Sonnet VI: This is my play’s last scene
xamines the transition from life to death with a heavily religious focus; acknowledges inevitability of death but believes his body & sins will be consumed by earth, & soul to heaven. Anxiety about death & afterlife. Terrified & impatient for last judgement. Urgent & momentous for his self-dramatizing.
Holy Sonnet XI: Spit in my face, you jews
Overwhelming sense of guilt (conscious of effect of sins on God who he loves, condemning him to self hatred)
