positions Flashcards
The Anniversary:
ME: Transcendent timelessness of the experience of love in contrast to the world of time in which we live.
In this poem, Donne reflects upon the transcendent timelessness of the experience of love in contrast to the world of time in which we live. Donne uses the poem to commemorate the first meeting of the lovers ‘a year’ ago, suggesting that, despite the ravages of time, their love is capable of transcending decay and death. He uses semantic fields of royalty, associated conceits regarding treason, lineation and other structural devices to communicate these ideas about the possibility of love transcending the ravages of time.
The Canonisation
Left alone by outside world to love freely and argues for the spiritual/supremacy of their love
Holy Sonnet III Oh might those sighs and tears
interdependent imagery of pain and sin to express the speaker’s simultaneous desire and dread regarding the “coming ills” of his penitence, courtesy of his sinful, idolatrous past, with no relief of previous “past joys” to help him.
Holy Sonnet XVII Since she whom I loved
Expresses a quiet sense of injustice whilst simultaneously reinforcing his faith/insatiable desire for God, turning his efforts to divine affection despite its present insufficiency at delivering satisfaction.
Good Friday 1613
Guilt at travelling West (clue in title) on the day commemorating Christ’s crucifixion. Intense religious meditation @ turning point in life
Holy Sonnet V I am a little world
In this Holy Sonnet - range of techniques - central microcosmic conceit, geographical and apocalyptic imagery, as well as enjambment and caesura, to explore and try and control his dread of God’s retribution due to his past sins.
Holy Sonnet XIX: O vex to me
In this sonnet, (Donne uses semantic fields of conflict and change, powerful verbs of fear and the final rhyming couplet to explore) thespeaker’s self-reproach about the fluctuations in his faith and his fear about the eternal consequences of this “inconstancy”.
SELF-REPROACH:
Hymn to God the Father
Confession of overwhelming sinfulness. Incompleteness. What drives it is fear, not love. His sin of fear is the last & most dominant sin. Yet light-hearted, emphasized by ‘father’ in title & anaphoric informal ‘Thou’. He is like the prodigal son, has squandered his (spiritual) wealth.
Song: Sweetest love, I do not go…
Little philosophizing, rhythms of verse are smooth & mellifluous. Preoccupied with parting, anxious about time, preoccupied with own ideas. Different arguments to persuade mistress not to worry about trip away. Dramatic situation.
THEIRS: In this song, the speaker uses different arguments to persuade his mistress (or perhaps Donne’s own wife in 1611) not to “sigh” and worry about his trip away, since he will return. He uses a range of techniques, such as antithetical imagery of death and intimacy, sound effects and a final life-affirming rhyming couplet, to urge his lover to be more optimistic about his trip away.
The Funeral
Imagines himself as martyr of love who has died because of lover’s rejection; mixture of lightheartedness & seriousness. Punish her by suicide & satisfaction of carrying part of her to grave.
theirs: In “The Funeral”, Donne uses morbid, grotesque conceits and imagery as the speaker desperately contemplates becoming a martyr to love because the addressee has rejected him.
A Valediction of Weeping
theirs: In this farewell poem, Donne uses water,cartographic and deathimagery and conceits as his speaker urges them both to try and contain their sorrow at parting, perhaps because such intense grief may prefigure the death of their seemingly fragile relationship.
Elegy: The Autumnal
Autumn (‘age’s glory’) is seen as fruition & contrasted against the final decay seen in winter.
theirs OVERVIEW: In Donne’s Elegy: The Autumnal, Donne shapes the reader’s response to the idea that “young beauties” cannot compare to the subject’s mature beauty with his use of seasonal motifs, antithetical imagery of youth and maturity as well as some shocking, comical conceits.
the blossom
Cynical attitude to parting & fidelity by parodying traditional Petrarchan addresses by the lover to his heart. Tells his own heart to leave cold, unresponsive woman behind.
In ___, Donne parodies the Petrarachan trope of the lover speaking to his heart, using such methods as the symbol of the blossom, colloquial speech patterns and precise verbs (modals and imperatives) all to show the speaker desperately trying to regain control of his heart and move on to another, more welcoming lover.
Farewell to Love
The speaker rejects romantic & physical love to lead a more religious, chaste life; at the end, though, the humorous tone seems to undermine the serious conviction of the speaker
theirs; : In this complex, playful poem, Donne uses a wide range of methods, such as sexual innuendo, semantic fields of depression and references to death, to suggest that the speaker will now reject romantic, physical love in favour of religious fervour but also to undercut this message with humorous double meanings and conceits.
Love’s alchemy
Lyric poem peaker denies Petrarchan ideal of love (mysterious & women worthy), instead maintaining love is a ‘vain bubble’s shadow’, retorting to cynicism & misogyny to express, in a mechanical, arrogant tone, his disillusionment & alienation.