Popular Song - Jazz: Frank Sinatra p137-138 Flashcards

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1
Q

Why was he one of the most popular entertainers of his generation?

A

His relaxed crooning style belied a meticulous attention to the interpretation of a song

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2
Q

When did he start singing?

A

As a teenager and idolised Bing Crosby

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3
Q

Where was he singing?

A

Expelled from school, worked as a delivery boy and at a shipyard, also singing in clubs or on local radio

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4
Q

How did he get into his first vocal group?

A

His mother (doubtful) still helped to get his first break with singing in the Hoboken Four

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5
Q

In 1939 who’s band did he have a contract with?

A

The Harry James band, earning $75 a week

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6
Q

What meant that he was able to leave James band for Tommy Dorsey’s?

A

He had his mother’s drive and self confidence, determined to get to the top, he had a new contract of $125 a week

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7
Q

What was his job?

A

To sing the vocal sections of dance numbers, typically in a three-chorus structure, the song melody is introduced by the band, followed by a solo of 32 bars for the singer, before the band takes the final chorus eg Anderson’s version of ‘I’ve got the world on a string’ with the Ellington band

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8
Q

Who came a model for young Sinatra?

A

Tommy Dorsey’s long, lyrical trombone solos, he was famous for playing his solos in one breath

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9
Q

When did he want to develop a legato style?

A

Even before he joined the band

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10
Q

Was Sinatra different to earlier singers?

A

He had wanted to develop a legato style that was very different from the short-breathed phrases of earlier singers

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11
Q

How did Sinatra attack a legato style?

A

He made a conscious effort to avoid taking a breath mid-phrase, the smooth shaking of the vocal line generated a powerful expressive effect

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12
Q

What was so impressive about Sinatra’s style?

A

He was able to create a narrative, unfolding the story from the beginning to end in a natural, conversational singing style, audiences were transfixed

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13
Q

What did Dorsey allow for him?

A

To record ballads, with arrangements by Axel Stordahl

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14
Q

When and why did Sinatra leave the band?

A

1942 so that he could go solo, (unlike Harry James, who released Sinatra from his contract amicably, Tommy Dorsey was reluctant to let his star singer go)

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15
Q

What was the controversy to Sinatra going solo?

A

Their contract specified he had to pay 43% of his lifetime earnings to Dorsey, long court case (reputedly Dorsey was threatened at gunpoint by Sinatra‘s criminal connections) to settle the matter

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16
Q

How popular was Sinatra?

A

As he began his his solo career, young women mobbed his concerts and screamed at his every appearance, in New York fans refused to leave after a Sinatra concert, preventing ticket holders for his next shots from gaining admittance, a riot ensued and police had to be called

17
Q

What was his repertoire of songs?

A

Based on the standards of the 1920s and 1930s. (Most singers concentrated in newly composed songs)

18
Q

What were the best selling songs?

A

Were often “novelty songs” - catchy tunes, often humorous or childlike, with undemanding lyrics or musical content

19
Q

What are examples of novelty songs?

A

eg Ella Fitzgerald’s ‘A Tisket, A Tasket’ and Edyth Wright singing ‘The Dipsy Doodle’ with Tommy Dorsey (1937)

20
Q

What types of songs did he sing?

A

Novelty songs, but also explored the music of composers from the Tin Pan Alley generation, such as…

21
Q

What are examples of composers from the Tin Pan Alley generation?

A

George Gershwin, Cole Porter and Harold Arlen

22
Q

What does LP stand for?

A

The long passing record

23
Q

When was the LP developed?

A

1950s

24
Q

What did the LP mean for music?

A

Meant that recording companies were releasing albums of songs rather than singles

25
Q

How long can an LP be played for?

A

Could be a total of 40 minutes of music or longer

26
Q

How did he come up with the concept album?

A

When he recorded for Capitol Records (1953-1961), he thought carefully about the choice of songs on an album, creating a balanced programme rather than a random collection

27
Q

How did a concept album influence music?

A

The success of his recordings of standards and their presentation in a concept album set an example that was followed by other drivers and their recording companies

28
Q

The four prescribed songs are taken from albums that Sinatra recorded for Capitol in the 1950s:

A
  • I’ve got the world on a string
  • they can’t take that away from me
  • I’ve got you under my skin
  • come fly with me