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2ND QUARTER | CPAR > POINTERS TO REVIEW > Flashcards

POINTERS TO REVIEW Flashcards

1
Q

Stands for GAWAD SA MANLILIKHA NG BAYAN (National Living Treasures).

A

GAMABA

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2
Q

In what year did the National Commission on Culture and therefore the Arts (NCCA) began selecting and honoring recipients of the National Living Treasures Award?

A

1992

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3
Q

It is based on indigenous people’s cultures that are largely honed by oral tradition. It finds deep affinities with nature, place, society, ritual, spirituality, and everyday life.

A

Traditional art

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4
Q

Forms and expressions do not
normally end up as objects distanced from everyday living.

A

Traditional integrative art

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5
Q

strips of rattan

A

uway

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6
Q

fern

A

nito

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7
Q

Who shared his knowledge and skills in making the Tabungaw hat
at San Quintin National High School and inspires the youth to value tradition and to ensure its preservation?

A

Teofilo Garcia

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8
Q

It refers to an art produced in the present period that reflects the current culture by utilizing classical techniques in drawing, painting, and sculpting.

A

contemporary-traditional art

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9
Q

Means to express human emotions and experiences.

A

forms of fine art

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10
Q

Was established in ____ through Republic Act No. 7355 until ____.

A

1992 until 2012

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11
Q

There were ________ finest folk artists of the land who have received this distinction for their dedication in creating the craft, using skills, and indigenous methods and materials.

A

Thirteen (13)

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12
Q

The _________ are the people who have adopted a program that will ensure the transfer of their skills to others.

A

GAMABA Awardees

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13
Q

A Yakan of Lamitan, Basilan was awarded for his dexterity in playing Yakan musical instruments such as the kwintangan, gabbang, agung, kwintangan kayu, tuntungan among others.

A

UWANG AHADAS

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14
Q

Based in Pinili, Ilocos Norte, took up weaving when she was 16, guided by her aunt’s patterns.

A

MAGDALENA GAMAYO

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15
Q

Is an artist from Apalit, Pampanga who has dedicated his life to creating religious and secular art in silver, bronze, and wood.

A

EDUARDO MUTUC

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16
Q

A T’boli of Lake Sebu, South Cotabato, was awarded for weaving the abaca ikat cloth called t’nalak.

A

LANG DULAY

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17
Q

A Maguindanaon of Mamasapano, Maguindanao. He was awarded for his outstanding artistry and dedication to his chosen instrument, the Magindanao kutyapi. Kutyapi is a two-stringed plucked lute, regarded as one of the most technically demanding and difficult to master among Filipino traditional.

A

SAMAON SULAIMAN

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18
Q

Is recognized as a master mat weaver among the Sama indigenous community for her unique designs, straightness of her edging (tabig), and fineness of her sasa and kima-kima.

A

HAJA AMINA APPI

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19
Q

Is a Sulod-Bukidnon epic chanter from kalinog, Iloilo who ceaselessly works for the documentation of the oral literature, particularly the epics, of his people.

A

FEDERICO CABALLERO

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20
Q

A Hanunuo Mangyan of Mansalay, Oriental Mindoro. Awarded for faithfully preserving the Hanunuo Mangyan script and Ambahan poetry.

A

GINAW BILOG

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21
Q

A GAMABA awrdee of Tagabawa Bagobo of Bansalan, Davao del Sur. She was awarded for fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat weaving called Inabal at a time when such art is threatened with extinction.

A

SALINTA MONON

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22
Q

A GAMABA awardee of barangay Parang, Jolo Island, Sulu province. Has preserved the art of Pis Syabit weaving. It is difficult art of tapestry weaving that creates the traditional squares used by the Tausug for ornamentation.

A

DARHATA SAWABI

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23
Q

A GAMABA awardee of San Quintin Abra who have discovered and popularized the durable Tabungaw hat out of enlarged upo or gourd.

A

TEOFILO GARCIA

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24
Q

A Kalinga of Lubuagan, Kalinga was awarded for his mastery of the Kalinga dance and the performing arts.

A

ALONZO SACLAG

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25
Q

Is a prolific and pre-eminent epic chanter and story teller recognized for his outstanding mastery of various traditional musical instruments of the Palawan people such as basal, kulilal and bagit.

A

MASINO INTARAY

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26
Q

Is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine arts.

A

Order of National Artist (ONA) [Orden ng Pambansang Alagad ng Sining]

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27
Q

What is NCCA stands for?

A

National Commission for Culture and the Arts

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28
Q

What is CCP stands for?

A

Cultural Center of the Philippines

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29
Q

Is a pioneer and innovator in
Philippine architecture. His greatest
contribution is espousing
architecture reflective of Philippine
traditions and culture. He has
integrated strength, function, and
beauty in the buildings that are the
country’s heritage today.

A

JUAN F. NAKPIL

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30
Q

He pioneered modern Philippine
architecture. His basic design is
grounded on simplicity, no clutter.
Clean, smooth lines and curves, are
made integral to the structure.
Every line must have a meaning, a
purpose. For him, function comes
first before elegance or form.

A

PABLO S. ANTONIO

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31
Q

He has reshaped the urban
landscape with a distinctive
architecture reflective of Philippine
Art and Culture.

A

LEANDRO V. LOCSIN

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32
Q

Distinguished himself by pioneering
the practice of landscape architecture. He produced exemplary and engaging work with a wide range of outdoor settings that have enhanced contemporary Filipino life.

A

ILDEFONSO P. SANTOS, JR

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33
Q

Singlehandedly revived the
forgotten art of mural painting. He
turned fragments of the historic
past into vivid records of the
legendary courage of the
ancestors of his race.

A

CARLOS “BOTONG” FRANCISCO

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34
Q

The first National Artist awardee.
He was titled “Grand Old Man of
Philippine Art” was bestowed on
Amorsolo when the Manila Hilton
inaugurated its art center on
January 23, 1969, with an exhibit of
a selection of his works.

A

FERNANDO C. AMORSOLO

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35
Q

He’s a product of the Revival
period in Philippine sculptural art.
The UP Oblation, his obra, became
the symbol of freedom and
offering of one’s dignity, patriotism
and service.

A

GUILLERMO ESTRELLA TOLENTINO

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36
Q

Is the Father of Modern Philippine
Sculpture, who has helped shape
the local sculpture scene utilizing
almost all kinds of materials.

A

NAPOLEON V. ABUEVA

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37
Q

Is remembered for his singular
achievement of refining cubism in
the Philippine context.

A

CESAR LEGASPI

38
Q

For all his more than 60 years of
architecture life, Arc. Bobby
Mañosa designed Filipino. From
the 1960s in his landmark design of
the Sulo Hotel until his retirement
about 2015, he courageously and
passionately created original
Filipino forms, spaces with intricate
and refined details.

A

FRANCISCO T. MANOSA

39
Q

A director for theater and film, has
the distinction of being called “The
Boy Wonder of Philippine Movies”
as early as 1939.

A

LAMBERTO V. AVELLANA

40
Q

Catalino “Lino” Ortiz Brocka,
director for film and broadcast arts,
espoused the term “freedom of
expression” in the Philippine
Constitution.

A

LINO BROCKA

41
Q

Ishmael Bernal was a filmmaker of
the first order and one of the very
few who can be truly called a
maestro. Critics have hailed him as
“the genius of Philippine cinema.”

A

ISHMAEL BERNAL

42
Q

Was a cultural icon of tremendous
audience impact and cinema artist
and craftsman–as actor, director,
writer and producer.

A

FERNANDO POE, JR.

43
Q

His debut film, Mababangong
Bangungot (1977), was praised by
critics and filmmakers from Europe,
North America, Asia, and Africa
and is still considered by many as a
pioneering postcolonial essay film.

A

KIDLAT TAHIMIK

44
Q

Francisco Arcellana, writer, poet,
essayist, critic, journalist, and
teacher is one of the most
important progenitors of the
modern Filipino short story in English.

A

FRANCISCO ARCELLANA

45
Q

This Bulakeña began her research
on folk dances in the 1920s making
trips to remote barrios in Central
and Northern Luzon.

A

FRANCISCA REYES AQUINO

46
Q

Through these ______, the artists express and communicate feelings and ideas.

A

Materials

47
Q

Uses metal, wood, stone, clay and glass.

A

Sculpture

48
Q

Uses wood, bamboo, bricks, stone, concrete and various building
materials.

A

Architect

49
Q

Uses pigments (eg. watercolor, oil, tempera, textile paint, acrylic, ink, etc.)
on a usually flat ground (wood, canvas, paper, stone wall such as in a cave painting.

A

Painter

50
Q

Uses ink printed or transferred on a surface (wood, metal, plates, or silk
screen that is in keeping with a duplicating o reproducing process.

A

Printmaker

51
Q

Uses sound and instruments (including the human voice) A T’boli chanter sings
creation stories in a way that is different from a classical singer or pop singer influenced by the Western music scale.

A

Musician

52
Q

Uses body and its movements. Dance is often accompanied by music, but
there are dances that do not rely on musical accompaniment to be realized.

A

Dancer

53
Q

Integrates all the arts and uses stage, production design, performance
elements and script to enable the visual, musical, dance and other aspects to come together as a whole work.

A

Theater artist

54
Q

Use the camera to record the outside world. The film maker uses cinematographic camera to record and put together production design, sound engineering, performance, and screenplay.

A

The photographer and film maker

55
Q

Novel, Poetry, Nonfiction and Fiction uses words.

A

Writer

56
Q

The performance artist, and the installation artist combine use of the
range of different materials.

A

Designer

57
Q

Belongs to banana family. Its fibers have a natural luster with colors
ranging from pure white to ivory and dark brown.

A

Abaca

58
Q

Is used in creating many products. It is used in construction, textile,
musical instruments and many more.

A

Bamboo

59
Q

Is extracted from matured leaves of buri palm. The fiber is durable and
resistant to moisture.

A

Buri

60
Q

Are translucent to allow light to pass through, but still allow privacy.

A

Capiz shells

61
Q

Belongs to the palm family.

A

Rattan

62
Q

Hard exoskeleton of marine mollusks such as snails, bivalves, and
chitons that serves to protect and support their bodies. This material is usually used in making ornaments and house decorations.

A

Sea Shells

63
Q

The manner in which artist use and manipulate materials to achieve
the desire.

A

Technique

64
Q

A technique of shaping liquid or pliable material such as clay.

A

Molding

65
Q

A method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.

A

Fabric Weaving

66
Q

A technique encompassing any form of working wood with a tool into some sort of aesthetic object.

A

Wood Carving

67
Q

There are four different types of ______ ___: coiling, plaiting, wickering, and twining.

A

Basketry Technique

68
Q

Interweaving or braiding two or more strands, fibers, etc. (basketry technique)

A

Plaiting technique

69
Q

using materials from roots and tree bark. (basketry technique)

A

Twining technique

70
Q

Using grasses, rushes and pine needles.

A

Coiled basketry

71
Q

Identifies works of art most often comprised of geometric shapes in simple arrangements and lacking any
decorative or dynamic flourishes.

A

MINIMALISM

72
Q

It was a truly revolutionary style of modern art developed by Pablo
Picasso and Georges Braques. It was the first style of abstract art
which evolved at the beginning of the 20th century in response to a
world that was changing with unprecedented speed.

A

CUBISM

73
Q

Took place in the twentieth century and around the globe.

A

Social Realism

74
Q

Is used to describe an object,
found by an artist, which - with minimal modification - is then presented as
a work of art.

A

FOUND OBJECTS

75
Q

Is more than just a painting that happens to be oversized.
By design, it is larger than life, often massive enough to fill a room.

A

LARGE SCALE ART

76
Q

Made with digital technology or presented on digital technology. This includes images done completely on computer or hand-drawn images scanned into a computer and finished using a software program like Adobe Illustrator.

A

DIGITAL APPLICATION

77
Q

Is made by adhering flat elements such as newspaper or magazine cut-
outs, printed text, illustrations, photographs, cloth, string, etc. to a flat surface to create a thick layer that is almost like a relief sculpture.

A

Collage

78
Q

Is the process of applying gouache to paper or glass then transferring a
reversal of that image on to canvas or other flat materials.

A

DECALCOMANIA

79
Q

Is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects,
gold leaf and other decorative elements.

A

DECOUPAGE

80
Q

Is an artistic technique that uses tiny parts of egg shell to create a whole
image or object. Mosaics are usually assembled using small tiles that are
square, but they can also be round or randomly shaped.

A

EGG SHELL MOSAIC

81
Q

An inscription or drawing made on some public surface (such as a rock or
wall) also : a message or slogan written as or as if as a graffito.

A

GRAFFITTI

82
Q

Is art that is made directly in the landscape, sculpting the land itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs.

A

LAND ART

83
Q

Is a surrealist and ‘automatic’ method of creative production that
involves creating a rubbing of a textured surface using a pencil or other
drawing material.

A

FROTTAGE

84
Q

Derived from the Italian word “to embroider,” a
form of quilting. Artists pain their work(s) on the canvas and then apply a
layer of cotton batting and a layer of backing.

A

TRAPUNTO

85
Q

is a word with many meanings. It can refer to the making of
something, or to a final product, like a theatrical performance.

A

Production

86
Q

Refers to strengthening of acquired artistic skills as these are applied in
the production of artworks or integrated in other fields of specialization.

A

SKILLS ENHANCEMENT

87
Q

Is a concept where in it entails the service of many artists or of one
individual possessing various artistic skills collaborating with others.

A

INTEGRATED ART PRODUCTION

88
Q

It’s a planning on the ways and means of production to have direction in
the activities to be undertaken by the producer. It is the prerequisite of
production control.

A

PRODUCTION PLANNING

89
Q

Who are the part of production?

A

PRODUCER, DIRECTOR, SCREEN WRITER, ART DIRECTOR, COSTUME DESIGNER, EDITOR, ACTORS.

90
Q

What are the STAGES IN PRODUCTION?

A

DEVELOPMENT, PRE-PRODUCTION, PRODUCTION, PRINCIPLE PHOTOGRAPHY, WRAP, POST PRODUCTION, DISTRIBUTION.

2ND QUARTER | CPAR (1 decks)

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