POETRY: war photographer Flashcards

(37 cards)

1
Q

“Darkroom”

A

literally a developing room. Connotations of a bleak, grim place.

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2
Q

“Finally alone”

A

finally suggests a longing for solitude. Enjambement gives emphasis to the loneliness of the job.

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3
Q

“Spools of suffering”

A

alliteration emphasises suffering, doesn’t actually contain suffering but is instead just photographs on a film reel.

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4
Q

“Ordered rows”

A

suggests rows of tombs or ranks of soldiers, suggests horrors of war

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5
Q

“Only”

A

suggests loneliness, solitude

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6
Q

“Red”

A

suggests blood, a sanctuary lamp and violence

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7
Q

“Softly glows”

A

peaceful atmosphere contrasts warzone

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8
Q

“As though this were a church”

A

churches are places of sanctuary, so too is the darkroom a quiet place of contemplation

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9
Q

“he/a priest”

A

just as a priest sends a message of peace, so too does the photographer want to end conflict

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10
Q

“Belfast. Beirut. Phnom Penh.”

A

single, minor list sentences, functional like his work, each place is like a roll-call emphasising suffering

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11
Q

“All flesh is grass”

A

biblical reference from isaiah, explains transitory nature of humanity and general apathy towards death in society, futility and brevity of life

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12
Q

“He has a job to do.”

A

short statement sentence, reflects his matter-of-fact approach to his
work.

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13
Q

“Solutions slop in trays”

A

solution is ambiguous, could be answer to problems or developing fluid, the pictures could draw attention to the atrocities of war/help to solve conflict

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14
Q

“Tremble then”

A

suggests anxiety, fear but has steadiness on warzone, trauma

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15
Q

“then/though seem to now”

A

enjambement emphasises contrast in poem

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16
Q

“Rural England.”

A

rural suggests tranquility, countryside, contrast with war horrors

17
Q

“Ordinary pain”

A

juxtaposition, trivial pain treated with sunshine, contrasts the serious war pain

18
Q

“Dispel”

A

suggests shallowness of UK issues

19
Q

“Fields” and “explode”

A

create contrast, fields suggest rural, tranquil conditions and explode suggests pain and destruction, mines

20
Q

“Running children”

A

could be reference to Nick Ut’s photograph from the vietnam war, featuring two naked children running from a napalm attack

21
Q

“Nightmare heat”

A

suggests terror, emphasises severity and oppressive atmosphere. Also suggests horror experienced by the photographer

22
Q

“Something is happening.”

A

continuous present tense, simple sentence, creates drama and tension, ambiguous

23
Q

“Stranger’s features”

A

no link to the victim, disconnect and no familiarity, represents victims of war

24
Q

“Twist”

A

pain, deformity, anguish and horror, suggests dying in pain

25
“A half-formed ghost”
a ghostly but very faint image of a man is slowly appearing, suggests the photographer is haunted by what he has seen and the suffering he has witnessed.
26
“Cries”
the sounds of wife’s distress, reveals the sensitivity of the photographer
27
“Must”
essential but intrusive work and sense of duty
28
“Stained”
strong, visual image, violence is a long lasting mark
29
“Foreign dust”
foreign suggests indifference and alien conflicts, dismissal. Dust refers to ‘ashes to ashes, dust to dust,’ mortality and insignificance of life
30
“A hundred agonies in black-and-white”
hundred suggests the scale of suffering, agonies suggests extreme pain and torture. Black-and-white - photographers are literally monochrome and suggests no doubt about the suffering shown, the simplicity of b&w
31
“Pick out five or six”
pick uses a casual tone, five or six suggests vagueness and criticism of editor for being casual when dealing with these pictures
32
“Sunday’s supplement”
continued priest metaphor, suggests photos are not worthy of main news
33
“Prick/with tears”
prick suggests pain, doesn’t actually make the reader cry, their distress is short and slight
34
“Bath and pre-lunch beers”
pleasure-loving, disregard for human life and suffering, indulgence and luxury creates a contrast
35
“Impassively”
lack of emotion, numbness, managing his emotions
36
“He earns a living”
he must work, regarded as just a job and demeaned
37
"They”
critical tone condemns news readers and general public, bitter and angry