Poetry Terms ("Counting Descent") Flashcards

1
Q

Allusion

A

An allusion is a reference, typically brief, to a person, place, thing, event, or other literary work with which the reader is presumably familiar. As a literary device, allusion allows a writer to compress a great deal of meaning and significance into a word or phrase.

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2
Q

Allusion

A

carrying the weight of the world on your shoulders (allusion to Atlas)
pushing a boulder uphill every day (allusion to Sisyphus)
That guy is young, scrappy, and hungry. (Hamilton)
I wish I could just click my heels. (The Wizard of Oz)
garden (Eden, creation)
Snake (serpent, Satan)

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3
Q

Ambiguity

A

“Thou still unravish’d bride of quietness…” - Ode to a Grecian Urn

The use of the word “still” is ambiguous in nature. Here, it may mean “an unmoving object,” or it may be interpreted as “yet unchanged.”

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4
Q

Ambiguity

A

Ambiguity is when a word, phrase, statement, or idea has more than one meaning or can be understood in more than one way. Ambiguity typically creates a feeling of vagueness, uncertainty, or even confusion. This can make a reader or audience feel doubt, suspense, and an active desire for clarity or resolution.

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5
Q

Antithesis

A

Hope for the best; prepare for the worst.
Some people make money, while some waste it.
The world will little note, nor long remember what we say here, but it can never forget what they did here. - Lincoln

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6
Q

Antithesis

A

Antithesis is a literary device that refers to the juxtaposition of two opposing elements through a parallel grammatical structure.

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7
Q

Enjambment

A

I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold - This is Just to Say

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8
Q

Enjambment

A

Enjambment is a literary device in which a line of poetry carries its idea or thought over to the next line without a grammatical pause. With enjambment, the end of a poetic phrase extends past the end of the poetic line. This means that the thought or idea “steps over” the end of a line in a poem and into the beginning of the next line. The absence of punctuation allows for enjambment, and requires the reader to read through a poem’s line break without pausing in order to understand the conclusion of the thought or idea.

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9
Q

Euphemism

A

Euphemism is a figure of speech commonly used to replace a word or phrase that is related to a concept that might make others uncomfortable. Euphemism refers to figurative language designed to replace phrasing that would otherwise be considered harsh, impolite, or unpleasant.

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10
Q

Euphemism

A

The pilot has dropped bombs, causing collateral damage.
“Gimme some sugar.”
blowing smoke (lying)
split (divorce)
enhanced interrogation (torture)

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11
Q

Hyperbole

A

He feels buried under a mountain of work.
I’m dying of thirst.
I’m just one stomach flu away from my goal weight. (The Devil Wears Prada)

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12
Q

Hyperbole

A

Hyperbole is a figure of speech and literary device that creates a heightened effect through deliberate exaggeration. Hyperbole is often a boldly overstated or exaggerated claim or statement that adds emphasis without the intention of being literally true.

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13
Q

Imagery

A

Imagery is a literary device that refers to the use of figurative language to evoke a sensory experience or create a picture with words for a reader. Imagery is not limited to visual representations or mental images, but also includes physical sensations and internal emotions.

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14
Q

Imagery

A

The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight.
It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long. - The Yellow Wallpaper

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15
Q

Irony

A

Irony is a literary device in which contradictory statements or situations reveal a reality that is different from what appears to be true. The effectiveness of irony as a literary device depends on the reader’s expectations and understanding of the disparity between what “should” happen and what “actually” happens in a literary work

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16
Q

Irony

A

A retired CEO of the Crayola company suffered from colorblindness.
Many people claimed and/or believed that the Titanic was an “unsinkable” ship.
A child will make two dishes at an entertainment for friends; and when the family dines alone, the fore or hind quarter will make a reasonable dish, and seasoned with a little pepper or salt will be very good boiled on the fourth day, especially in winter. - A Modest Proposal

17
Q

Juxtaposition

A

Juxtaposition is a literary device that implies comparison or contrast. Writers create juxtaposition by placing two entities side by side to create dramatic or ironic contrast. Juxtaposition is a form of implied comparison in that there is no overt comparison or inference on the part of the writer.

18
Q

Juxtaposition

A

Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which. - Animal Farm

19
Q

Litotes

A

Never doubt that a small group of thoughtful, concerned citizens can change world. Indeed it is the only thing that ever has. (Margaret Mead)
A designer knows he or she has achieved perfection, not when there is nothing left to add, but when there is nothing left to take away. (Nolan Haims)

20
Q

Litotes

A

Litotes is a figure of speech featuring a phrase that utilizes negative wording or terms to express a positive assertion or statement. Litotes is a common literary device, most often used in speech, rhetoric, and nonfiction. As a figure of speech, the meaning of litotes is not literal. Instead, litotes is intended to be a form of understatement by using negation to express the contrary meaning.

21
Q

Metaphor

A

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow. - Dreams

22
Q

Metaphor

A

A metaphor is a figure of speech that makes a comparison between two non-similar things. As a literary device, metaphor creates implicit comparisons without the express use of “like” or “as.” Metaphor is a means of asserting that two things are identical in comparison rather than just similar. This is useful in literature for using specific images or concepts to state abstract truths.

23
Q

Metonymy

A

“There is a mountain of work on my desk.” This is an example of metonymy. “Mountain” is used here as a word that would be related to “pile.” Though the word “mountain” is different than “pile,” they are both associated with one another.

24
Q

Metonymy

A

Metonymy is a figure of speech in which one object or idea takes the place of another with which it has a close association. In fact, metonymy means “change of name.” As a literary device, it is a way of replacing an object or idea with something related to it instead of stating what is actually meant. Metonymy enables writers to express a word or thought in a different way by using a closely related word or thought.

25
Q

Ode

A

Ode is a literary technique that is lyrical in nature, but not very lengthy. You have often read odes in which poets praise people, natural scenes, and abstract ideas. Ode is derived from the Greek word aeidein, which means to chant or sing. It is highly solemn and serious in its tone and subject matter, and usually is used with elaborate patterns of stanzas. However, the tone is often formal. A salient feature of an ode is its uniform metrical feet, but poets generally do not strictly follow this rule though use highly elevated theme.

26
Q

Overstatement

A

An overstatement is an act of stating something more profound than it actually is, in order to make the point more serious or important or beautiful.

27
Q

Oxymoron

A

Oxymoron is a figure of speech pairing two words together that are opposing and/or contradictory. This combination of contrary or antithetical words is also known in conversation as a contradiction in terms.

28
Q

Oxymoron

A

I’m the most terrific liar you ever saw in your life. - The Catcher in the Rye
Good night, good night! parting is such sweet sorrow,
That I shall say good night till it be morrow. - Romeo and Juliet

29
Q

Paradox

A

“Whatever you do in life will be insignificant, but it is very important that you do it” (Ghandi)
“Cowards die many times before their deaths; The valiant never taste of death but once” (Julius Caesar by William Shakespeare)
“You never know what worse luck your bad luck has saved you from.” (No Country for Old Men)

30
Q

Paradox

A

A paradox is a statement that appears at first to be contradictory, but upon reflection then makes sense. This literary device is commonly used to engage a reader to discover an underlying logic in a seemingly self-contradictory statement or phrase. As a result, paradox allows readers to understand concepts in a different and even non-traditional way.

31
Q

Simile

A

A library is like an island in the middle of a vast sea of ignorance, particularly if the library is very tall and the surrounding area has been flooded. - Horseradish

32
Q

Simile

A

A simile is a figure of speech in which two essentially dissimilar objects or concepts are expressly compared with one another through the use of “like” or “as.” Simile is used as a literary device to assert similarity with the help of like or as, which are language constructs that establish equivalency. A proper simile creates an explicit comparison between two things that are different enough from each other such that their comparability appears unlikely.

33
Q

Stanza

A

Stanzas in poetry are similar to paragraphs in prose. Both stanzas and paragraphs include connected thoughts, and are set off by a space. The number of lines varies in different kinds of stanzas.

34
Q

Understatement

A

They are doing a bit of their construction these days and of course, there’ll be a lot of noise.
“Deserts are sometimes hot, dry, and sandy.”

35
Q

Understatement

A

An understatement is a figure of speech employed by writers or speakers to intentionally make a situation seem less important than it really is. An understatement usually has an ironic effect, as an equally intense response is expected in severe situations, but the statement in response is the opposite of what was expected.

36
Q

Volta (turn)

A

A turn of thought or argument in poetry is called the volta. It is a rhetorical shift. In some ways, it is a dramatic change in emotions or thoughts that the poet is expressing in the poem. Different poets and critics have named it differently. Some call ‘volta’ as ‘turn’ to maintain simple terminology.