Poetry Anthology Flashcards

1
Q

Ozymandias - structure

A

Mix of sonnet form showing power gives ways to new power

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2
Q

Ozymandias - statue

A

Half sunk, a shattered visage lies

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3
Q

Ozymandias - writing on the statue

A

My name is Ozymandias, king of kings

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4
Q

Ozymandias - desert

A

boundless and bare, The lone and level sand stretch far away

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5
Q

Ozymandias - negative description

A

wrinkled lip, and sneer of cold command

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6
Q

Ozymandias - ‘boundless and bare’

A

Alliteration emphasising emptiness

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7
Q

London - structure

A

controlled but with enjambment contrasting the controlled city but not nature

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8
Q

London - street and river

A

wander through each chartered street, Near where the chartered Thames does flow

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9
Q

London - trapped mind

A

The mind-forged manacles I hear

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10
Q

London - corruption

A

Every black’ning church appalls […] Runs in blood down palace walls

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11
Q

London - young ones

A

How the youthful harlot’s curse Blasts the new-born infant’s tear

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12
Q

Prelude - structure

A

One long verse with enjambment left readers breathless, creating a sense of overwhelmed.

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13
Q

Prelude - peak

A

a huge peak, black and huge

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14
Q

Prelude - action

A

It was an act of stealth and troubled pleasure

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15
Q

Prelude - dark side of nature

A

no pleasant image of trees, Of sea or sky. no colours of green fields

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16
Q

Prelude - fear

A

With trembling oars I turned, And through the silent water stole my way

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17
Q

My Last Duchess - structure

A

uncontrolled stanza showing how the Duke is unable to control his emotions and his wife

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18
Q

My Last Duchess - metaphor

A

That’s my last Duchess painted on the wall

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19
Q

My Last Duchess - his power

A

I gave commands; Then all smiles stopped together.

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20
Q

My Last Duchess - ocean

A

Neptune, though taming a sea-horse

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21
Q

My Last Duchess - ‘Neptune taming a sea-horse’

A

Reflecting how the Duke can’t control nature and women

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22
Q

Light Brigade - structure

A

Ballad form telling a story or teaching a lesson

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23
Q

Light Brigade - Into ….

A

Into the valley of Death. Into the mouth of Hell

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24
Q

Light Brigade - ‘valley of death’

A

Bliblical reference to highlight suffering and God couldn’t save them

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25
Q

Light Brigade - anaphora

A

Theirs not to make reply, Theirs not to reason why, Theirs but to do and die

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26
Q

Light Brigade - Dactylic Diameter

A

Mirrors the hoofbeats of horses. Take so much effort to fully appreciate the soldiers

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27
Q

Light Brigade - soldiers’ glory

A

When can their glory fade? […] Honour the charge they made!

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28
Q

Light Brigade - sibilance

A

Storm’d at with shot and shell

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29
Q

Exposure - structure

A

stanza structured in same way mirroring the emotional rollercoaster soldiers experience everyday

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30
Q

Exposure - personification

A

in the merciless iced east winds that knive us

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31
Q

Exposure - bullets

A

Sudden successive flights of bullets streak the silence

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32
Q

Exposure - ghosts

A

Slowly our ghosts drag home: glimpsing the sunk fires

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33
Q

Exposure - Pale flakes …

A

Pale flakes with fingering stealth come feeling for our faces

34
Q

Storm on the Island - structure

A

Blank verse = iambic pentameter with no rhyme, contrasting uncontrolled conflict, as he infuses tradition of English poetry with Irish ancestry

35
Q

Storm on the Island - we are …

A

we are prepared: we built our house squat

36
Q

Storm on the island - leaves …

A

leaves and branches can raise a tragic chorus in a gale

37
Q

Storm on the Island - oxymoron

A

You might think sea is company, Exploding comfortably down on the cliffs

38
Q

Storm on the Island - simile and juxtaposition

A

The very windows, spits like a tame cat Turned savage

39
Q

Bayonet Charge - structure

A

Many similes to try to make the horror easier to understand

40
Q

Bayonet Charge - tear

A

The patriotic tear that had brimmed in his eye

41
Q

Bayonet Charge - personification

A

Bullets smacking the belly out of the air

42
Q

Bayonet Charge - symbolism of nature

A

Threw up a yellow hare that rolled like a flame

43
Q

Bayonet Charge - ‘hare’

A

representing nature, being one of the victims of the war

44
Q

Bayonet Charge - patriotism

A

King, honour, human dignity, etcetera Dropped like luxuries in a yelling alarm

45
Q

Remains - structure

A

Combining domestic and military language to show his trauma happening everyday

46
Q

Remains - violence

A

I see every round as it rips through his life - I see broad daylight on the other side

47
Q

Remains - questioning himself

A

Probably armed, possibly not

48
Q

Remains - taking responsibility

A

His bloody life in my bloody hands

49
Q

Remains - caesura

A

Then I’m home on leave. But I blink

50
Q

Poppies - structure

A

chaotic, uncontrolled (Free verse) to reflect the chaotic impact of conflict

51
Q

Poppies - metaphor

A

spasms of paper red, disrupting a blockade of yellow bias

52
Q

Poppies - ‘spasms of paper red’

A

Highlight pain and suffering. Colour connotation reflect her fear

53
Q

Poppies - bird and dove

A

released a song bird from its cage. Later a single dove flew from.

54
Q

Poppies - clothings

A

busy making tucks, darts […] without reinforcements of scarf

55
Q

Poppies - I resisted …

A

I resisted the impulse to run my fingers through the gelled blackthorns of your hair

56
Q

War Photographer - structure

A

controlled stanza and rhyme scheme, reflect the society remains normal whilst with chaotic conflict outside

57
Q

War Photographer - military

A

with spools of suffering set out in ordered rows

58
Q

War Photographer - disrupt innocence

A

fields which don’t explode beneath the feet of running children

59
Q

War Photographer - readers …

A

reader’s eyeballs prick with tears between bath and pre-lunch beer

60
Q

War Photographer - photo developing

A

A stranger’s features faintly start to twist before his eyes, a half-formed ghost

61
Q

Tissue - structure

A

Enjambment and Free verse to reflect the lack of control

62
Q

Tissue - sun …

A

Sun shines through their borderlines

63
Q

Tissue - architect

A

An architect could use all this […] and never wish to build again with brick

64
Q

Tissue - living tissue

A

trace a grand design with living tissue, raise a structure never meant to last

65
Q

The Emigree - structure

A

Disorganised with enjambment and free verse, reflecting chaos in her home town

66
Q

The Emigree - childhood

A

I left as a child, but my memory of it is sunlight-clear

67
Q

The Emigree - motif

A

sunlight: positivity about her home / life

68
Q

The Emigree - others

A

I am branded by an impression of sunlight

69
Q

The Emigree - childhood language

A

That child’s vocabulary I carried here like a hollow doll, opens and spills a grammar

70
Q

The Emigree - personification

A

My city takes me dancing through the city of walls

71
Q

Checking Out Me History - structure

A

Lack of punctuation makes readers hard to understand the poem, reflect some of the history being left out

72
Q

Checking Out Me History - metaphor

A

Bandage up me eye with me own history Blind to me own identity

73
Q

Checking Out Me History - History figures

A

Dem tell me bout Lord Nelson and Waterloo but dem never tell me bout Shaka de great Zulu

74
Q

Checking Out me History - Shaka de great Zulu

A

influencial military leader of Zulu Kingdom, was obsessed with power later on

75
Q

Checking Out Me History - Toussaint

A

Toussaint de thron to de French Toussaint de beacon of de Haitian Revolution

76
Q

Checking Out Me History - himself

A

now I checking out me own history I carving out me identity

77
Q

Kamikaze - structure

A

Controlled stanza but free verse, contrast reflects conflict between himself and national duty

78
Q

Kamikaze - one-way

A

full of power incantations and enought fuel for a one-way journey into history

79
Q

Kamikaze - ‘incantations’

A

spell / charm: being brainwashed

80
Q

Kamikaze - fish metaphor

A

Once a tuna, the dark prince, muscular, dangerous

81
Q

Kamikaze - internal battle

A

pearl-grey pebbles to see whose withstood longest

82
Q

Kamikaze - metaphorically died

A

he must have wondered which had been the better way to die