Poetry Flashcards

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1
Q

Who wrote these lines and what is the title of the poem?

Leaving, as the moon behind the winter leaves,
Memory by memory the mind—

A poem should be motionless in time
As the moon climbs.

A

Ars Poetica

Archibald Macleish

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2
Q

Who wrote these lines and what is the title of the poem?

A poem should be palpable and mute
As a globed fruit,

Dumb
As old medallions to the thumb,

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown—

A

Ars Poetica

Archibald Macleish

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3
Q

Who wrote these lines and what is the title of the poem?

A poem should be wordless
As the flight of birds.

A

Ars Poetica

Archibald Macleish

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4
Q

Who wrote these lines and what is the title of the poem?

A poem should be motionless in time
As the moon climbs,

Leaving, as the moon releases
Twig by twig the night-entangled trees,

A

Ars Poetica

Archibald Macleish

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5
Q

Who wrote these lines and what is the title of the poem?

A poem should be equal to:
Not true.

For all the history of grief
An empty doorway and a maple leaf.

For love
The leaning grasses and two lights above the sea—

A poem should not mean
But be.

A

Ars Poetica

Archibald Macleish

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6
Q

Who wrote these lines and what is the title of the poem?

When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,

A

Walt Whitman

When I heard the learn’d astronomer

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7
Q

Who wrote these lines and what is the title of the poem?

How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.

A

Walt Whitman

When I heard the learn’d astronomer

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8
Q

Who wrote these lines and what is the title of the poem?

A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.

In the deep, strange-scented shade of the great dark carob tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough
before me.

A

D.H Lawrence

Snake

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9
Q

Who wrote these lines and what is the title of the poem?

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over
the edge of the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

A

D.H Lawrence

Snake

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10
Q

Who wrote these lines and what is the title of the poem?
Someone was before me at my water-trough,
And I, like a second-comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused
a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels
of the earth
On the day of Sicilian July, with Etna smoking.

The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold
are venomous.

A

D.H Lawrence

Snake

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11
Q

Who wrote these lines and what is the title of the poem?
And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink
at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not kill him?
Was it perversity, that I longed to talk to him?
Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would kill him!

A

D.H Lawrence

Snake

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12
Q

Who wrote these lines and what is the title of the poem?

And truly I was afraid, I was most afraid,
But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

A

D.H Lawrence

Snake

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13
Q

Who wrote these lines and what is the title of the poem?

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders,
and entered farther,
A sort of horror, a sort of protest against his withdrawing into
that horrid black hole,
Deliberately going into the blackness, and slowly drawing
himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

A

D.H Lawrence

Snake

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14
Q

Who wrote these lines and what is the title of the poem?

I think it did not hit him,
But suddenly that part of him that was left behind convulsed
in an undignified haste,
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross,
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.

A

D.H Lawrence

Snake

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15
Q

Who wrote these lines and what is the title of the poem?

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;

A

William Shakespeare

“Shall I compare thee to a summer’s day?”

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16
Q

Who wrote these lines and what is the title of the poem?

But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

A

William Shakespeare

“Shall I compare thee to a summer’s day?”

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17
Q

Who wrote these lines and what is the title of the poem?

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.

A

William Shakespeare

“My mistress’ eyes are nothing like the sun”

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18
Q

Who wrote these lines and what is the title of the poem?

I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

A

William Shakespeare

“My mistress’ eyes are nothing like the sun”

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19
Q

Who wrote these lines and what is the title of the poem?

I dreamed I moved among the Elysian fields,
In converse with sweet women long since dead;
And out of blossoms which that meadow yields
I wove a garland for your living head.
Danai, that was the vessel for a day
Of golden Jove, I saw, and at her side,
Whom Jove the Bull desired and bore away,
Europa stood, and the Swan’s featherless bride.

A

Edna St. Vincent Millay

“I dreamed I moved among the Elysian fields”

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20
Q

Who wrote these lines and what is the title of the poem?

All these were mortal women, yet all these
Above the ground had had a god for guest;
Freely I walked beside them and at ease,
Addressing them, by them again addressed,
And marvelled nothing, for remembering you,
Wherefore I was among them well I knew.

A

Edna St. Vincent Millay

“I dreamed I moved among the Elysian fields”

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21
Q

Who wrote these lines and what is the title of the poem?

They may, because I would not cloy your ear -
If ever these songs by other ears are heard -
With ‘love’; suppose I loved you not, but blurred
Lust with strange images, warm, not quite sincere,
To switch a bedroom black. O mutineer
W¬th me against these empty captains! gird
Your scorn again above all at this word
Pompous and vague on the stump of his career.

A

John Berryman

“They may, because I would not cloy your ear”

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22
Q

Who wrote these lines and what is the title of the poem?

Also I fox ‘heart’, striking a modern breast
Hollow as a drum, and ‘beauty’ I taboo;
I want a verse fresh as a bubble breaks,
As little false . . . Blood of my sweet unrest
Runs all the same - I am in love with you -
Trapped in my rib-cage something throes and aches!

A

John Berryman

“They may, because I would not cloy your ear”

23
Q

Who wrote these lines and what is the title of the poem?

Far back when I went zig-zagging
through tamarack pastures
you were my genius, you
my cast-iron Viking, my helmed
lion-heart king in prison.
Years later now you’re young

A

Adrienne Rich

“Orion”

24
Q

Who wrote these lines and what is the title of the poem?

my fierce half-brother, staring
down from that simplified west
your breast open, your belt dragged down
by an oldfashioned thing, a sword
the last bravado you won’t give over
though it weighs you down as you stride

A

Adrienne Rich

“Orion”

25
Q

Who wrote these lines and what is the title of the poem?

and the stars in it are dim
and maybe have stopped burning.
But you burn, and I know it;
as I throw back my head to take you in
and old transfusion happens again:
divine astronomy is nothing to it.

A

Adrienne Rich

“Orion”

26
Q

Who wrote these lines and what is the title of the poem?

Indoors I bruise and blunder
break faith, leave ill enough
alone, a dead child born in the dark.
Night cracks up over the chimney,
pieces of time, frozen geodes
come showering down in the grate.

A

Adrienne Rich

“Orion”

27
Q

Who wrote these lines and what is the title of the poem?

A man reaches behind my eyes
and finds them empty
a woman’s head turns away
from my head in the mirror
children are dying my death
and eating crumbs of my life.

A

Adrienne Rich

“Orion”

28
Q

Who wrote these lines and what is the title of the poem?

Pity is not your forte.
Calmly you ache up there
pinned aloft in your crow’s nest,
my speechless pirate!
You take it all for granted
and when I look you back

A

Adrienne Rich

“Orion”

29
Q

Who wrote these lines and what is the title of the poem?

it’s with a starlike eye
shooting its cold and egotistical spear
where it can do least damage.
Breath deep! No hurt, no pardon
out here in the cold with you
you with your back to the wall.

A

Adrienne Rich

“Orion”

30
Q

Who wrote these lines and what is the title of the poem?

This is not my grief
but a small hole lightless
penetrating the globe of family
so now all stands still
ringed by light snow
ringed by bright lights

A

Heid E. Erdrich

Public grief

31
Q

Who wrote these lines and what is the title of the poem?

This is not my grief
but a lightless hole through the human globe
surrounded by cameras yammering
brilliant stills and stunned silence grown so loud
it weighs down the flowers

A

Heid E. Erdrich

Public grief

32
Q

Who wrote these lines and what is the title of the poem?

daisies carnations lilies mums
all the flowers ever
left in memorial along with
all the letters and petitions
and again the promise of never

A

Heid E. Erdrich

Public grief

33
Q

Who wrote these lines and what is the title of the poem?

This is not my grief
but a small hole lightless
penetrating the light show
the weight of all-the-ever flowers
cameras and microphones
speechless unspeakable there are no words
but words and words and words

A

Heid E. Erdrich

Public grief

34
Q

Who wrote these lines and what is the title of the poem?

This is not my grief
but a black and white vortex a crush
that collapses sucks in swallows whole

This is not my grief but
a terrible a particular
a small hole deep beyond belief
deeper deep enough
to own its depth
to be depth alone

A

Heid E. Erdrich

Public grief

35
Q

Who wrote these lines and what is the title of the poem?

S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma percioche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, “What is it?”
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

A

“The Love Song of J. Alfred Prufrock”

By T.S Eliot

36
Q

Who wrote these lines and what is the title of the poem?

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair —
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin —
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

A

“The Love Song of J. Alfred Prufrock”

By T.S Eliot

37
Q

Who wrote these lines and what is the title of the poem?

For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …

A

“The Love Song of J. Alfred Prufrock”

By T.S Eliot

38
Q

Who wrote these lines and what is the title of the poem?

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet — and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—
If one, settling a pillow by her head
Should say: “That is not what I meant at all;
That is not it, at all.”

A

“The Love Song of J. Alfred Prufrock”

By T.S Eliot

39
Q

Who wrote these lines and what is the title of the poem?

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all.”

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

A

“The Love Song of J. Alfred Prufrock”

By T.S Eliot

40
Q

Who wrote these lines and what is the title of the poem?

Once I am sure there’s nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence,

A

Philip Larkin

“Church Going”

41
Q

Who wrote these lines and what is the title of the poem?

Move forward, run my hand around the font.
From where I stand, the roof looks almost new –
Cleaned, or restored? Someone would know: I don’t.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
‘Here endeth’ much more loudly than I’d meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

A

Philip Larkin

“Church Going”

42
Q

Who wrote these lines and what is the title of the poem?

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

A

Philip Larkin

“Church Going”

43
Q

Who wrote these lines and what is the title of the poem?

A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,

A

Philip Larkin

“Church Going”

44
Q

Who wrote these lines and what is the title of the poem?

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation – marriage, and birth,
And death, and thoughts of these – for which was built
This special shell? For, though I’ve no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A

Philip Larkin

“Church Going”

45
Q

Who wrote these lines and what is the title of the poem?

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognised, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round

A

Philip Larkin

“Church Going”

46
Q

Who wrote these lines and what is the title of the poem?

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

A

Margret Atwood

“This is a photograph of me”

47
Q

Who wrote these lines and what is the title of the poem?

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

A

Margret Atwood

“This is a photograph of me”

48
Q

Who wrote these lines and what is the title of the poem?

In the background there is a lake,
and beyond that, some low hills.
(The photograph was taken
the day after I drowned.
I am in the lake, in the center
of the picture, just under the surface.

A

Margret Atwood

“This is a photograph of me”

49
Q

Who wrote these lines and what is the title of the poem?

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion
but if you look long enough,
eventually
you will be able to see me.)

A

Margret Atwood

“This is a photograph of me”

50
Q

Who wrote these lines and what is the title of the poem?

I am drinking
I am drinking yellow flowers
in underground sunlight
and you can see that I am a sensitive man
and I notice that the bartender is a sensitive man
so I tell him the beer he draws
is half fart and half horse piss
and all wonderful yellow flowers
But the bartender is not quite
so sensitive as I supposed he was
the way he looks at me now
and does not appreciate my exquisite analogy
Over in one corner two guys
are quietly making love
in the brief prelude to infinity

A

Al Purdy

“At the Quinte Hotel”

51
Q

Who wrote these lines and what is the title of the poem?

Opposite them a peculiar fight
enables the drinkers to lay aside
their comic books and watch with interest
while I watch with interest
a wiry little man slugs another guy
then tracks him bleeding into the toliet
and slugs him to the floor again
with ugly red flowers on the tile
three minutes later he roosters over
to the table where his drunk friend sits
with another friend and slugs both
of em ass-over-electric-kettle
so I have to walk around

A

Al Purdy

“At the Quinte Hotel”

52
Q

Who wrote these lines and what is the title of the poem?

on my way for a piss
Now I am a sensitive man
so I say to him mildly as hell
“You shouldn’ta knocked over that good beer
with them beautiful flowers in it”
So he says “Come on”
So I Come On
like a rabbit with weak kidneys I guess
like a yellow streak charging
on flower power I suppose
& knock the shit outa him & sit on him
(he is just a little guy)
and say reprovingly

A

Al Purdy

“At the Quinte Hotel”

53
Q

Who wrote these lines and what is the title of the poem?

“Violence will get you nowhere this time chum
Now you take me
I am a sensitive man
and would you believe I write poems?”
But I could see the doubt in his upside down face
in fact in all the faces
“What kind of poems?”
“Flower poems”
“So tell us a poem”
I got off the little guy but reluctantly
for he was comfortable
and told them this poem
They crowded around me with tears
in their eyes and wrung my hands feelingly
for my pockets for

A

Al Purdy

“At the Quinte Hotel”

54
Q

Who wrote these lines and what is the title of the poem?

it was a heart-warming moment for literature
and moved bt the demonstrable effect
of great Art and the brotherhood of people I remarked
“-the poem oughta be worth some beer”
It was a mistake in terminology
for silence came
and it was brought home to me in the tavern
that poems will not realy buy beer or flowers
or a goddam thing
and I was sad
for I am a sensitive man

A

Al Purdy

“At the Quinte Hotel”