poetic techniques Flashcards

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1
Q

Part of a poem that makes the reader or audience feel sorrow or pity.

A

PATHOS

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2
Q

PUN

A

A play on words

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3
Q

A play on words

A

PUN

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4
Q

Conjoining (putting together) two contradictory terms ex. deafening silence

A

OXYMORON

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5
Q

OXYMORON

A

Conjoining (putting together) two contradictory terms ex. deafening silence

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6
Q

RHYTHM

A

The arrangement of words in a poem with stresses on different syllables or parts of the poem.

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7
Q

The arrangement of words in a poem with stresses on different syllables or parts of the poem.

A

RHYTHM

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8
Q

RHYME

A

Using words that sound the same.

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9
Q

Using words that sound the same.

A

RHYME

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10
Q

SYLLABLE

A

An unbroken sound that is part of a word and is used to make up a word.

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11
Q

An unbroken sound that is part of a word and is used to make up a word.

A

SYLLABLE

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12
Q

Playing around with words such that the meaning implied by a sentence or word is actually different from the literal meaning.

A

IRONY

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13
Q

IRONY

A

Playing around with words such that the meaning implied by a sentence or word is actually different from the literal meaning.

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14
Q

The message of the poem; the point the author wishes to make.

A

THEME

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15
Q

THEME

A

The message of the poem; the point the author wishes to make.

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16
Q

What the poem is about (the ‘subject matter’)

A

TOPIC

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17
Q

TOPIC

A

What the poem is about (the ‘subject matter’)

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18
Q

TONE

A

The attitude of the writer towards his subject matter.

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19
Q

MOOD

A

Feelings expressed. Includes what the writer/speaker feels AND how the reader feels when they read the poem. May also be related to the atmosphere created.

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20
Q

The attitude of the writer towards his subject matter.

A

TONE

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21
Q

Feelings expressed. Includes what the writer/speaker feels AND how the reader feels when they read the poem. May also be related to the atmosphere created.

A

MOOD

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22
Q

White suggests purity & cleanliness; red – passion & sometimes blood/violence; black – darkness & despair etc.

A

COLOUR

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23
Q

COLOUR

A

White suggests purity & cleanliness; red – passion & sometimes blood/violence; black – darkness & despair etc.

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24
Q

POSITIVE OR NEGATIVE ADJECTIVES

A

tremendous, delirious, fabulous, heavenly V’s heavy, ugly, rusty, terrible, horrific etc.

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25
Q

tremendous, delirious, fabulous, heavenly V’s heavy, ugly, rusty, terrible, horrific etc.

A

POSITIVE OR NEGATIVE ADJECTIVES

26
Q

POSITIVE OR NEGATIVE VERBS

A

to shine, to gather, to spring, to capture, to soothe, to comfort, to light, to brood etc.

27
Q

to shine, to gather, to spring, to capture, to soothe, to comfort, to light, to brood etc.

A

POSITIVE OR NEGATIVE VERBS

28
Q

RHYTHM AND SOUND EFFECTS

A

If fast can suggest excitement, danger or anger. If slow can suggest relaxation, sadness or disappointment

29
Q

If fast can suggest excitement, danger or anger. If slow can suggest relaxation, sadness or disappointment

A

RHYTHM AND SOUND EFFECTS

30
Q

IMAGERY

A

The picture the writer creates using words.

31
Q

The picture the writer creates using words.

A

IMAGERY

32
Q

Repeating a word or phrase to emphasise its importance/ create a regular rhythm.

A

REPETITION

33
Q

REPETITION

A

Repeating a word or phrase to emphasise its importance/ create a regular rhythm.

34
Q

PERSONIFICATION

A

Describing an object/idea as though it were alive. Giving it human qualities.

35
Q

Describing an object/idea as though it were alive. Giving it human qualities.

A

PERSONIFICATION

36
Q

Placing 2 very different things side by side

A

CONTRAST

37
Q

CONTRAST

A

Placing 2 very different things side by side

38
Q

A word becomes a sign of something other than simply itself.

A

SYMBOLISM

39
Q

SYMBOLISM

A

A word becomes a sign of something other than simply itself.

40
Q

Where the writer compares 2 things using the words ‘like’ or ‘as’.

A

SIMILE

41
Q

SIMILE

A

Where the writer compares 2 things using the words ‘like’ or ‘as’.

42
Q

METAPHOR

A

Where two things are said to be the same.

43
Q

Where two things are said to be the same.

A

METAPHOR

44
Q

Where the writer makes reference to ‘well-known’ figures or events from literature, history or mythology.

A

ALLUSION

45
Q

ALLUSION

A

Where the writer makes reference to ‘well-known’ figures or events from literature, history or mythology.

46
Q

HYPERBOLE

A

The deliberate use of exaggeration.

47
Q

The deliberate use of exaggeration.

A

HYPERBOLE

48
Q

Where words/sentences have more than one meaning/ are open to numerous interpretations.

A

AMBIGUITY

49
Q

AMBIGUITY

A

Where words/sentences have more than one meaning/ are open to numerous interpretations.

50
Q

A Q that doesn’t require a response (a statement disguised as a question).

A

RHETORICAL Q

51
Q

RHETORICAL Q

A

A Q that doesn’t require a response (a statement disguised as a question).

52
Q

ALLITERATION

A

The repetition of the same letter at the beginning of a series of words. Eg. “Billy Brennan’s Barn”

53
Q

The repetition of the same letter at the beginning of a series of words. Eg. “Billy Brennan’s Barn”

A

ALLITERATION

54
Q

ONOMATOPOEIA

A

Words whose sound imitates their meaning

55
Q

Words whose sound imitates their meaning

A

ONOMATOPOEIA

56
Q

ASSONANCE

A

The repetition of similar vowel sounds.

57
Q

The repetition of similar vowel sounds.

A

ASSONANCE

58
Q

PATHOS

A

Part of a poem that makes the reader or audience feel sorrow or pity.

59
Q

SIBILANCE

A

A stylistic device in poetry in which an “s” sound is repeated more than twice in quick succession

60
Q

A stylistic device in poetry in which an “s” sound is repeated more than twice in quick succession

A

SIBILANCE