Poetic Forms Flashcards

1
Q

What is Verse form?

A

Verse form does not define poetic form but expresses it.

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2
Q

The Villanelle

A
  • 19 Lines
  • 5 Tersets, 1 Quatrain
  • Rhyme Scheme: aba, repeated according to refrains.
  • 1st line of 1st stanza is repeated as the last line of the 2nd and 4th stanzas.
  • The 3rd line of 1st stanza is repeated as the last line of the third and fifth stanzas
  • The two refrain lines are also the 2nd to last and the last lines of the entire poem.

> Emerged as a french poetic form with pastoral themes
Example: Elizabeth Bishop’s “One Art”

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3
Q

The Sestina

A
  • 39 lines
  • 6 sestets, 1 terset
  • unrhymed
  • The same 6 endowrds occur in each stanza in changing order according to a set pattern.
  • That pattern is called lexical repetition.
  • Each stanzas endwords are in reverse order of the previous stanza, so the first endword of the second stanza is the last endword of the first stanza.
  • the final stanza, the terset, or envoi, must deploy all 6 endwords

> Invented by a Troubadour, to shock, delight, and show their wit
Example: “Anthony Hecht’s “The Book of Yolek”

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4
Q

The Pantoum

A
  • unspecified length
  • composed of quatrains
  • the Poem begins and ends with the same word
  • 2nd and 4th lines of the first quatrain become the 1st and 3rd lines of the second quatrain, and this pattern repeats.
  • Rhyme Scheme: abab
  • final quatrain is different, it takes the unrepeated first and third lines of the very first quatrain and uses them in reverse order as the second and fourth lines.

> the Pantoum is malayan in origin, and allows for evocation of the past
Example: Donald Justice’s “Pantoum of the Great Depression”

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5
Q

The Sonnet

A
  • Poem of 14 lines

- Usually Iambic

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6
Q

The English Sonnet:

A
  • 14 lines
  • Iambic Pentameter
  • 3 quatrains, 1 couplet
  • Rhyme Scheme: abab cdcd efef gg

> Also known as the Shakespearean Sonnet
Example: William Shakespears’s “shall I compare thee to a summer’s day?”

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7
Q

The Italian Sonnet

A
  • 14 lines
  • Usually iambic pentameter
  • 1 octave, 1 sestet
  • Rhyme Scheme: abbaabba cdecde

> also called the Petrarchan Sonnet
Example: Jane Cooper’s “After the Bomb tests”

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8
Q

The Spenserian Sonnet

A
  • 14 lines
  • Iambic Pentameter
  • 3 interlocking quatrains
  • Rhyme Scheme: abab bcbc cdcd ee
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9
Q

Heterometric Stanza

A

A Stanza with lines of different length

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10
Q

Quasi-Stanzaic

A

A Loose grouping of lines and paragraphs

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11
Q

Isometirc stanza

A

a stanza with lines the same length

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12
Q

How is the effect of the stanza gained?

A

By combining accumulated sense and sounds

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13
Q

The Ballad

A
  • a short narrative
  • usually in quatrains
  • usually with a distinctive meter
  • meter is usually first and third line has 4 stresses each, iambic tetrameter. and the second and fourth line has 3 stresses, iambic trimeter
  • Rhyme Scheme: abab or abcb
  • usually and traditionally a communal form of poetry with distinct subject matter, stories, that uses pop and local speech and dialogue
  • Early balladeers were often anonymous, part of a community, while modern poets consider themselves balladeers non-anonymously.
  • example: Gwendolyn Brooks’s “We Real Cool”
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14
Q

The Ghazal

A
  • between 5 and 15 couplets
  • each couplet is structurally, thematicaly, and emotionally autonomous
  • All lines are the same length
  • no meter is imposed
  • first couplet introduces a rhyme followed by a refrain that is repeated in the 2nd line of each couplet, that also rhymes with the first line of the first couplet.
  • final couplet contains poet’s signature, usually including the poet’s name either explicitly or some derivative of it.
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15
Q

Blank Verse

A

Unrhymed Iambic Pentameter

  • Often Called the poetic form closest to speech
  • example: John Milton’s “Paradise Lost”
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16
Q

The Heroic Couplet

A
  • A pair of rhyming lines that form a unit.
  • Usually iambic pentameter
  • Usually has a caesura
  • Can be repeated to form a structure with a rhyme scheme of aabbcc
  • it is more than simply an element of poetry, it is its own form.
17
Q

The Stanza

A

Any unit of recurring meter and rhyme used in an established pattern of repetition and separation in a single poem

18
Q

What is a Shaping Form?

A

if metrical forms are the architecture of poetry, then the shaping forms of the ode, the elegy, and the pastoral are its environment.

19
Q

The Elegy

A

the elegy is a lament, it mourns for a lost one and seeks consolation. It is a shaping form, not associated with any required pattern or cadence or repetition. It is a formal link with the history and tradition of public poetry.
An example of an elegy is Mathew Arnold’s “Dover Beach”

20
Q

The Pastoral

A

The pastoral is the mode of poetry that seeks to imitate and celebrate the virtues of rural life. It is pre-industrail revolution and actually extremely old, and is not written very much anymore. One example of a pastoral is Robert Hass’s “Meditation at Lagunitas”

21
Q

The Ode

A

The Ode is a solemn, heroic, and elevated form. Historically it elevates, raises and exalts the subject, but in the 19th century it changed, it became a form that examined and exalted lyric crisis. an example of an Ode is Charles Simic’s “Miracle Glass Co.”

22
Q

Open form

A

Open form, also called free verse, follows no traditional form. But it is not a disjunction or sever from the traditional forms but rather a dialogue with them.

23
Q

Villanelle

A

Poem

24
Q

Sestina

A

Poem

25
Q

Sonnet

A

Poem

26
Q

English Sonnet

A

Poem

27
Q

Spenserian sonnet

A

Poem

28
Q

Italian sonnet

A

Poem