Poems Of The Decade Flashcards

1
Q

Chainsaw versus Pampas grass

A
  • “grinding its teeth” - zoomorphic, animalistic imagery, personification -> transition to being like men also “instant rage”, “perfect disregard”, “its bloody desire, its sweet tooth for the flesh of the face and bones underneath”
  • “juices ran from its joints and threads” - sexual connotations, violent inferences
  • “day-glo orange power-line” - human intrusiveness
  • “then dropped the safety catch and gunned the trigger” - - metaphorical gun -> abuse and violence
  • “beats per second drumming in its heart” - threatening, wild and promoted
  • pampas grass: “its ludicrous feathers and plumes” - negative stereotype of women’s preoccupation with vanity, “sunning itself” - asking for it mentality, male view of feminine hubris
  • theme of nature vs man, nature prevailing: “this was the sledgehammer taken to crack the nut”, “Corn in Egypt” - prevailed continuously, cutting it down making it stronger, “the seamless urge to persist was as far as it got” - despite man’s strength, nature triumphs
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2
Q

Eat me

A
  • “he brought me a cake, three layers of icing, home made a candle for each stone in weight” - starts off as really sweet, home made, but then shows a form of domestic violence and menace, progression in abusive relationships
  • “I ate” - no emotion attached, “didn’t even taste it” - desensitised
  • “broad belly wobble, hips judder like a juggernaut” - unpleasant sound, reference to Hindu God, objectification, unpleasant sound
  • “I was his Jacuzzi. But he was my cook” - roles of pleasure vs necessity
  • “forbidden fruit” - biblical connotations, link to sin and greed, temptation and indulgence
  • repetition of “too fat” - useless member of society, awareness of the situation, unemotional tone (submitted control to him)
  • “his mouth slightly open, his eyes bulging with greed/there was nothing else left in the house to eat” - cold blooded, she is technically free of abuse but still haunted by it -> taking back control, ambiguous line which is insidious/melancholy/victorious
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3
Q

Genetics

A
  • “my father is in my fingers, but my mother’s in my palms” - two matching clauses, syntactic parallels - parents had love but were different people
  • “separate lands, to separate hemispheres” - metaphorical demonstration of their emotional distance, repel like magnets
    “nut friends who quarry for their image by a river” - passing of time, seek the idea of who they used to be, not accepting the change
    -“steeple stands” - childish gesture, parents’ marriage is linked to childhood vs “reciting psalms” - religious imagery, importance of parents
  • “mirroring in bodies” - imagery of reflection, marriage as a method of legacy rather than of love
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4
Q

Material

A
  • “the hanky queen” - sets the tone as humorous and light hearted, shows how she idealises her
  • “paper tissues brought in packs, from late-night garages and shops” - an afterthought, waste and hustle culture vs “things for waving out of trains and mopping the corners of your grief” - much more important, with grief
  • “she’d have one, always up her sleeve” - shows her dependence and reliance
  • “she’d had a farm up there” - passed down, shaped by generations shows how she gave comfort to everyone
  • “hankies which demanded irons, and boiling to be purified” - significant task, difficulty of being a wife -> generations
  • “friendly butcher who’d slip an extra sausage in” - more familiar/personal relationships
  • nostalgia
  • “there’s never a hanky up my sleeve” - comparison with her mother
    “who died not leaving handkerchiefs but tissues and uncertainty” -grief and the death of the stability of the old way of life
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5
Q
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6
Q

Minor role

A
  • “I’m best observed on stage”- metaphor to represent life/world, semantic field of stage terms
  • “my servant’s patter” - servant to her illness, catering to others
  • “if i get these midget moments wrong, the monstrous fabric shrinks to unwanted sniggers” - society -> importance of speaker yet lack of recognition, hopelessness. suffering underneath humour
  • “unobtrusive” - juxtaposition relates to her illness
  • asymmetric list: “driving to hospitals, parking at hospitals, holding hands under veteran magazines…” - dry tone, familiar. lots of action words show how desentisised she is
  • “(mysteriously reassuring)” - stage directions
  • “cancel things, tidy things, pretend all’s well, admit its not” - imperatives, commands, pressure, routine
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7
Q
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