POD Flashcards

1
Q

the deliverer (title)

A

~ physical delivery of baby
~speakers mother delivers baby
~ deliverance = to be saved from evil

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2
Q

‘crippled or dark or girls’

A

girls are reduced to single undesirable beings, characteristics

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3
Q

‘covered in garbage, stuffed in bags, abandoned at their doorstep’

A

tricolon = inhumane treatment of the girls
denied identity

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4
Q

‘one was dug up by a dog’

A

purposely denied identity

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5
Q

‘fetish for plucking hair of hands, or how her mother tried to bury her’

A

brutal juxtaposition
desire to form human connection contrasted with reality

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6
Q

‘some desolate hut outside village boundaries’

A

corrupt, immoral actions are hidden away even from the villagers

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7
Q

‘where mothers go to squeeze out life’

A

pun ( birth & death )
blunt monosyllabic language

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8
Q

‘my mother could not ____ ___ ____,’

A

‘bear being blind,’
plosive alliteration, blunt forceful tone

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9
Q

‘one should hide the fact that ________ ________ are _____’

A

‘catastrophic handicaps are hell’
society’s view towards *stoic illness

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10
Q

‘_____ it like a _______’

A

‘bear it like a roman’
simile
battle, test of strength

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11
Q

( try it in a ______ ______ ______ )
why does Adan Thorpe use parenthesis

A

pitch black room
to convey the reality through parenthesis

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12
Q

‘usual sop’
‘inadequate lock-in son’

A

metaphor
inability to express emotion

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13
Q

‘that the long, slow slide’

A

enjambment coveys the long slow process of her vision gradually diminishing

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14
Q

‘it was up to us to believe she was watching, _________, in the ____’

A

slightly hopeful ending, perhaps feels her pain has ended
ambiguous ending

somewhere
end

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15
Q

Please Hold (title)

A

imperative
‘please’ creates a facade of agency.

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16
Q

‘this is the future, my wife says’

A

wife is robotic, lacks motion.

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17
Q

‘robot is giving me countless options, none if which answer my needs’

A

technology promises progress yet doesn’t provide any

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18
Q

( which is really the robots account )

A

parenthesis to convey the truth = the facade of the robots politeness

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19
Q

‘please say yes OR no’
‘yes, no repeat OR menu’

A

OR = suggests choice yet the speaker lacks choice
technology takes away choice, restricting & disempowering us
repeated conjunction

20
Q

‘you can now meet your needs by looting. wonderful, says the robot’

A

violent, dystopian, rebellious
technology as corrupt again

21
Q

‘please hold. please grow old. please grow cold, please do what you’re told’

A

structure breaks into a tercet at the end.
conveys this is the only way out to escape the hold ai has on humanity.
robot gets the last words, reasserting dominance and the language become abbreviated, reinforcing the lack of choice.

22
Q

Please Hold, themes ??

A

technology
aggression
lack of agency?

23
Q

From The Journal of a Disappointed Man (title)

A

man of thought/words, reflection

24
Q

‘new pile into the pier.’
‘paraphernalia’
‘pulleys’ ‘pile’

A

onomatopoeia: plosive harsh, brutal sounds conveying intensity of the men’s work and the violence of their actions

25
Q

‘massive affair’
‘massive style’
‘great difficulty’

A

practical nature of their job, men defined by action

26
Q

‘let go’ ‘hold tight’
monosyllables

A

workmen defined by strength and physicality.
contrast to the speaker, who’s actually perhaps impressed

27
Q

‘obscure movements’
‘i cannot say what’

A

speaker is fascinated but the work men’s strength and admires them

28
Q

‘everyone one of them ______’

A

monsters
views the workmen as belonging to another world and is perhaps a little intimidated as he is interested

29
Q

‘one ________ man after another’

A

massive
emphasising the vastness, power imposing nature of the workmen

30
Q

‘gaze down like a ______ into the water’

A

simile
mystical creature in another realm

31
Q

‘heavy kind of ________’

A

majesty
graceful, royal, authority figure with superiority and respect

32
Q

‘that left the pile still in midair, and me of course.’

A

speaker reiterates the workmen and him are separate
ambiguous and uncertain state

33
Q

The lammas hireling (title)

A

temporary farmworker (lammas)
person who’s hired (hireling)

34
Q

‘heavy purse’

A

money obbsessed
initial tone if celebration

35
Q

‘the cattle doted on him’

A

natural connection/affinity to the animals

36
Q

‘i grew _____ of company that knew when to _____’

A

fond
shut up
juxtaposition reiterates shifting attitudes of the farmer

37
Q

‘disturbed of dreams of my dear late wife,’

A

plosive alliteration creates a violent tone

38
Q

Out of the bag
1st stanza: who is the speaker ??

A

a child, thinks the baby has come from a bag, conveys their naivety and innocence

39
Q

‘thoes nosy, rosy big soft hands’

A

reiterates his childish viewpoints

40
Q

‘like a ______, unwinding us with his __________’

A

hypnotist
instruments
=complete power and control and magical qualities

41
Q

‘fur lined leather coat’
‘waistcoat satin’
‘silk lined’

A

luxurious materials conveying
Kirling comes from another world

42
Q

‘hyperborean’

A

mythical race of people who lived in the north of Greece in Greek mythology

43
Q

10th stanza
‘swabbed porcelain’ etc

A

speaker (child) starts to imagine the locked room

44
Q

‘chill of tiles’
‘chrome surgery tools’ etc

A

cold harsh sterile description

45
Q

‘tie, a foot, a chin, an arm and cock’

A

listing of body parts presents creation of life in a brutal way
speakers imagination

46
Q

Pt 2 shift to Ancient Greece
speaker is now an adult
who is 1. Poeta doctus?
2. Asclepius?

A
  1. teacher & archeologist
  2. ancient greek god of healing
47
Q

in Pt 2, of Out of the bag the speaker explore themes of ??

A

healing, religion
ancient & modern world