po 2 Flashcards

1
Q

What is the dual interpretation of the phrase ‘Eu prevăd poema rozã a iubirii viitoare’?

A

It can be read as an expression of hope for evasion in the pure realm of art or as irony regarding the pathetic attempt of evasion through the adjective ‘rozã’.

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2
Q

What conjunction introduces a shift in tone from hope/irony to a serious theme?

A

‘Dar’ (but) introduces the shift.

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3
Q

What does the term ‘ironic’ signify in the context of the beloved’s perception?

A

It signifies the beloved’s understanding of existence as ironic.

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4
Q

What does the gerund ‘Adormind’ suggest in relation to melancholy and death?

A

It suggests the prolongation of melancholy into death.

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5
Q

How does the fourth stanza contrast the creator’s ego with nature?

A

The creator’s ego leaves the mirror of imagination to integrate into the devastated nature, mimicking death.

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6
Q

What aesthetic element is suggested by the act of covering with roses?

A

It suggests death in an aesthetic manner.

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7
Q

What are the two auditory images mentioned, and what do they contribute to?

A
  • ‘clavirul prăfuit’ (dusty piano)
  • ‘plânsul apei’ (crying of the water)
    They contribute to the discreet-monotonous musicality of a universe in agony.
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8
Q

What conclusion is drawn regarding the value of the analyzed poem?

A

Its value lies in the life lesson of a humanity in hell, where love or creation no longer possess salvational power.

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9
Q

What thematic pressure do all elements of the poetic chronotope experience?

A

They are under the pressure of ‘sfârșitului continuu’ (continuous end).

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10
Q

What does the garden symbolize in the context of the poem?

A

The garden symbolizes decay and the hurried death that confirms agony.

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11
Q

How does the mirror function within the poem’s universe?

A

It reflects a universe of imbalance.

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12
Q

What is the beloved’s ironic perspective on the world?

A

She looks at the world in decomposition with an ironic gaze.

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13
Q

What is left for the ego as a solution to accept the end?

A

The only solution is to accept the end through a theatrical pose.

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