Plot Flashcards

1
Q

Act 1 Section 1: Nora and Torvald

A
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2
Q

Setting?

A

Comfortably, Tastefully… Not Expensively

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3
Q

Nora’s Secrecy and Deception

A

Hide the Christmas Tree

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4
Q

Torvald’s anthropomorphism

A

Skylark…Squirrel…Squanderbird

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5
Q

Nora’s Childlike expressions

A

“Lots and lots … Pooh”

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6
Q

Torvald’s Capitalist views

A

“Home founded on debts can never be a place of freedom and beauty”

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7
Q

Act 1 Section 2: Nora and Mrs Linde

A
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8
Q

Nora’s selfish remark

A

All alone…How dreadful

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9
Q

Christine’s remark on Nora’s Innocence (2)

A

Have you not grown up yet?
You know so little about the hardships in life

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10
Q

Christine’s view on the individual vs the self/Harsh societal boundaries

A

One has to live and so one becomes completely egocentric

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11
Q

Christine on the general hegemonic codes of Norway

A

A wife cannot borrow money without her husband’s consent

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12
Q

Nora’s sacrifice and protection of Torvald’s/The importance of societal acknowledgement

A

He’s so proud of being a man

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13
Q

Act 1 Section 3: Nora, Dr Rank, Christine

A
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14
Q

Dr Rank’s irony (Talking about Krogstad)

A

Morally sick… crippled… Twisted

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15
Q

Dr Rank’s probing of Nora’s knowledge

A

Do you really know what society is?

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16
Q

Nora’s Facade cracks (Without Toravld’s presence)

A

Bloody hell

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17
Q

Nora’s Irony towards her children

A

My baby doll

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18
Q

Nora playing Hide and Seek with her children (Representative of foreshadowed hiding from Krogstad/ Hiding away from the truth)

A

Nora hides under the tree

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19
Q

Krogstad’s Experience of Restricted societal bounds/ Mentioning of ruthless hegemonic codes

A

The law does not concern itself with motives

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20
Q

Nora’s critique of the hegemonic codes

A

The law must be very stupid

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21
Q

Act 1 Section 4: Nora and Torvald

A
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22
Q

Nora’s attempt to decorate her facade

A

Busy decorating the Christmas Tree

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23
Q

Torvald’s commentary on hereditary disease

A

An atmosphere of lies contaminates and poisons every corner of

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24
Q

Nora’s worry after Torvald’s comment on hereditary disease

A

Corrupt my little children! Poison my home

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25
Q

Act 2 Section 1: Nora, Christine and Torvald

A
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26
Q

Setting? Particularly the tree?

A

Stripped and dishevelled

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27
Q

Nora’s repressed wishes

A

I wish i could tear them into a million pieces

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28
Q

Nora’s Physical Facade/A Doll to dress up

A

Neapolitan Fisher Girl … Tarantella

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29
Q

Nora on Dr Rank’s hereditary disease

A

Terrible disease … Spinal Turbeculosis

30
Q

Torvald’s commentary on Nora’s father

A

Not a man of unassailable reputation

31
Q

Act 2 Section 2: Dr Rank and Nora

A
32
Q

Dr Rank’s commentary on Torvald

A

I know he hates anything ugly

33
Q

Dr Rank’s confession of love

A

Do you think he is the only one who would gladly lay down his life for you?

34
Q

Dr Rank’s honesty on Nora and her deceit/ Commentary on her inability to find her true self

A

You have misled me. You riddle me

35
Q

Act 2 Section 3: Krogstad and Nora

A
36
Q

Krogstad’s motives

A

I was content to fight my way back inch by inch

37
Q

Krogstad’s power over Nora

A

Your reputation is in my hands

38
Q

Nora introduces the motif of the…

A

A miracle is about to happen

39
Q

Act 2 Section 4: Nora and the preparation of the Tarantella

A
40
Q

Nora’s way of breaking society confines

A

Dances more and more wildly

41
Q

Torvald’s commentary on Nora’s wildness (2)

A

You’re dancing as if your life depended on it
Sheer lunacy

42
Q

Act 3 Section 1: Mrs Linde and Krogstad’s reunion

A
43
Q

Mrs Linde’s priorities

A

I was a helpless mother to take care of two little brothers

44
Q

The forgiveness and path to redemption proposed by Mrs Linde (2)

A

Suppose to ship wrecked should could join hands
Better chance of survival together

45
Q

Mrs Linde embracing the Individual over society

A

A woman who sold herself for the sake of other doesn’t make the same mistake again

46
Q

Mrs Linde’s Political Strife

A

There must be an end to all these shiftings and evasions

47
Q

Mrs Linde’s Love and Belongingness (Maslow)

A

I wont let this chance of happiness slip through my fingers

48
Q

Act 3 Section 2: Torvald and Nora after the Tarantella

A
49
Q

Torvald’s commentary of an exit after the Tarantella (Mockery of French Play/Reflect his old ways/Foreshadowing of Nora?)

A

An exit should always be dramatic

50
Q

After Mrs Linde has left, Torvald’s lack of gentry

A

Dreadful bore that woman is

51
Q

Torvald’s lustful remark

A

You’ve still got Tarantella in your blood … Makes you more desirable

52
Q

Torval’d lustful remark

A

You’ve still got tarantella in your blood … Makes you more desirable

53
Q

Torvald’s belittle of Nora again

A

Scientific Experiement! … Big words for my little Nora

54
Q

Dr Rank sees through Nora’s facade (Uses Irony)

A

If only the disguises are amusing
Spirit of happiness … Your wife needs to appear as her normal self

55
Q

Consequences for Dr Rank and his hereditary disease

A

He wants to shut himself up in his house and die

56
Q

Torvald’s referral back to Nora’s father after finding out about the loan

A

Your father’s recklessness and instability
No religion, No morals, No sense of duty

57
Q

Torvald’s Punishment of Nora

A

The children are taken out of your hands

58
Q

Torvald’s true ambitions show after finding the ounce of hope that his reputation will not be wrecked

A

I am saved

59
Q

Torvald’s condescending “Forgiveness understanding the reasons of her actions” (2)

A

Inexperience … Feminine helplessness… I have forgiven you
Satisfying in knowing he has forgiven his wife

60
Q

The physical transition of Nora (from naivety to experience)

A

Taking off my fancy dress … everyday dress

61
Q

Nora’s Anagnorisis (Ownership x2, Duty, Society, Stranger)

A

Ownership -
First by Papa now by you
The children have been my dolls

Can you neglect your most sacred duties … My duty is towards my self
You don’t understand how society works … but i intend to
Living with a complete stranger … I could tear myself to pieces

62
Q

Referral back to the major motif

A

Now the miracle will take place
Miracles of miracles … I don’t believe in miracles any longer

63
Q

Torvald’s rigidity in his beliefs constructed by societal status

A

No man can be expected to sacrifice his honour, even for the person he loves

64
Q

Dramatic Exit foreshadowed

A

Slammed Shut

65
Q

Motifs in A Dolls House

A

Christmas Tree
Stove
Letterbox
Macaroons
Tarantella
Miracles
Doors

66
Q

What is the motif of the Christmas tree symbolic of?

A

Nora and her mental state (her duplicity)
Appearance vs Reality = Decoration means blotting her anxieties
Family happiness and unity

67
Q

What is the motif of the stove symbolic of?

A

Reflects her constant effort to escape her guilt
Relief, Warmth, Security

68
Q

What is the motif of the Letter box symbolic of?

A

Letterbox = locked away from Nora - Torvald’s control
Route to freedom
Secrecy

69
Q

What is the motif of the Macaroons symbolic of?

A

Deception, Secrecy, Disobedience
Rebellious
Rejection of social conformity

70
Q

What is the motif of the Tarantella symbolic of?

A

Drops the facade of a perfect mild-mannered Victorian wife with no boundaries/limits
Performance of those who were bit by a tarantula

71
Q

What is the motif of the miracle symbolic of?

A

False hope due to Torvald
True forgiveness attained through the hope that Torvald’s would take responsibility = Trust in the divine insitution of marriage based on love

72
Q

What is the motif of Doors symbolic of?

A

Caged
Free choice vs determinism by social pressures