Plainchant Flashcards

1
Q

How was Paris important to the development of church music?

A
  • Influence of Notre Dame was important for start of polyphony (or at least lots say this)
  • Earth 12th century-mid 13th century, great increase of population in paris. Cathedral schools built to educate kids;
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2
Q

What were the precursors to Gregorian chant?

A

1) ‘Old Roman’ (although only first notated 10th century)
- Gentle, stepwise motion

Ambrosian (from Milan): two styles

  • Syllabic
  • Elaborate (for more important functions, or occasions e.g. alleluias more decorative for important services)
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3
Q

Who were the musicians pre-Gregorian chant?

A
  • 8th century: Schola Cantorum allowed clerical career to musically gifted boys
  • Everything sung from memory, no notation
  • Monks/cantors – sang up to 150 psalms a day, seen as spiritual training
  • Pre-9th century it was responsorial with a lector singing the verse
  • 9th century it was antiphonal: split choir of monks (to avoid exhaustion, and as part of Carolingian reform)
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4
Q

Give 3 different historical views outlining the development of chant

A
  • Traditional: transmission to Roman chant achieved orally by end of 9th century
  • New historical: fluid and improvisational, singers reconstructed melodies based on general understanding of rules, gradually solidified into chant.
  • Revisionist view: Fully notated book available by 800 and used to ensure everyone using
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5
Q

What was the Carolingian dynasty?

A
  • 800 coronation marked the creation of the Holy Roman Empire – alliance between pope and Frankish power
  • Carolingian reform: attempt to unify kingdom by use of Latin chant
  • Gallican chants removed, everyone made to learn Roman/Latin chants
  • 8th century – first examples of chant being written down
  • St Peter’s Basilica centralised so everything modelled on it
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6
Q

What is Ordinary chant?

A
  • Standardised settings of mass text.
  • Melody moving largely by step.
  • Stylistic differences between sections of the mass can be seen e.g in Liber Usualis: kyrie more melismatic, Gloria more syllabic. Alleluia more decorative because more dramatic function.

N.B. general point that style depended on text function

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7
Q

What is Proper chant?

A
  • Text changed depending on calendar/liturgy.
  • Older, came from psalm-singing – mostly recitation with some more decorative passages, centred around a single note. E.g. Christmas day introit ‘Et vocabitur nomen Eius’.
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8
Q

Give 2 examples of musicians/musical educators in Paris

A
  • Adam of St Victor: precentor at Notre Dame in 12th century – composed 91 sequences (seen as first major musical endeavour of Notre Dame school and precursor to polyphonic rep of later generations)
  • Abelard, was wondering scholar who went to Paris and became master in the Cathedral school by 1115
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9
Q

What is a sequence?

A
  • Sung in the mass after alleluia and before the Gospel
  • Regular verse form
  • Trochaic rhythm
  • Melodic doubling makes it a sequence (essentially repetition)
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10
Q

What did the rise of cities mean for music?

A
  • Gradual break-up of Carolingian empire after 900
  • Holy Roman Empire continues in Germanic East
  • West dissolves into territories ruled by Dukes.
  • 11th century rise of urbanisation in prosperous north associated with great abbeys and cathedral
  • Therefore cities like Paris become centres for musical development in churches/cathedrals.
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