Placement Test Flashcards

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1
Q

PAC Perfect Authentic Cadence

A

V or V7 moving to I. Both chords in root position. Soprano on root of I chord

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2
Q

Plagal Cadence

A

IV moving to I

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3
Q

Deceptive Cadence

A

does not end on tonic. Contains leading tone

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4
Q

half Cadence

A

Cadence ending on V chord

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5
Q

Ternary Form

A

ABA

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6
Q

Rounded Binary Form

A

A B 1/2A

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7
Q

Transition

A

A passage that connects different tonal centers

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8
Q

German Augmented 6th Chord (Ger +6)

A

4 pitches. b6 degree (In key of C major, Ab7)

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9
Q

Italian Augmented 6th Chord (It +6)

A

3 pitches. In 4-part the tonic is doubled. (In key of C major, Ab7 omit 5) Ab, C, Gb

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10
Q

French Augmented 6th Chord (Fr+6)

A

4 pitches. Dominant 7 b5. In key of C major, Ab7b5

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11
Q

Neapolitan Chord (N)

A

bII. Major triad on the b2nd degree. transitions to the V chord.

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12
Q

Binary form

A

consists of 2 approximately equivalent sections

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13
Q

Figured Bass

A

Number represents intervals above bass note

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14
Q

Root position

A

Triad: none. 7th chord: 7

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15
Q

First inversion

A

(3rd in the bass) Triad: 6. 7th chord: 6/5

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16
Q

Second inversion

A

(5th in the bass) Triad: 6/4. 7th Chord: 4/3

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17
Q

Third inversion

A

7th Chord: 4/2 or 2

18
Q

Ostinato

A

continually repeated musical phrase or rhythm

19
Q

pandiatonicism

A

the composition of music using all seven notes of the diatonic scale

20
Q

Twelve-Tone Serialism

A

Igor Stravinsky, Agon. Anton Webern, Symphony, Op. 21.

21
Q

Non-Serial Atonality

A

György Ligeti, Volumina. Arnold Schoenberg, Pierrot lunaire. Edgard Varèse, Déserts.

22
Q

Folk Elements

A

Aaron Copland, Appalachian Spring. Charles Ives, Central Park in the Dark.

23
Q

Electronic Elements

A

John Cage, Williams Mix. Edgard Varèse, Déserts.

24
Q

Minimalism

A

Steve Reich, Drumming. Terry Riley, In C.

25
Q

Aleatory & Chance Elements

A

John Cage, Williams Mix. György Ligeti, Volumina. Terry Riley, In C.

26
Q

Phrase elision

A

last note of one phrase serves as first note of next phrase

27
Q

cadence

A

harmonic goal

28
Q

codetta

A

marks end of sonatas (always ends in perfect cadance)

29
Q

countour

A

shape of melody

30
Q

conjunct

A

stepwise

31
Q

disjunct

A

leaps

32
Q

fragmentation

A

division of a musical idea into segments

33
Q

augmentation

A

multiplication

34
Q

diminution

A

division

35
Q

retrograde

A

backwards

36
Q

extension

A

addition

37
Q

truncation

A

subtraction

38
Q

IAC Imperfect authentic cadence

A

V or V7 moving to I, but with either an inverted chord or soprano not finishing on the tonic.

39
Q

Pentatonicism

A

five note scale

40
Q

Serialism

A

chromatic scale

41
Q

Sentence

A

2+2+4 measure phrases

42
Q

inversion

A

upside down