Placement Test Flashcards

1
Q

PAC Perfect Authentic Cadence

A

V or V7 moving to I. Both chords in root position. Soprano on root of I chord

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2
Q

Plagal Cadence

A

IV moving to I

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3
Q

Deceptive Cadence

A

does not end on tonic. Contains leading tone

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4
Q

half Cadence

A

Cadence ending on V chord

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5
Q

Ternary Form

A

ABA

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6
Q

Rounded Binary Form

A

A B 1/2A

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7
Q

Transition

A

A passage that connects different tonal centers

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8
Q

German Augmented 6th Chord (Ger +6)

A

4 pitches. b6 degree (In key of C major, Ab7)

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9
Q

Italian Augmented 6th Chord (It +6)

A

3 pitches. In 4-part the tonic is doubled. (In key of C major, Ab7 omit 5) Ab, C, Gb

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10
Q

French Augmented 6th Chord (Fr+6)

A

4 pitches. Dominant 7 b5. In key of C major, Ab7b5

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11
Q

Neapolitan Chord (N)

A

bII. Major triad on the b2nd degree. transitions to the V chord.

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12
Q

Binary form

A

consists of 2 approximately equivalent sections

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13
Q

Figured Bass

A

Number represents intervals above bass note

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14
Q

Root position

A

Triad: none. 7th chord: 7

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15
Q

First inversion

A

(3rd in the bass) Triad: 6. 7th chord: 6/5

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16
Q

Second inversion

A

(5th in the bass) Triad: 6/4. 7th Chord: 4/3

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17
Q

Third inversion

A

7th Chord: 4/2 or 2

18
Q

Ostinato

A

continually repeated musical phrase or rhythm

19
Q

pandiatonicism

A

the composition of music using all seven notes of the diatonic scale

20
Q

Twelve-Tone Serialism

A

Igor Stravinsky, Agon. Anton Webern, Symphony, Op. 21.

21
Q

Non-Serial Atonality

A

György Ligeti, Volumina. Arnold Schoenberg, Pierrot lunaire. Edgard Varèse, Déserts.

22
Q

Folk Elements

A

Aaron Copland, Appalachian Spring. Charles Ives, Central Park in the Dark.

23
Q

Electronic Elements

A

John Cage, Williams Mix. Edgard Varèse, Déserts.

24
Q

Minimalism

A

Steve Reich, Drumming. Terry Riley, In C.

25
Aleatory & Chance Elements
John Cage, Williams Mix. György Ligeti, Volumina. Terry Riley, In C.
26
Phrase elision
last note of one phrase serves as first note of next phrase
27
cadence
harmonic goal
28
codetta
marks end of sonatas (always ends in perfect cadance)
29
countour
shape of melody
30
conjunct
stepwise
31
disjunct
leaps
32
fragmentation
division of a musical idea into segments
33
augmentation
multiplication
34
diminution
division
35
retrograde
backwards
36
extension
addition
37
truncation
subtraction
38
IAC Imperfect authentic cadence
V or V7 moving to I, but with either an inverted chord or soprano not finishing on the tonic.
39
Pentatonicism
five note scale
40
Serialism
chromatic scale
41
Sentence
2+2+4 measure phrases
42
inversion
upside down