Placement Test Flashcards
PAC Perfect Authentic Cadence
V or V7 moving to I. Both chords in root position. Soprano on root of I chord
Plagal Cadence
IV moving to I
Deceptive Cadence
does not end on tonic. Contains leading tone
half Cadence
Cadence ending on V chord
Ternary Form
ABA
Rounded Binary Form
A B 1/2A
Transition
A passage that connects different tonal centers
German Augmented 6th Chord (Ger +6)
4 pitches. b6 degree (In key of C major, Ab7)
Italian Augmented 6th Chord (It +6)
3 pitches. In 4-part the tonic is doubled. (In key of C major, Ab7 omit 5) Ab, C, Gb
French Augmented 6th Chord (Fr+6)
4 pitches. Dominant 7 b5. In key of C major, Ab7b5
Neapolitan Chord (N)
bII. Major triad on the b2nd degree. transitions to the V chord.
Binary form
consists of 2 approximately equivalent sections
Figured Bass
Number represents intervals above bass note
Root position
Triad: none. 7th chord: 7
First inversion
(3rd in the bass) Triad: 6. 7th chord: 6/5
Second inversion
(5th in the bass) Triad: 6/4. 7th Chord: 4/3