Placement Test Flashcards
PAC Perfect Authentic Cadence
V or V7 moving to I. Both chords in root position. Soprano on root of I chord
Plagal Cadence
IV moving to I
Deceptive Cadence
does not end on tonic. Contains leading tone
half Cadence
Cadence ending on V chord
Ternary Form
ABA
Rounded Binary Form
A B 1/2A
Transition
A passage that connects different tonal centers
German Augmented 6th Chord (Ger +6)
4 pitches. b6 degree (In key of C major, Ab7)
Italian Augmented 6th Chord (It +6)
3 pitches. In 4-part the tonic is doubled. (In key of C major, Ab7 omit 5) Ab, C, Gb
French Augmented 6th Chord (Fr+6)
4 pitches. Dominant 7 b5. In key of C major, Ab7b5
Neapolitan Chord (N)
bII. Major triad on the b2nd degree. transitions to the V chord.
Binary form
consists of 2 approximately equivalent sections
Figured Bass
Number represents intervals above bass note
Root position
Triad: none. 7th chord: 7
First inversion
(3rd in the bass) Triad: 6. 7th chord: 6/5
Second inversion
(5th in the bass) Triad: 6/4. 7th Chord: 4/3
Third inversion
7th Chord: 4/2 or 2
Ostinato
continually repeated musical phrase or rhythm
pandiatonicism
the composition of music using all seven notes of the diatonic scale
Twelve-Tone Serialism
Igor Stravinsky, Agon. Anton Webern, Symphony, Op. 21.
Non-Serial Atonality
György Ligeti, Volumina. Arnold Schoenberg, Pierrot lunaire. Edgard Varèse, Déserts.
Folk Elements
Aaron Copland, Appalachian Spring. Charles Ives, Central Park in the Dark.
Electronic Elements
John Cage, Williams Mix. Edgard Varèse, Déserts.
Minimalism
Steve Reich, Drumming. Terry Riley, In C.