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MUSA100 > Pitch > Flashcards

Pitch Flashcards

1
Q

Treble Clef

A 
Lines:
F
D
B
G
E
Spaces:
E
C
A
F
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2
Q

Bass Clef

A 
Lines:
A
F
D
B
G

Spaces

G
E
C
A

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3
Q

Tenor Clef

A 
Lines:
E
C
A
F
D
Spaces:
D
B
G
E
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4
Q

Alto Clef

A 
Lines:
G
E
C
A
F
Spaces:
F
D
B
G
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5
Q

Treble clef octave designation

A

C4 D4 E4 F4 G4 A4 B4 C5

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6
Q

Bass clef octave designation

A

C4 B3 A3 G3 F3 E3 D3 C3

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7
Q

Alto clef octave designation

A

F3 G3 A3 B3 C4 D4 E4 F4 G4

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8
Q

Tenor clef octave designation

A

D3 E3 F3 G3 A3 B3 C4 D4

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9
Q

Enharmonic equivalent of C#

A

Db

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10
Q

Enharmonic equivalent of Db

A

C#

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11
Q

Enharmonic equivalent of F#

A

Gb

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12
Q

Enharmonic equivalent of Gb

A

F#

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13
Q

Enharmonic equivalent of A#

A

Bb

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14
Q

Enharmonic equivalent of Bb

A

A#

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15
Q

Enharmonic equivalent of D#

A

Eb

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16
Q

Enharmonic equivalent of Eb

A

D#

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17
Q

Enharmonic equivalent of G#

A

Ab

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18
Q

Enharmonic equivalent of Ab

A

G#

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19
Q

Order of sharps

A

F C G D A E B

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20
Q

Order of flats

A

B E A D G C F

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21
Q

Circle of fifths (sharps)

A

C G D A E B F# C#

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22
Q

Circle of fifths (flats)

A

C F Bb Eb Ab Db Gb Cb

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23
Q

Relative minor of C

A

a

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24
Q

Relative minor of G

A

e

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25
Q

Relative minor of D

A

b

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26
Q

Relative minor of A

A

f#

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27
Q

Relative minor of E

A

c#

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28
Q

Relative minor of B

29
Q

Relative minor of F#

30
Q

Relative minor of C#

31
Q

Relative minor of Cb

32
Q

Relative minor of Gb

33
Q

Relative minor of Db

34
Q

Relative minor of Ab

35
Q

Relative minor of Eb

36
Q

Relative minor of Bb

37
Q

Relative minor of F

38
Q

Relative major of a

39
Q

Relative major of e

40
Q

Relative major of b

41
Q

Relative major of f#

42
Q

Relative major of c#

43
Q

Relative major of g#

44
Q

Relative major of d#

45
Q

Relative major of a#

46
Q

Relative major of ab

47
Q

Relative major of eb

48
Q

Relative major of bb

49
Q

Relative major of f

50
Q

Relative major of c

51
Q

Relative major of g

52
Q

Relative major of d

53
Q

Harmonic minor scale

A

Raise the seventh

54
Q

Melodic minor scale

A

Ascending: raise the sixth and seventh

Descending: returned to natural minor

55
Q

Principle of the melodic minor scale

A

7th is usually raised when moving upward to the tonic, and if the 6th precedes it is also raised.

6th is usually lowered when moving downward to the 5th, and if the 7th precedes it is also lowered.

56
Q

Parallel minor scale

A

Shares the same tonic as a major scale

3rd degree is half a step lower in the parallel minor.

Parallel minor always 3 keys removed (more flats or fewer sharps)

57
Q

Ionian Mode

A

Starts on Do

Equivalent to the major scale

58
Q

Lydian mode

A

Starts on Fa

Major scale with a raised 4th

59
Q

Mixolydian mode

A

Starts on Sol

Major scale with a lowered 7th degree

60
Q

Aeolian mode

A

Starts on La

Natural minor scale

61
Q

Dorian mode

A

Starts on Re

Natural minor with raised 6th

62
Q

Phrygian mode

A

Starts on Mi

Natural minor with lowered 2nd

63
Q

Doubling: Root position

A

Double the root or fifth of the chord

64
Q

Doubling: Second inversion

A

Double the root or fifth of the chord

65
Q

Doubling: First inversion

A

Double anything but the bass

66
Q

Chord progression: Playing fifths

A

Cycling through all the chords in a key but ordered in descending fifths

67
Q

Chord progression: Three-note voicing

A

Three notes used for seventh chords (fifth left out)

68
Q

Chord progression: Lazy seventh

A

Holding the third of any chord over to the next chord creates a seventh

MUSA100 (4 decks)

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