Pitch Flashcards

1
Q

Treble Clef

A
Lines:
F
D
B
G
E
Spaces:
E
C
A
F
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2
Q

Bass Clef

A
Lines:
A
F
D
B
G

Spaces

G
E
C
A

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3
Q

Tenor Clef

A
Lines:
E
C
A
F
D
Spaces:
D
B
G
E
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4
Q

Alto Clef

A
Lines:
G
E
C
A
F
Spaces:
F
D
B
G
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5
Q

Treble clef octave designation

A

C4 D4 E4 F4 G4 A4 B4 C5

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6
Q

Bass clef octave designation

A

C4 B3 A3 G3 F3 E3 D3 C3

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7
Q

Alto clef octave designation

A

F3 G3 A3 B3 C4 D4 E4 F4 G4

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8
Q

Tenor clef octave designation

A

D3 E3 F3 G3 A3 B3 C4 D4

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9
Q

Enharmonic equivalent of C#

A

Db

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10
Q

Enharmonic equivalent of Db

A

C#

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11
Q

Enharmonic equivalent of F#

A

Gb

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12
Q

Enharmonic equivalent of Gb

A

F#

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13
Q

Enharmonic equivalent of A#

A

Bb

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14
Q

Enharmonic equivalent of Bb

A

A#

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15
Q

Enharmonic equivalent of D#

A

Eb

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16
Q

Enharmonic equivalent of Eb

A

D#

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17
Q

Enharmonic equivalent of G#

A

Ab

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18
Q

Enharmonic equivalent of Ab

A

G#

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19
Q

Order of sharps

A

F C G D A E B

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20
Q

Order of flats

A

B E A D G C F

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21
Q

Circle of fifths (sharps)

A

C G D A E B F# C#

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22
Q

Circle of fifths (flats)

A

C F Bb Eb Ab Db Gb Cb

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23
Q

Relative minor of C

A

a

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24
Q

Relative minor of G

A

e

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25
Relative minor of D
b
26
Relative minor of A
f#
27
Relative minor of E
c#
28
Relative minor of B
g#
29
Relative minor of F#
d#
30
Relative minor of C#
a#
31
Relative minor of Cb
ab
32
Relative minor of Gb
eb
33
Relative minor of Db
bb
34
Relative minor of Ab
f
35
Relative minor of Eb
c
36
Relative minor of Bb
g
37
Relative minor of F
d
38
Relative major of a
C
39
Relative major of e
G
40
Relative major of b
D
41
Relative major of f#
A
42
Relative major of c#
E
43
Relative major of g#
B
44
Relative major of d#
F#
45
Relative major of a#
C#
46
Relative major of ab
Cb
47
Relative major of eb
Gb
48
Relative major of bb
Db
49
Relative major of f
Ab
50
Relative major of c
Eb
51
Relative major of g
Bb
52
Relative major of d
F
53
Harmonic minor scale
Raise the seventh
54
Melodic minor scale
Ascending: raise the sixth and seventh Descending: returned to natural minor
55
Principle of the melodic minor scale
7th is usually raised when moving upward to the tonic, and if the 6th precedes it is also raised. 6th is usually lowered when moving downward to the 5th, and if the 7th precedes it is also lowered.
56
Parallel minor scale
Shares the same tonic as a major scale 3rd degree is half a step lower in the parallel minor. Parallel minor always 3 keys removed (more flats or fewer sharps)
57
Ionian Mode
Starts on Do Equivalent to the major scale
58
Lydian mode
Starts on Fa Major scale with a raised 4th
59
Mixolydian mode
Starts on Sol Major scale with a lowered 7th degree
60
Aeolian mode
Starts on La Natural minor scale
61
Dorian mode
Starts on Re Natural minor with raised 6th
62
Phrygian mode
Starts on Mi Natural minor with lowered 2nd
63
Doubling: Root position
Double the root or fifth of the chord
64
Doubling: Second inversion
Double the root or fifth of the chord
65
Doubling: First inversion
Double anything but the bass
66
Chord progression: Playing fifths
Cycling through all the chords in a key but ordered in descending fifths
67
Chord progression: Three-note voicing
Three notes used for seventh chords (fifth left out)
68
Chord progression: Lazy seventh
Holding the third of any chord over to the next chord creates a seventh