Piano Sonata Op.13 No.8 In C Minor ‘Pathétique’ Movement I Flashcards

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1
Q

When was it written and from what period?

A

Written in 1798 and published in 1799
Classical period

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2
Q

How was this piece different from Mozart and Haydn?

A

Extreme dynamics and pitch
Virtuosity
Classic romantic
Balanced phrasing used by Mozart and Haydn

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3
Q

What is the sonata form of this piece?

A

Slow introduction
Exposition (1st and 2nd subject)
Second an/ subsidiary theme
Codera
Development section (intro, subject 1)
Recapitulation
New theme
Coda (intro and subject 1)

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4
Q

When was he born and how was he taught piano?

A

Born in Germany, 1770
Born into a musical family but was taught music by Joseph Haydn

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5
Q

What were the differences in classical period and baroque?

A
  • become less complex and clearer texture
    1750 - 1820 overlaps with romantic period (1825-1900)
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6
Q

What are the classical romantic features of this piece?

A
  • balanced phrases
  • mainly homophonic textures
  • variety and contrast
  • wide range of dynamics
  • harpsichord replaced piano
  • sonata form
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7
Q

What is the texture of the piece?

A

Introduction is homophonic with heavy, low chords
Descending broken chords in 1st subject
Antiphonal with crossed hands in bars 51 - 80 and Alberti bass
Melody - dominated homophony from the exposition

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8
Q

What is the rhythm like of this piece?

A

Dotted rhythms and short rhythms
Exposition includes syncopation
Persistent quavers throughout allegro section

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9
Q

What is the instrumentation like?

A

5 and a half octaves (nearly full range of piano)
Contrary motion and a murky bass

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10
Q

What is the metre and tempo?

A

4/4 but exposition changes to 2/2
Introduction is grave (slow)
First subject is allegro

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11
Q

What is the tonality of the piece.

A

Introduction is C minor (tonic)
First subject has a pedal alternating octave bass line
Tonality transitions through A flat and B flat and second subject is in E flat minor
Introduction repeated in g minor
Subject 1 repeated in E minor
Subject 1 repeated in C minor

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12
Q

Why were there such extreme dynamics?

A

Invention of the piano made greater dynamic range possible

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