Piano sonata No.8 in C minor Flashcards
describe the pianoforte and how Beethoven exploited it
- different dynamic levels could be achieved by altering the pressure of the finger on the keys
- Beethoven made extensive use of these dynamic possibilities and had frequent diminuendo and crescendo markings
- the sustaining pedal was also introduced
describe the structure of the piece and the starting keys of each section
introduction - C minor
exposition
1st subject - C minor
2nd subject - Eb minor
link - G minor
development - E minor
recapitulation
1st subject - C minor
2nd subject - F minor briefly then C minor
what is an exposition section and what are its main characteristics in the piece?
- it is the section where the main subjects are first introduced
- it is always in the home key
In this piece:
1. it is fast paced
2. it is in C minor
3. It is in 2/2 time
4. it features two subjects
what is a development section and what are its main characteristics in the piece?
- it is the section where the subjects are combined and developed usually in dramatic ways
In this piece:
1. it unusually starts with the music of the introduction
2. it develops music from 2 subjects and explores distant keys
3. it uses a wide range of dynamics
4. it ends with a long dominant preparation on G for 30 bars
what is a recapitulation section and what are its main characteristics?
- it is the section where the first subject is played in the home key and then the second subject will also now be in the home key
In this piece:
1. the second subject, unusually, starts with the subdominant rather than the tonic key
2. it ends with a coda
describe the tonality of the piece
- the key of the piece is C minor
- the piece modulates to related keys such as Eb major (relative major) and F minor (subdominant)
- it also modulates to unrelated keys such as E minor at the start of the development section
describe the harmony in the piece
- features many chromatic chords, especially diminished sevenths (eg bar 2 crotchet 1)
- there are distinctive perfect cadences at the end of the movement
- there are interrupted cadences
- circle of fifths in bar 244
describe the melody in the piece
- introduction is based on the short (6 note) motif
- there are frequent scalic passages (eg end of intro)
- the first subject theme is built on an ascending scale in the tonic key of C minor
- melodies are also built on arpeggios and broken chords
- ornaments are an important feature of the second subject in particular (eg acciaccaturas, mordents and trills)
describe the texture of the piece
- the slow introduction includes many homophonic passages
- the right hand plays in octaves later in the introduction
- there is a long descending monophonic passage leading into the recapitulation
- the second subject features melody-dominated homophony
- there is an example of two-part music with broken chords in the second part of the 2nd subject
- there is a brief passage in thirds in the development section
describe the tempo, metre and rhythm of the piece
- The introduction is marked grave and is in common time
- dotted rhythm is an important feature of the piece (eg in bar 1)
- there are some very rapid notes, including sextuplets in bar 10
- the 1st subject is very fast and is in alla breve time
- continuous quavers are a distinctive feature of the first subject accompaniment
- staccato crotchets are an important feature of the melody in the 1st subject
What does the title mean and how is it conveyed in the music?
- the title means suffering
It is expressed through:
1. minor keys
2. dramatic chords
3. accented notes
4. strong melodies
5. romantic harmony
6. diminished seventh chords