Photography for Orals Flashcards
Dan Graham Homes for America, 1966
Lynda Benglis Artforum ad, 1974
Victor Burgin
Photopath 1969,
right: at the ICA, London for the exhibition
Live in your Head: When Attitudes become form
Allan Sekula Untitled (Slide Sequence), 1972
Rosler
The Bowery in two inadequate descriptive systems
1974-5
Catherine Opie
Self Portrait (Pervert). 1994
Sherrie Levine,
Untitled (After Edward Weston I), 1980
Richard Prince
Untitled (Four Women
Looking in the Same DirecKon #1‐#4)
1977‐9
Sanja Ivanovic
Double Life, 1975
Katy Grannan
Mike, Private Property, New Paltz, NY 2003
from Sugar Camp Road
2002‐3
Thomas Struth
National Gallery 2, London 2005 from Museum Photographs
Alfred S)eglitz Spring Showers‐‐the Street Sweepers, 1901.
Hannah Höch
Cut with a Kitchen Knife: Dada through the last Weimar Beer Belly
Cultural Epoch of Germany, 1919‐20,
photomontage.
Germaine Krull
pages from Metal 1927‐8
Cartier‐Bresson
Greece, 1937
Walker Evans,
Graveyard, Houses and Steel Mill, Bethlehem, Pennsylvania
(1935)
Walker Evans
“Vanishing Backyards” Fortune, 1930
“Along the Right of Way” Fortune, 1950
Aaron Siskind
Harlem Document (1932‐40)
St. Louis 9, 1955
Harry Callahan
Eleanor 1947
Harry Callahan
Telephone Wires, 1945
Ansel Adams
Mount Williamson, (Sierra Nevada, Fort Manzanar, CA), 1944
Richard Long
A Line Made of Walking, England, 1967
Smithson
from “Monuments of Passaic” ArOorum 6:4, December 1967
Douglas Huebler
Duration #7, Rome,
1973
Kusama Grand
Orgy to Awaken the Dead at MoMA, 1969
Orgy, 1969
Dorothea Lange,
The Road West, New Mexico
(1938)
Robert Frank
from The Americans, 1958
John Hilliard
Camera Recording its own Condition, 1971
Joseph Kosuth,
One and Three Chairs (1965)
Lawrence Weiner
A 36 inch by 36 inch removal of the lathing or support wall
of plaster or wall board from a wall. (1968)
Nauman from Eleven Color
Photographys, 1967‐8
Bernd and Hilla Becher
Anonymous Sculptures, 1970
Winding Tower,
1967
Otto Steinert
Subjective Fotografie,
1952
August Sander
Bricklayer’s Mate, 1929
Sander Farming Type, 1929
from People of the Twentieth‐Century
William‐Henry Fox Talbot
The Pencil of Nature, 1844
Bechers
Gas Tanks (Spherical), 1963
Bechers
Gasometers, Belgium, Germany, England, United States, 1965‐92
Blast Furnaces, 1970‐1983
Gerhard Richter
Atlas, sheet 1 & 5, 1962
Aby Warburg
Mnemosyne Atlas, 1929
Thomas Struth
Dey Street, New York, 1978 Dusselstrasse, Dusseldorf,
1977
Thomas Struth
South Lake Apartments 3, Chicago, South Lake Apartments 4,
Chicago, 1990
Candida Höfer
British Library, London, I, 1994
Hiroshi Sugimoto
Cabot Street Cinema, Massachusettes, 1978
Jeff Wall
Stereo, 1983
Jeff Wall
Mimic, 1989, backlit cibachrome
Philip‐Lorca diCorcia
Eddie Anderson, 21, Houston, TX, $20 1990‐2
Victor Burgin
Performative/Narrative, 1971
Burgin
Artforum ad, 1976
Burgin installation shot,
UK 76, 1976 (11 panels 40 x 60 in.)
Burgin
USA ’77, 1977‐8
Allan Sekula,
Mass Meat, 1972
Sekula
Meditations of a Triptych,
1973‐8
Allan Sekula
Aerospace Folktales, 1973
Allan Sekula
Aerospace Folktales, 1973
Allan Sekula
Aerospace Folktales, 1973
Fred Lonidier
The Health and Safety Game: Fictions based on Fact 1976,
photographs, text, and videotape
Minamata
W. Eugene Smith
1971
Hackney Flashers (incl. Jo Spence)
Women and Work, 1976
Jo Spence and Terry Dennett
“I’ll take (almost) any work” (After John Heartield) from
Remodeling Photo‐History, 1979‐82
Sherrie Levine, Untitled (After Walker Evans), 1981
Rosler, The Bowery in Two Inadequate Descriptive Systems, 1974‐5
Duane Michals
Untitled, 1968
Cindy Sherman
Untitled Film Stills, No. 4, 1977.
Louise Lawler
Arranged by Barbara and Eugene Schwartz, 1982
Louise Lawler
I can see the whole room!…and there’s nobody in it!… from
Arranged by Mr. & Mrs. Burton Tremaine, Sr. 1984
Louise Lawler
Monogram, 1984
Barbara Kruger
Untitled (You are not aware
of yourself), 1982
Richard Prince,
Untitled (Cowboys), 1980 & 1991‐2
James Casebere
Arches, 1985
Sarah Charlesworth
April 21, 1978 from Modern History 1978
Mary Kelly
Interim (Part I), 1984‐5
Laurie Simmons
Woman in Interior VIII and Woman in Interior IX, 1976
Sherman
Untitled (Centerfolds), 1981
Sherman
Untitled (Pink Robe), #97
1982
Sherman
Untitled (fashion) #22, 1983
Untitled (fashion) #133, 1984
Sherman
Untitled (Fairytales) #156, 1985
Sherman
Untitled #153, 1985
Ansel Adams
Moonrise, Hernandez, New Mexico, 1941
Robert Mapplethorpe
Portrait of Doris Saatchi, 1985
Installation shot of Before Photography: Painting and the Invention of Photography
exhibit at the Museum of Modern Art, NY, 1981, curated by Peter Galassi.
Seydou Keita
Untitled, 1956-7
Boris Mikhailov
Case Histories (1999 book),
2011 MoMA exhibition
Krzysztof Wodiczko
AT&T Building, 1984
South Africa House Projection, Trafalgar Square, London, 1985
New Museum, 1991
Krzysztof Wodiczko
Homeless Projection: A Proposal for the City of
New York, 1986
Wodiczko
Western Bonaventure Hotel, LA, 1987 (with Los Angeles
Institute of Contemporary Art)
Shimon Attie,
Almstad Strasse, 42, Berlin, 1993
Mulackstrasse, 37, Berlin, 1993
from The Writing on the Wall, 1991-3
Shimon Attie
At the Coliseum (Looking towards the Arch of Titus), on-location slide projection, Rome, Italy, from The History of Another, 2001-2.
At Portico of Octavia, on-location slide projection,
Rome, Italy, 2003. Lambda photograph,
Magdelana Jetelova
Atlantic Wall, 1995
Felix Gonzalez-Torres,
Untitled, 1991, as installed for The Museum of Modern Art,
New York “Projects 34: Felix Gonzalez-Torres“ May 16 - June 30, 1992, in 24
locations throughout New York City
Suzanne Opton Birkholz, 353 Days Iraq, 205, Afghanistan, from the
series Soldier, (installation shot, Denver), 2009
Zoe Strauss
I-95, 2010 (installation shot)
Zoe Strauss
I-95, 2010
Claude Cahun
Self-portraits, 1928; 1927; 1931
Jo Spence and Terry Dennett
“Revisualisation” from Remodeling Photo‐History,
1979‐82
John Stezaker
The Voyeur, 1979.
Laurie Anderson
Fully Automatic Nikon (Object/Objection/Objectivity), 1973.
Laurie Anderson
Fully Automatic Nikon (Object/Objection/Objectivity), 1973.
Eleanor Antin
Carving: a Traditional Sculpture, 1972, photographs.
Judith Joy Ross
Untitled, 1988
Sally Mann
“Jesse at 5” from Immediate Family, 1989
Susan Meiselas
Carnival Strippers, 1972‐75
Susan Meiselas
Carnival Strippers, 1972‐75
Susan Meiselas
Carnival Strippers, 1972‐75
Susan Meiselas
Carnival Strippers, 1972‐75
Philip‐Lorca DiCorcia
Lucky 13, 2005
Carolee Schneeman
Partial Portraits, 1970
Catherine Opie,
Dyke, 1992, c‐print.
Helmut Newton
Self‐Portrait with Wife June and Models, Vogue studio,
Paris 1981
Jemima Stehli
Strip, 1999‐2000.
Hannah Wilke
What does this Represent? What do
you Represent? (Reinhardt) from So Help Me
Hannah 1978‐89
Andres Serrano
Heaven and Hell, 1984. Cibachrome
Serrano Pieta, 1984.
Andres Serrano
Rabble, 1984. Cibachrome print.
Serrano
Cabeza de Vaca, 1984
Serrano Red Pope Triptych, 1990
Serrano Blood and Semen, 1990
Robert Mapplethorpe
Pictures/Self Portrait, 1977
F. Holland Day Nude Youth with Laurel wreath standing Against a Rock, 1907
Minor White Portland, 1940
Mapplethorpe Self‐Portrait, 1975
Mapplethorpe Self Portrait, 1978.
Mapplethorpe
Self Portrait, 1988
Mapplethorpe Orchid, 1987
Carleton 1988
Edward Weston, Nude, 1925
Pepper No. 30, 1930
Robert Mapplethorpe
Man in Polyester Suit, 1980
Mark Stevens (Mr. 10 1/2), 1976
Mapplethorpe
Jim and Tom, Sausalito, (X Portfolio) 1977-8
Mapplethorpe Jesse McBride, 1976
Mapplethorpe Brian Ridley and Lyle Heeter, 1979
Robert Mapplethorpe. Rosie. 1976
Mapplethorpe Lou, NYC, 1978
Caravaggio, The Incredulity of Saint Thomas, 1601-2
Joel Peter Witkin
Canova’s Venus, 1982
David Wojnarowicz
Rimbaud in New York, 1977‐9. Silver gelatin prints.
Gran Fury
Kissing Doesn’t Kill, Greed and Ignorance Do, 1989
Sally Mann
Self Portrait, 1974
Sally Mann
Immediate Family, 1984-1991
Sally Mann
The Last Time Emmett Posed Nude for me, from Immediate Family
1984-1991
Sally Mann Immediate Family, 1984-1991
Sally Mann
Family Color, 1990-1
Cindy Sherman
Untitled #225, 1990
Untitled # 250, 1992
Glenn Ligon
Notes on the Margin of the Black Book, 1991-3.
Mapplethorpe
Derrick Cross, 1982
Mapplethorpe Ajitto, 1981
Mapplethorpe Apollo, 1988
Mapplethorpe Charles Bowman, 1980
Mapplethorpe Ken Moody and Robert Sherman, 1984 (left)
Ken and Tyler, 1984
Rotimi Fani-Kayode
Nothing to Loose IV, 1989
Rotimi Fani-Kayode
The Golden Phallus, 1989
Rotimi Fani-Kayode
Untitled, c. 1987 (left)
Rotimi Fani-Kayode
Bronze Head, c. 1987
Lyle Ashton Harris and Renée Cox Hottentot
Venus, 1995
Lyle Ashton Harris Billie # 21, 2002 (dye
infused polaroid)
Carrie Mae Weems
Colored People, 1989-90. Monochrome color
print.
Carrie Mae Weems
Blue Black Boy, from Colored People, 1989-90. Monochrome color print.
Carrie Mae Weems
Untitled from Kitchen Table Series, 1990
Carrie Mae Weems
From Here I saw What Happened and I Cried, 1995. Cprint
with text on glass
Carrie Mae Weems
From Here I saw What Happened and I Cried, 1995. Cprint
with text on glass
Lorna Simpson
Untitled, 1989 (photographs & two plastic panels).
Lorna Simpson
Guarded Conditions, 1989
Lorna Simpson
Easy for Who to Say, 1989
Lorna Simpson
The Park, Serigraph on six felt panels with two felt text
panels
1995
Lorna Simpson Please Remind me of who I am, 2009. 50
photobooth photographs, 50 ink drawings, bronze frames.
LaToya Ruby Frazier
Shadow (from the Momme Portrait
series) 2008
I found out in 2008 that both Grandma
Ruby and Mom had cancer, as did
many of the elder women in Braddock.
Here, Mom and I explored a new
approach to documenting our illnesses
(mine being lupus). We stood our
mattress on end and covered it with a
comforter, essentially making it our
studio/stage. We made a portrait of our
bodies overlapping as one, unified in
sickness, death, and our struggle to
survive. The light cast a shadow that
for me foreshadows the loss of
Grandma Ruby; she passed away six
months later from pancreatic cancer.
LaToya Ruby Frazier Self
Portrait (10am), 2009
In Self-Portrait (March 10
a.m.) I continued to document
my lupus attacks. Any time I
am having a lupus attack and
feel up to making a portrait, I
document the moment. On this
occasion I had just returned
from clearing out my
grandmother’s apartment in
Braddock after her death. I
only kept a few articles of her
clothing. In this portrait I am
wearing her pajama pants,
and a bed sheet is duct-taped
to the bedroom wall.
LaToya Ruby Frazier fifth Street Tavern and U.P.M.C. Braddock
Hospital on Braddock Avenue, 2011
Danny Lyon
Atlanta, 1963‐4
Bruce Davidson
East 100th Street, 1968
Garry Winogrand, American Legion Convention, Dallas,
Texas (1964)
Diane Arbus,
A Jewish Giant at Home with his Parents in the
Bronx, NY, (1970)
Larry Clark
Tulsa (photo book), 1971
common theme:
kids shooting up, in bed, smoking, blood, pensive shots, with rifle, in trucks, some negatives/ contact sheets
Larry Clark
Tulsa (photo book), 1971
Larry Clark
Teenage Lust, 1983
Larry Clark
The Perfect Childhood, 1995
Nan Goldin
The Ballad of Sexual Dependency, 1986
Bill Owens
Suburbia, 1973 [page layouts]
Carrie Mae Weems, ‘Dad and Son-Son’ from Family Pictures and Stories,
1978-84
Jim Goldberg
Rich and Poor, 1984
Howard Schatz
Homeless: A Portrait of Americans in Hard Times,
1993
Nan Goldin
The Ballad of Sexual Dependency, 1986
Goldin,
Gilles and Gotscho, 1992-3
Jack Pierson Angel Youth, 1990
Jack Pierson Angel Youth, 1990
Richard Billingham Ray’s a Laugh, 1996
Nikki Lee
Hispanic Project, 1998 Punks Project, 1997
Lee Seniors Project, 1999
Hip Hop Project, 2001
Chris Verene Galesburg Series , 1984-present
“My Twin Cousin’s, Husband’s Brother’s Cousin’s Cousins,” 2003
C-print [right]
“Candi, Cody, and Caity”, 2005 C-print [left]
Jeff Wall
Destroyed Room, 1978, backlit cibachrome
Jeff Wall
Picture for Women, 1979 (light box transparency)
Candida Höfer Wiso Library, University of Cologne, I, 1994
Institute for Insurance Law, Cologne, 1994
Thomas Ruff
Portraits, 1986‐1990
Anna Giese, 1989
Andrea Gursky
Klasenpass, 1984
Gursky
Swimming pool, Tenerife, 1984
Swimming Pool, Ratingen, 1987
Gursky
Hong Kong Stock Exchange, Diptych, 1994
Gursky
Times Square 1997
Thomas Ruff
jpeg 02, 2004
Thomas Struth
Chicago Art Institute I, 1990
Jeff Wall
Flooded Grave, 1998‐2000, backlit cibachrome
Jeff Wall
Outburst, 1986
Wall Dead Troops Talk (a Vision after an Ambush of a Red Army Patrol near
Moqor, Afghanistan), 1986
Wall Passerby, 1996. Gelatin silver print
Wall No, 1994. Transparency in lightbox
Jeff Wall
Volunteer, 1996
Wall Morning Cleaning,
Mies van der Rohe Pavillion, 1999. Cibachrome & backlit
light box
Thomas Demand
Room, 1994
Thomas Demand
Office, 1995
Thomas Demand
Poll, 2001
Luc Delahaye
L’Autre, 1999
Anna Atkins
Photographs of British Algae Vol. I, 1843 (cyanotype photobook)
ChrisKan Boltanski
Monument to the Children of Dijon, 1986.
Photographs and light bulbs.
Els Vanden Meersch
Implants, 2006. (Photobook).
Els Vanden Meersch
Implants, 2006. (Photobook).
Susan Hiller
J. Street Project, 2002‐5
Roni Horn
To Place – Book IV: Pooling Waters 1994
Roni Horn
You Are the Weather, 1994‐6 To Place – Book IV: Haraldsdottir
1996 (photobook)
Roni Horn
Still Waters (The River Thames, For Example), 1999. Offset lithographic print on photograph with text
Roni Horn
Library of Water, 2007
Candida Höfer
State Archive, Seville, 2010
Susan Meiselas
Nicaragua, 1978‐91
Susan Meiselas
Kurdistan: In the Shadow of History, 1991‐1997
Susan Meiselas
Kurdistan: In the Shadow of History, 1991‐1997
Susan Meiselas
Kurdistan: In the Shadow of History, 1991‐1997
Susan Meiselas
Kurdistan: In the Shadow of History, 1991‐1997
Eugene Atget, Boulevard de Strasbourg, Corsets, 1912
Martha Rosler Chinatown, New York, September
2000, 2000
Rosler, New York City, March, 2004, 2004
Rosler, Lower Manhattan, July 2001, 2001
James Coleman
Living and Presumed Dead, 1985
James Coleman
Background, 1992
Tacita Dean Floh, 2001. Artist’s book.
Tacita Dean Floh, 2001. Artist’s book.
Christopher Williams
Kiev 88, 4.6 Ibs. (2.1 Kg) Manufactorer: Zavod Arsenal
Factory, Kiev, Ukraine. Date of producVon: 1983‐87 Douglas M. Parker Studio,
Glendale, California, March 28, 2003 (NR. 1,2,3). 2003
Chrisopher Williams
Kodak Three Point ReflecVon Guide, copyright Eastman Kodak Company,
1968. (Corn) Douglas M. Parker Studio, Glendale, California, April 17, 2003. 2003
Chrisopher Williams
Model # 105M—R59C, Keystone Shower Door, 57.4 X 59”/Chrome/
Raindrop, SKU # 109149, #96235. 970—084—000 (Meiko), Vancouer, B.C.
Wednesday, April 6, 2005, No. 2. 2005.
Allan Sekula
Fish Story, 1995
Sekula
‘Detail. Inclinometer. Mid‐AtlanIc,’ 1993, from Fish Story
John Lamprey
Front and Profile View, Malayan Male, 1868‐9
Bill Brandt
Francis Bacon, 1963
Edward Weston
Orozco, 1930
Vandyk
The Prince of Wales and Lloyd George, 1919
Walker Evans
Subway Portraits, 1938‐41
Walker Evans Alabama Cotton Famer’s Wife, Allie Mae Burroughs from James
Agee and Walker Evans Let us now Praise Famous Men (1941)
Dorothea Lange Ma Burnham from Dorthea Lange and Paul Taylor An American
Exodus: A Record of Human Erosion (1939)
Andres Serrano Nomads (John Paul), 1990
Andres Serrano Nomads (Sir Leonard), 1990
Gillian Wearing
Signs that say what you want them to say not Signs that say
what someone else wants them to say 1994
Rineke Dijkstra
Hilton Head Island, S.C., USA, June 24, 1992 1992
Kolobrzeg, Poland, July 26, 1992, 1992
Dijkstra
Self Portrait, Marnixbad, Amsterdam, June 19, 1991, 1991
Diane Arbus
Girl in a Circus Costume, 1970
Avedon
Bill Curry, Drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980
Sandra Bennett, 12 year Old, Rocky Mt, Colorado, 1980
from series In the American West
Dijkstra
Jalta, Ukraine, 1993
Rineke Dijkstra
Nugent RC Highschool, Liverpool, England, Nov. 11, 1994,
1994
Rineke Dijkstra Tecla, Amsterdam, Netherlands, May 16, 1994, 1994
Rineke Dijkstra Julie, Den Haag, the Netherlands, Feb, 29, 1994, 1994
Dijkstra Tia, Amsterdam, the Netherlands, 23 June, 1994, 1994
Dijkstra Tia, Amsterdam, the Netherlands, 14 Nov, 1994, 1994
Marker
Untitled, (Tehran, 1950s) Demo 6 (Paris, 2006)
from Staring Back 2007
Marker Demo 17 (Paris, 2006) Demo 18 (Paris, 2006)
from Staring Back 2007
Marker Immigrants Burying L. Schwartzenberg 3, Paris, 2003
Marker Demo 8, (Paris, 2006) from Staring Back 2007
Bettina von Zwehl
Alina 2004
Bettina von Zwehl
Untitled #2, 1998
Shizuka Yokomizo
Stranger, 1999
Katy Grannan
Carla and Pit Bull, Garehouse Road, New Paltz, NY, from series
Sugar Camp Road, 2002
Philip-Lorca DiCorcia
Mike Vincee, 24, NYC or Tulsa Oklahoma, $30 1990‐2
Philip-Lorca DiCorcia
Head #5, 2001 Head #6, 2001
HILL & ADAMSON
Title-Fishwives, Newhaven, 1845
LE SECQ, Henri
Title-Strasbourg Cathedral, calotype, 1851
BALDUS, Edouard-Denis
Title-Cloister of Saint- Trophime, Arles, 1851
SOUTHWORTH & HAWES
Title-Early Operation Using Ether for Anesthesia, 1847
Harriet Beacher Stowe
- 1839-64: Daguerreotype popular, esp. in USA
- Brady other famous studio
FENTON, Roger
Title-57th Regiment & Valley of the Shadow of Death, Russia/ Crimea war, 1855
BARNARD, George N.
Title-“Sherman’s Hairpins”, 1864
FRITH, Francis
Title-The Pyramids of Dashur from the Southwest, Egypt, 1858
ROBINSON, Henry Peach
Title-Fading Away, 1858
REJLANDER, Oscar G.
Title-The Two Ways of Life, 1857
- high art photo
- classicizing
- Raphael’s School of Athens, saw in Rome
- Tableau Vivant, popular tradition
- two youths in center, two directions
- 31” wide, from 30+ negatives
EMERSON, Peter Henry
Title-Gathering Waterlilies, 1886
*PICTORIALISM
- peaked from 1880s-1920s
- furthered photo as art form, rejected industrialization and commercialization in subject matter and aesthetics, instead overlaid scenes (typically landscapes) with fog and shadows, strove for complexity in tonal range
- favored gum bichromate
- admired Julia Margaret Cameron
MARVILLE, Charles
Title-From the “Album de l’ancien Paris”, 1865-9
- Haussman’s program: 1853-70
WATKINS, Carleton
Title-From the Best General View, Mariposa Trail, 1860-69
- most well-known documenter of Mariposa and Yosemite
- Sublime, unpopulated views
- Inspired Bierstadt
- Stereoviews enormously popular in 1850s, enlightened masses, public interest in science, global expansion, access to info; immediacy of scene
- Bourgeois living room became microscopic world
BRASSAI
Title-Mome Bijou at the “Bar de la Lune” Paris,
Ca. 1933
KERTESZ, Andre
Meudon, 1928
- Parisian Neighborhood
- Inter-War
- Neither strict Surrealist or Photojournalist/ Reportage
- Uncanny in everyday; Poetry of modern urban life
- Train=Modernization/ Progress; plays with doubleness of how modernization, since growth also looks like destruction
- After WWII, moved to NYC; displacement and alienation of surroundings a theme
SALGADO, Sebastiao
Title-Fight Between a Serra Pelada Mineworker and a Policeman, Para,Brazil, 1986
ROSLER, Martha
Title-Vacation Getaway (from Bringing the War Home: House Beautiful), 1967-72
Florence Henri, Self-Portrait, 1928
Man Ray, Noire et blanche, 1926
BARNARD,George N.
Title-Burning Mills,Oswego, NY
daguerreotype
Location-Rochester:Eastman House
Date-1853
