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photography class Flashcards

1
Q

DEVELOPING FILM 8 STEPS

A
  1. 1 MIN H20 SOAK- AGITATE
  2. DEVELOPER 9 MIN AGITATE FIRST 30 SECS~ THEN 10 SEC OF 1ST MIN THEREAFTER ( DUMP IT)
  3. STOP BATH= 30 SECS AGITATE CONST. (RECYCLE)
  4. FIXER= 5 MIN AGITATE SAME AS DEVEL. ( RECYCLE)
  5. RINSE H20 FOR 1 MIN.
  6. HYPOCLEAR= 5 MIN AGITATE GENTLE SAME AS DEVELOPER
  7. H20 FINAL WASH 10 MIN GENTLE MOVEMENTS
  8. PHOTO FLO 30 SECS BATH OUTSIDE
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2
Q

FILM DEVELOPING IMPORTANT FACTS

A 
TAP BOTTOM TO DISLODGE BUBBLES
 LOAD FIM IN TOTAL DARKNESS
 EACH REEL USE 10 0Z OF SOLUTION
TEMPERATURE IS CRUCIAL 65-75 C
AGITATION MUST BE GENTLE = OVER AGITATION CAN DAMAGE FILM AND CREAT OVER EXPOSURE.
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3
Q

3 factors that affects DOF depth of field

A
  1. lens apperture f/stops
  2. distance camera/subject
  3. lens focal lenght
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4
Q

DOF

A

the front/back zone within which objects appear to be sharp

extending between 2 particular distances

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5
Q

shallow DOF

A

when little else BUt main subject appear sharp

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6
Q

great DOF

A

when scene is sharp from front to back

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7
Q

APERTURE

A

CONTROL FOCUS

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8
Q

DARK ROOM CHEMICALS

A 
developer-1.5 minutes use tongue to move pic
water - rise quick
stop bath - 15 sec
fixer- 5 min
water  leave it 
hypo  3 min
wash outside,, squesh+ water book
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9
Q

developer

A

transform sliver halide into silver metal

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10
Q

stop bath

A

stop action of developer

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11
Q

fixer

A

removed unexposed silver halide crystals from film- makes image permanent and impervious to light

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12
Q

hypoclear

A

remove any residual fixer from film therefore reduce the washing time

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13
Q

photo flo

A

release water tension reduce spots

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14
Q

APERTURE

A

controls intensity of light into the camera

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15
Q

F/STOP

A

f/2—f/2.8—f/4—f/5.6—f/8—f/11—f/16–…
–Big apert. smal apert—
Right to left = 1/2 multiply each stop
Left to right increase 2x
maximum aperture= wide hight quality speed of lens
combine aperture/shutter= perfect exposure

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16
Q

essential of printing

A

NEGATIVES free from dust.. load shine side up image facing down

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17
Q

filters

A

start at # 2

higher or lowe contrast grade

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18
Q

Focusing enlarger

A

open aperture/adjust size of image use leans start at f/5.6 check grain focus most lens are sharper at f/8

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19
Q

SHUTTER SPEEDS

A

capture moving object
1 second is the longest
Right—-reduce amt of light entering
——Left double ammount of light entering
1–1/2–1/4–1/8–1/15–1/30–1/60–1/125–1/250–1/500–1/1000

each direction multiply by 1/2 both directions

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20
Q

negative

A

too much exposure.. film aper dense dark
underexposure bright film film developing time to long
avoid sun exposure on fim. heat destroy it

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21
Q

controlling motion with shutter speed

A

1/30 freezes motion

1/125 stops motion completely

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22
Q

two main ways to portray motion of a moving object

A
  1. by freezing stop movement that appears sharp
  2. the other is blurring the subject
    waling figure= shutter speed 1/30
    1/125 stops motion completely
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23
Q

aperture

A

eye of camera,
adjustable in lenses
controls intensity of light

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24
Q

f stops smallest

A

large size diameter== larger aperture in lenses

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25
Q

F STOP LARGER

A

smallest aperture

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26
Q

faster shutter

A

stop motion

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27
Q

slow shutter

A

shows motion

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28
Q

equivalent exposures

A

1/8 1/15

f/22 f/16

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29
Q

ISO grading

A

set light meter== amount of light film speed

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30
Q

shutter speed

A

seconds and fractiono f seconds

long exposure 30 seconfs set camera to bulb for long expposure

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31
Q

relationship between numbers

A

slow————–fast decreases as it goes right it cut lights in 1/2

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32
Q

WILLIAM HENRY FOX TALBOLT

A

took paper coated sodium cloride salt and silver nitrade silver chloride exposed to light in camera obscura

NEGATIVE!! was created
fixed paper in sodium thiosulfate from that he coined the name positive

CALOTYPE.. beautiful impresion
1839 TALBOType photogenic drawnings

his process was REPRODUCIBLE

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33
Q

Talbotype/photogenic

A

was reproducible

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34
Q

photogenic drawing

A

poeple did not smile.. image look too serious

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35
Q

CLAUDE FELIX ABEL

A

NIECE OF SAINT VICTOR used glass as a new negative

exposed time was too long 20-45 min

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36
Q

LOUIS DESIREE BLONQUAL EVRAND

A

ABLURREN SILVER PAPER egg white in big plate swab for 6 minutes exposed to light in camex

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37
Q

LOUIS JACKEN MANDE DAGUERRE

A

DAGERRETYPE 1839
COPPER PLATE COATED WITH SILVER
DEVELOPED PIECE BY SISPENDED DRY VER HEATED MERCURY

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38
Q

SR JONH HERSHEL

A

B-stromere coined the term PHOTOGRAPH

FIXER!! soldium thiosulfate

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39
Q

1890 gelatin silver paper

A

film gelatin forma nimal hoors

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40
Q

FREDERIC SCOTT ARCHER

A

collodium nitrocellulose and ether alcohool
glass palete coated with colodium
than paper into silver nitrade
exposed to light in camera obscura
developed in pyogalic acid HAVE TO HAVE DARK ROOM

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41
Q

DRY PLATE PROCESS 1970S

A

AMBROTYPE,, THEY LOOKED LIKE DEGUERRA TYPE BUT CHEAPER TO MAKE

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42
Q

MEANING CAMERA ROOM CHAMBER

A

OBSCURA - DARK
IMAGE APPEARS UPSIDE DOWN IN CAMERA OBSCURA
IT HAS MIRROR REFLECTION
IMAGE WA NO PERMANENTE

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43
Q

LENS WERE DISCOVER

A

WHEN BLOWER GLASS CUT PIECES AND THEY ABLE TO MAGNIFY THINGS

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44
Q

HERINCH SCHULZE

A

RENACENCE INCENTION OF PRINTED
HE NOTICED THAT CERTAIN COMPOUND ARE SENSITIVE TO LIGHT IT TURNS DARK
CLHORINE, IODADINE, BROMINDE USE IN PHOTOGRAPHY

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45
Q

JOSEPH NICEPHORE NIEPCE
FIRST PHOTOGRAPH PROCESS 1826
HELIOGRAPH

A 
INVENTED HELIOGRAPH PROCESS
PRINT MAKER
WAYS TO PRINT PERMANENTE
PEDER PLATE COATED WITH ASPHALT JUDIA HARDENS IN EXPOSURE TO LIGHT
EXPOSED TO LIGHT IN CAMERA OBSCURE
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46
Q

POLAROID

A

BY EDWIN COND 1845

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47
Q

HANNIBAL GOODWIN

A

ROLL FIM

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48
Q

GEORY EASTMEN

A

KODAK

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49
Q

NIKON

A

USA 1050

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50
Q

3 TYPES PF CAMERA

A

SMALL –SLR SINGLE LENS REFLEX MIRROR INSIDE THAT RECORDS BEFORE IMAGE IS RECORDED, VIEW FINDER , REFELX 35MM

MEDIUM- TRL SHAPE REGULAR SQUARE, LONGER FRAME , FEWER FOTOS
\LARGER FORMAT– SHEETS OF FILM 5/5 TO 20/24 IN ARE LARGER THAN MOST BASID CAMERAS DONT CARRY ROLLS
USED IN BANQUETE, MILITARY, SCHOOL CLASS– WIDE RANGE HAS BETTER RESOLUTION SUE TO IT SIZE

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51
Q

LENSES

A

COME IN DIFFERENT SIZES, LENGH, FOCAL LENGHT, REFERS TO MEAUSRE DISTANCE LENS POINT .. INTENSITY IN CAMERA,
MAKES IMAGE SHARP
FOCUS
ALLOW APERTURE TO CONTROL AMOUNTS OF LIGHTS ENTERING CAMERA
MADE OF ELEMENTS OF PIECES OD GROUNDED GLASS

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52
Q

NODAL POINT

A

PTICAL CENTER .. FILM PLANE LIGHT IS REFLECTED

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53
Q

1.NORMAL CATEGORIES FOR LENSES

A

NORMAL LENSES 63MM– LONGEST
50MM MOST COMMOM, 35MM LOWER LIMIT
LONGER = NARROW VIEW

SHORTER WIDEST VIEW
35MM LENSE SIZE FOCAL LENGHT
35MM CAMERA SIZE OF FILM

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54
Q

2.WIDE ANGLE LENSES

A

GATHER MORE INFO, VIEW LONGEST , WIDEST
28MM=14MM, 24MM=14MM, 22MM/ 11MM/
SHORTER LENS = BIGGER VIEW

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55
Q

PIN CURSION DISTROTION.. ON WIDE ANGLE LENSES

A

DIVISION OF PARALLEL LINE, EX PIC OF BUILDING FORM BOTTOM LOOK LIKE PYRAMID PARALLEL LINES BEND.. LENSES DIVERGES

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56
Q
  1. TELEPHOTO LENS
A

ANGLE OF VIEW MAGNIFICATION- ISOLATE SPECIFC AREA . FOCUS ON THE INFORMATION
LONG LENSES NARROW ANGLE OF VIEW
MORE MAGNIFICATION.. AUMENTA
70MM 85MM 105MM 135MM 200MM 500MM 100MM 5000MM PHOTO OF LARGE EVENTS LIKE SPORTS

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57
Q

ZOOM LENSES

A

DOWNSIDE ZOOM ARE NOT SHARP

DIFFICULT TO MAKE EDGES SHARPER USE WIDE ZOON LENSES

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58
Q

PHOTOGRAM

A

DEMONSTRATE HOW PHOTGRAPHS PAPER WORKS EXPOSES PAPER OBJECTS REFLECT LIGHSTS

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59
Q

SHUTTER

A

CONTROL LIGHT ENTERING THE CAMERA
CONTROL LENGHT OF TIME LOCATED IN BODY OF CAMERA. SPEED DESCRIBED IN SECONDS OF FRACTIONS OF SECONDS FROM ONE STOP TO ANOTHER STOP

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60
Q

APERTURE

A

OPEN CLOSES, CONTROLS INTENSITY OF LIGHT

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61
Q

SHUTTER+ APERTURE WORKING TOGETHER

A

ALLOW LIGHT INTO THE CAMERA TWO MECHANISM TO CONTROL LIGHT WORKING TOGETHER. EQUAL AMMOUNT OF LIGHT = GOOD PICTURE

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62
Q

LIGHT METER

A

SET APPROPRIATE EXPOSURE MEDIA

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63
Q

BULB

A

OPEN SHUTTER FOR LONG TIME= MOTION IS CAPTURE

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64
Q

PRE SET YOUR SHUTTER SPEED TO ALLOW CAPTUR OF MOVING LIGHT

A

1 SECOND IS THE LONGEST
1/2 1/4 1/8 1/15 1/30 1/60 1/125 1/250 1/500 1/100..ETC
EACH TIME IT STOPS CUT THE AMOUTN OF LIGHT BY 1/2 GOING FROM LEFT TO RIGHT
FRACTIONS ARE MULTIPLIED TO GIVE TOTAL AMOUNT
OPOSITE DIRECTION LIGHT IS INCREASED BY 2 ALSO MULTIPLICATION

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65
Q

SHUTTER

A

FAST——SLOW LEAVE LIGHT SPEED LONGER MORE LIGHT ENTERING.. 1 SECOND IS THE LONGEST!

66
Q

DEPHT OF FIELD

A

EXTREMES F2, F22 AREA IN FRONT AND BEHIND CAMERA
SHALLOW AND GREAT
F2== LARGER APERTURE 0
F22== SMALL APERTURE o MOST ON OF IMAGE IS IN FOCUS , GREAT DE OF FIELD

67
Q

LONGEST LENSES

A

TELEPHOTO SHALLOW DOF

68
Q

SHORTER LENSES

A

GREAT DOF

69
Q

MOVING OBJECTS

A

1/15 SLOW SHUTTR, SHOW MOTION

1/100 STOPS MOTION

70
Q

LIGHT METER READING

A

ISO MORE FOCUS ON OBJECTS
F5 LARGER APERTURE BLURRED FLOWER
F32 SMALLER APERTURE LARGER DOF

71
Q

GREAT DOF

A

IMAGE CLEAN ALL TOGETHER NO BLUR EVERYTHING APPEARS IN FOCUS

72
Q

VERY SLOW SHUTTER

A

PARALYZE MOTION

73
Q

APERTURE AFFECTS DEPT OF FIELD

A

LARGER F2 o-FOCUS LARGER APERTURE O– LESS FOCUS

74
Q

FOCAL LENGHT + DISTANCE
SHORTER CLOSER
LONGER SHALLOW

A

AFFECTS DOF

FURTHER AWAY GREAT DEPT OF FIELD

75
Q

TWO MECHANISM THAT ALLOWS LIGHT INTO THE CAMERA

A
  1. APERTURE LOCATD IN LENSES- CONTROLS INTENSITY OF LIGHT INTO CAMERA. F STOPS GOES IN BOTH DIRECTION —- SOZE ORDER BIGGER NUMBER SMALER APERTURE
    MAXIMUM APERTURE SPEED OF LENSES
    WIDE MORE QUALITY

FOCAL LENGHT = DIAMETER F STOPS COMBINE APERTURE AND SHUTTER TO MAKE A GOOD EXPOSURE

2.

76
Q

ELECTRONIC CAMERAS

A

DX CODES

77
Q

LIGHT METTER

A

AMOUNT OF LIGHT AVAILABLE
ISO RATING AS FILM SPEED INDICATES IF YOU ARE USING RIGHT AMMOUT OF
LIGHT
DIFFER FROM CAMERA TO CAMERA

  • SPOT METER IT MAGNIFIES CERTAIN AREAS
78
Q

FILM** ASA 400 FILM EXPOSURE

A

RAINING DAY BRIGHT OVERCAST DAY

MOST ACCURATE AT F8

79
Q

EQUIVALENT EXPOSURES

A

COMBO OF NUMBERS APERTURE/SHUTTER
ALLOW SAME AMOUNT OF LIGHT
MOTION CHILD RUNNIN BIKING= MOTION FREEZE INCREASE FAST SHUTTER
SPEEED
TREES BLOWING IN THE WIND– LONGER SHUTER SPEED
COMBO EXAMPLE 1/60 -F8

80
Q

EQUIVALENTS NUMBERS SHUTTER/APERTURE

A

1 1/2* 1/2 1/8 1/15 1/30 1/60 1/125 1/250

F22 F16 F11 F8 F5.6 F4

81
Q

ISO 400 FILM SENSITIVITY/ SPEED

A

LESS SENSITIVE- MORE LIGHT REQUIRED LONGR SHUTTER SPEED

82
Q

ISO 200 FILM

A

LESS SENSITIVE BY 1STOP== LIGHT REQUIREMENT WILL CHANGE NEED TWICE MORE LIGHT
F5.6 ALL NUMBER SHIFT BY ONE STOP
F8 HIGHT FILM NUMBER– SILVER- EQUAL MORE LIGHT REQUIRED

83
Q

ISO 100 FILM

A 
F4
50= F2.8
100= F4
200= F5.6
400= F8
84
Q

DOF

A

ARE/SPACE IN YOUR IMAGE THAT IS IN FOCUS IN FRONT/BEHIND ON POINT OF FOCUS
MORE APERTURE, MORE DEPT OF FIELD

85
Q

APERTURE

A

AFFECTS DEPT OF FIELD
LARGER= F2 SHALOW LONGER TELEPHOTO
SMALL= F22 GREAT WIDER FOCAL LENGHT

86
Q

HENRI CARTER BRESON

A

THE DECISIVE MOMENT

87
Q

ROBERT FRANK

A

TRAVEL AROUND US, PUBLISH THE BOOK THE AMERICANS
ECONOMIC RECOVERY, SPY , PARANOIA
WORK BECAME CLASSIC

88
Q

INVERSELY PROPORTIONAL

A

EQUIVALENT

89
Q

COLOIDAL WET PLATE

A

DURING MOST 19TH CENTURY PHOTO AS DONE BY PROFESSIONAL THE PROCESS WAS VERY TEDIOUS.. COILOIDAL PLATE HAD MANY STEPS

90
Q

JULIAN CAMERON

A

GELATIN SLVER PLATE INTRODUCED IN 1890

91
Q

FREDERIC EVANS

A

COLLAGE.

KODAK N1 ALL YOU CAN HAVE TO DO IS PUSH BUTTOM.. LITTLE BOY BECAME AMATEUR PHOTOGRAPHER

92
Q

HENRI CARTIER

A

DECISIVE MOMENTO.. INFLUENCE MANY IN HIS TIME.. HATED CROPPING OR STAGED SITUATON

93
Q

LOUIS JACQUES MANDE DAGUERRED``~1839

A

DAGUERRETYPE.. DEVELOPED THE PLATE BY SUSPENDED BY MELTED MERCURY.
COPPER PLATE COVER WITH SILVER METAL
POLISHED LIKE MIRROR
SUSPENDED PLATE OVER HEARTED IODINE CRISTALS
EXPOSED TO CAMERA OBSCURE AND ACCIDENTALLY CREATED VISIBLE PRINT

94
Q

SIR JONH HERSHEL 1830S

A

CAME OUT WITH CHEMICAL THAT REMOVED SILVER HALIDE– FIXER

95
Q

what chemical tranforms the light struck silver halide into silver metal?

A

DEVELOPER

96
Q

what chemical stops the action of the developer?

A

STOP BATH

97
Q

what chemical removes unexposed silver halide crystals from film and will make image permanent impervious to light?

A

FIXER

98
Q

what chemical removes any residual fixer from film and reduce wash time?

A

HYPO CLEAR

99
Q

what chemical removes watr tension and reduce water spots?

A

FOTOFLO

100
Q

how should negatives be handle?

A

with care clean from dust and finger prints. loaded on enlarged with shine side up

101
Q

what filters used for?

A

to increase or decrease contrast. starting point is number 2, and contrast can be lower or higher

102
Q

what is true about F8?

A

most lens are sharper at f8

103
Q

dark room chemicals time

A 
first- dev. 1 1/2 min
water quick rinse
stop bath  30 sec
fixer 5 min
hypo 3 min
104
Q

what controls the intensity of light entering the camera?

A

APERTURE

THE F- STOPS

105
Q

WHAT APERTURE IS F2?

A

BIGGEST APERTURE AND IT INCREASES BY 1/2 EACH STOP
IS THE MAXIMUM APERTURE
IS WIDE
HIGHT QUALITY

106
Q

WHAT MAKES THE PERFECT EXPOSURE?

A

COMBINATION OF APERTURE AND SHUTTER

107
Q

WHAT ARE THE THINGS THAT COMPROMISED THE QUALITY OF FILM DEVELOPING?

A

temperature… must be between 65-75c
time of chemicals soaking
agitation.. too much overexposed film

108
Q

how can you determined the quality of developed negatives?

A

if negative appear too bright = under exposed
neg appear dense dark= too much exposure

handle them with care avoid sut, sun, water, moist

109
Q

what camera function captures moving light, objects?

A

SHUTTER SPEEDS

STARTS AT 1 SECOND WHISH IS THE LONGEST.. THERE AFTER 1/2.. 1/4 IS MEASURE IN FRACTIONS OF A SECONDS

110
Q

EACH SHUTTER SPEED REDUCES THE AMOUNT O OF LIGHT ENTERING CAMERA?

A

MORE LIGHT ENTER AT HE FIRST SECONDS AND IS CUT/ REDUCED BY 1/2 BY EACH STOP

111
Q

WHAT NAME IS USED TO DESCRIBE THE ZONE IN FRONT AND BACK IN WHICH AN OBJECT APPEARS SHARP?

A

dept of field

112
Q

what is a shallow DOF?

A

WHEN LITTLE ELSE BUT MAIN SUBJECT APPEARS IN SHARP

113
Q

WHAT IS GREAT DOF?

A

when scene i sharp from front to back

114
Q

WHAT ARE THE 3 THINGS THAT WORKS TOGETHER IN A CAMERA?

A
  1. lens aperture –f stop
  2. distance camera and subject
  3. lens and focal length

** aperture most often to control
less aperture = more focus!!

115
Q

inside the camera

A

45 degree reflex mirror.. light bounces around eye piece

116
Q

shutter

A

window allowing light for control period of time. it controls length of time that is allow into the camera to expose film

117
Q

what is the 2 mechanism that controls amount of light?

A

shutter

lenses

118
Q

purpose of stop bath

A

neutralizes developer.. mainly to preserve the next chemical

119
Q

what is SLR?

A

is a small camera format with 35mm film
single lense reflex
range finder

120
Q

FILME SPEED

A

ASA/ISO RATING
REFERS TO HOW SENSITIVE THE FILM IS TOO LIGHT
MORE SILVER– MORE SENSITIVE

121
Q

WHAT IS ASA / ISO?

A

DETERMINE THE QUANTITY OF SILVER IN FILM

122
Q

NUMBER RANGE FOR FILM ISO

A

50 100 200.. 400.. THE LOWER THE NUMBER == LESS SENSITIVE TO LIGHT

123
Q

WHAT IS TRL CAMERAS?

A

MEDIUM FORMAT CAMERAS WITH LONGER FRAME AND FEWER FOTOS

124
Q

LARGER FORMAT CAMERAS

A

USES SHEETS OF FILM 5/5 TO 20/24 AND ARE LARGER THAN MOST BASIC CAMERAS..
DONT CARRY ROLLS
USED IN BIG EVENTS.. LARGE GROUP OF PEOPLE

125
Q

what allows aperture to control amounts of light that enters camera?

A

LENSES

126
Q

WHAT MAKES IMAGE SHARP?

A

LENSES

127
Q

LENSES ARE USE FOR FOCUS AND ARE MADE OF..

A

ELEMENTS OF PIECES OF GROUNDED GLASS

128
Q

LENSE

A

CAMES IN DIFFERENT SIZES, LENGHTS, FOCAL LENGHT AND IT REFERS TO MEASUREMENT OF DISTANCE

129
Q

WHERE IS THE OPTICAL CENTER?

A

IN THE NODAL POINT

130
Q

NORMAL LENSES

A

63MM LONGEST
50MM MOST COMMOM
35MM LOWER

131
Q

WIDE ANGLE LENSES

A

GATHER MORE INFO
WIDEST 28MM =14MM
24MM=13MM 22MM=11MM
SHOTER LENS BIGGER VIEW

132
Q

WHAT IS THE DISTORTION IN THE END F THE PICUTE CALLED?

A

PIN CUSHION DISTORTION

133
Q

TELEPHOTO LENS

A

ANGLE OF VIEW MAGNIFICATION. ISOLATE EXPECIFIC AREA, IT FOCUS ON THE INFORMATION
LONG LENSES = NARROW ANGLE OF VIEW
70MM 85MM 105 MM…5000MM PHOTO OF LARGE EVENTS LIKE SPORTS

134
Q

ZOOM LENSES

A

DOWNSIDE.. THEY ARE NOT SHARP

DIFFICULT TO MAKE EDGES ACCURATE

135
Q

WHAT CONTROLS THE INTENSITY OF LIGHT?

A

APERTURE

OPEN /CLOSES EYE OF CAMERA

136
Q

WHAT CONTROLS LENGHT OF TIME THAT LIGHT IS ENTERING IN TO CAMERA?

A

SHUTTER

137
Q

BULB FUNCTION?

A

OPEN SHUTTER FOR LONG LIME .. MOTION IS CAPTURE

138
Q

PRE SET SHUTTER SPEED TO ALLOW CAPTURE OF MOVING LIGHT..

A

FROM 1 WHOLE SECONDS STOPS CUT THE AMOUNT OF LIGHT IN HALF.. MULTIPLY FRACTIONS 1/2
AS IT GOES BACK OPPOSITE WAY MULTIPLY EACH STOP BY 2

139
Q

WHAT ARE THE TWO MECANISMS THAT ALLOWS LIGHT INTO THE CAMERA?

A

APERTURE F STOPS

SUTTER FRACTIONS OF SECONDS

140
Q

ELETRONIC CAMERAS

A

HAS DX CODES
READ LIGHTS THAT ARE REFLECTED
HAS LIGHT METER
INDICATES IF YOU ARE USING THE RIGHT AMOUNT OF LIGHT

141
Q

EXPOSURE EQUIVALENTS

APERTURE/SHUTTER

A

BOTH INTERMEDIUM NUMBERS LET SAME OVERALL AMOUNT OF LIGHT

EXAMPLES
SHUTTER 1/8 AND APERTURE F22 == COMBO FAST SHUTTER SPEED SHOW MOTION

1/1000 AND F2 EQUIVALENTS

142
Q

APERTURE SHUTTER

A

1/8=F22 1/15=F16 1/30=F11
1/60=F8 1/125= F5.6 1/250= F4
1/250=F2.8 1/1000=F2

143
Q

WHO INVENTED HELIOGRAPH IN 1826?

A

JOSEPH NICEPHORE NIEPCE PRINT MAKER

144
Q

WHAT IS A HELIOGRAPH PROCESS?

A

ways to make print permanent by pewter plate coated with bitumen of judia asphalt hardens in exposure to light

145
Q

WHO WAS HEINRICH SCHULZE?

A

RENASCENCE INVENTION OF PRINTING .. FIRST TO NOTICED THAT CERTAIN COMPOUNDS DARKENS OVER LIGHT SILVER HALIDE SALTS

146
Q

WHAT IS A DAGUERRETYPE?

A

WAS CREATED 1939 BY LOUIS JACQUES MANDE DAGUERRE. COPPER PLATE WITH SILVER METAL POISHED LIKE MIRROR WAS SUPENDED OVER HEATED IODINE CRYSTALS. HE ACCIDENTALTY CREATED VISIBLE PRINT BY BROKEN THERMOMENTER

147
Q

WHO WAS LOUIS JACQUES MANDE DAGUERRE?

A

INVENTOR OR DAGUERRETYPE. DEVELEPED THE PLATE BY SUPENDED IT OVER HEATE MERCURY

148
Q

WHO AS SIR JOHN HERSHEL?

A

A BRITISH ASTRONOMER.. 1830S
CAME OUT WITH CHEMICAL TO REMOVER SILVER HALIDE

FIXER SODIUM THIOSULFATE.. THE LAST STEP OF DAGUERRE PRCESS
IMPROVE IT.

149
Q

WHO CREATED THE TALBOTYPE?

A

WILLIAM HENRY FOX TALBOT

CREATED THE NEGATIVE AND FROM THAT IT BECAME POSITIVE.. REPRODUCIBLE PROCESS

150
Q

CALOTYPE

A

IT BCAME A NEGATIVE.. BEAUTIFUL IMPRESSION

151
Q

WHAT IS THE DIFERENTE BETWEEN TALBOTYPE AND DAGUERREOTYPE?

A

TALBOTYPE/CALOTYPE WAS REPRODUCIBLE

152
Q

WHO CREATED THE IDEA OF USING GLASS AS A NEW NEGATIVE?

A

CLAUDE FELIX ABEL, NIECE OF SAN VICTOR

153
Q

WHO CREATED THE ROLL FILM?

A

HANNIBALL GOODWIN

154
Q

WHO STOLE THE IDEA OF FILM

A

GEORY EASTMEN / KODAK

155
Q

WHEN GELATIN SILVER PRINT WAS INTRODUCED?

A

1890

156
Q

LITTLE FRENCH BOY FIRST AMATEUR PHOTOGRAPHER

A

FREDERIC EVANS

157
Q

WICH PHOTOGRAPHER PUBLISHED THE AMERICANS AND PORTRAYED USA IN THE 50S?

A

ROBERT FRANK

158
Q

FASTER SHUTTER SPEED

A

STOP MOTION

159
Q

HOW TO SHOW MOTION

A

slow shutter speed

160
Q

f22

A

small aperture most image in focus great depth of field

161
Q

very slow shutter

A

paralyzze motion

162
Q

who was HENRI CARTIER BRESSON?

A

THE DECISE MOMENT WELL KNOW PHOTOGRAPHER

photography class (1 decks)

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