PHILIPPINE ART AND ARCHITECTURE Flashcards

1
Q

The grouping and resuction in number of formerly scattered barangays into compact and larger communities to facilitate religious conversion and cultural change.

A

Reduccion

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2
Q

Spanish Colonial houses built with stone base and wood construction. An evolved bahay kubo with improved air circulation and lighting.

A

Bahay na Bato

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3
Q

Spanish colonial house built with roof tiles.

A

Bahay na Tisa

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4
Q

Apartment dwellings; single or two-storey structures having multiple units defined by common party walls shared by adjoining units separated door at the facade.

A

Accessoria

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5
Q

Simbahan

A

Ecclesiastical Structure

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6
Q

A screened gallery with entry from the second floor to the convent.

A

Tribunas

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7
Q

Bell tower

A

Campanario

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8
Q

Parish house or rectory.

A

Convento

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9
Q

The Roman Catholic Minor Basilica in the capital of the Philippines. Distinguished by its Romanesque Style.

A

Minor Basilica of the Immaculate Concepcion

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10
Q

By Fr. Joseph Ruiz, known for its sinking bell tower.

A

Laoag Church

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11
Q

Agustinian church that has the largest bell tower. Probably the best known “earthquake Baroque” church in the Philippines. Distinguished by its enormous side buttresses with scroll-like bases.

A

Paoay Church

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12
Q

Church in Ilocos Sur distinguished by its brick facade.

A

Nuestra Señora dela Asuncion

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13
Q

Restored by Juan Nakpil and Jose Maria Zaragosa

A

Quiapo Church

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14
Q

By Fr. Juan Macias, the first religious structure built in the island of Luzon; the only stone church of its size that is still standing as initially built. Also one of the very few built with true barrel vaulting.

A

San Agustin Church

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15
Q

One of the first steel buildings. The steel used to construct this church was pre-fabricated and shipped directly from Belgium. The first Gothic style architecture in the Philippines.

A

San Sebastian Church

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16
Q

By Fr. Martin Aguirre, the biggest Spanish church in the country in terms of size and floor area..

A

Taal Church

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17
Q

Church with its unusual Aztec like bas-relief in the facade depicting St. Christopher carrying the baby Jesus through a tropical forest, located in Ilo-ilo.

A

Miag-ao Church

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18
Q

European style fortifications characterized by heavy stone walls, moats and grid road layouts. Basically built to protect the city.

A

Forts

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19
Q

The first fort in the country, initially built of Stone.

A

Fort San Pedro

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20
Q

Located in Intramuros, the first STONE fort in the country.

A

Nuestra Señora de Guia

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21
Q

Fort named after the patron saint of Spain, it was built at a sharp angle between a river and a bay, it formed a citadel.

A

Fort Santiago

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22
Q

Residence of the highest official of the land.

A

Palacio de Gobierno

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23
Q

The seat of the colonial governance in the country.

A

Ayuntamiento

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24
Q

Tribunal court

A

Real Audencia

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25
Q

Customs house

A

Aduana

26
Q

Smaller version of the Ayuntamiento in provincial towns. Its design looks like an oversized bahay na bato.

A

Casa de Municipal/Casa Real

27
Q

Housed the administration of the hacienda.

A

Casa Hacienda

28
Q

Oldest university in Asia founded by the Dominicans in 1611.

A

Universidad de Santo Tomas

29
Q

One of the oldest universities in the Philippines, originally located in Intramuros, founded by the Jesuits.

A

Ateneo de Manila

30
Q

One of the oldest universities in the Philippines, the precursor of the University of San Carlos.

A

Colegio de San Ildefonso

31
Q

(1869-1937) The first painter of the note for the 20th century. Noted for his realistic paintings, genre and landscapes in subdued colors. He was the first dean of the UP Fine Arts School.

A

Fabian dela Rosa

32
Q

(1892-1972) A student of Fabian dela Rosa, he is the first and among the few Filipino painter who have captured the different striking colors and character of the country’s magnificent sunlight. Works: Dalagang Bukid, Planting Rice

A

Fernando Amorsolo y Cueto

33
Q

(1890-1976) Filipino sculptor who trained in the classical style in Rome.

A

Guillermo Tolentino

34
Q

A single-storey raised slightly above the ground, constructed in reinforced concrete and wood; with an extended veranda in front.

A

Chalet

35
Q

Planning concerned in building education. Planned by David H. Burnham and executed by William Parsons. Also developed waterfront, location of parks and parkways, street system from one district to the other, waterways and transportation.

A

The Burnham Plan

36
Q

Classical architecture basically in Neo Classical form but has a freedom in the use of ornamentation.

A

Beaux Art

37
Q

Forerunner of the mall; remarkable use of glass as its main component.

A

Andres Luna de San Pedro

38
Q

First registered architect in the country.

A

Tomas Mapua

39
Q

1st National Artist for Architecture

A

Juan Nakpil

40
Q

2nd National Artist for Architecture

A

Pablo Antonio

41
Q

The desire to veer away from the aesthetic standards, they strove to develop new idioms in expressing themselves.

A

Modern Period in Philippine Arts

42
Q

(1895-1985) Father of Philippine Modern Art.

A

Victorio Edades

43
Q

Painting by Victorio Edades known to be the first ever modern painting in the country.

A

The Builders

44
Q

Known for his Filipinized Western canonical iconography.

A

Galo Ocampo

45
Q

Known to be the largest collection of buildings in one site. Designed by Pablo Antonio

A

Far Eastern University

46
Q

The Triumvirate of Philippine Modern Art

A

Victorio Edades, Galo Ocampo, Botong Francisco

47
Q

Angono-based painter. His trademark were fluid lines and brilliant colors.

A

Carlos “Botong” Francisco

48
Q

A group of artists who were reacting to the academic style of Luna and Hidalgo and to the sweet style of Amorsolo.

A

The Thirteen Moderns

49
Q

(1910-1981) Considered as the major proponent of Cubism in the country.

A

Vicente Manansala

50
Q

(1911-1978) Formed the triumvirate of neo-realists. His artworks were nationalistic and reflected the harsh realities of the country after World War II.

A

Hernando Ocampo

51
Q

Hernando Ocampo, Vicente Manansala and Cesar Legaspi

A

The Triumvirate of Neo-realists

52
Q

(1917-1994) He works are more remembered for the depiction of the masses.

A

Cesar Legaspi

53
Q

One of the Thirteen Moderns whose works are characterized by sharply outlined figures of peasant women wearing bandanna going about their daily chores.

A

Anita Magsaysay-Ho

54
Q

(1924-84) Winner of the AAP competition; his works include Carozza, an almost abstract depiction of the carriage.

A

Fernando Zobel

55
Q

The country’s leading abstract expressionist.

A

Jose Joya

56
Q

Filipino Chinese Artist, his distinct style that fused influences from cubism, surrealism and expressionism, Some classified his style as “figurative expressionism.”

A

Ang Kiukok

57
Q

He started as illustration painting, his bright disposition has always come out in the vivid colors of his paintings, he explored into a tropical kaleidoscope of colors.

A

Mauro “Malang” Santos

58
Q

National artist for visual arts, his best masterpiece were minimalists, geometric abstracts alluding to the modernist “virtues” of competence, order and elegance.

A

Arturo Luz

59
Q

Father of Philippine Modern Sculpture.; produced highly stylized, simplified and eventually abstract works under the influence of Moore and Brancusi.

A

Napoleon Abueva

60
Q

Sun Breakers that are part of the architectural structures that started during the Philippine Modern Architecture.

A

Brise Soleil

61
Q

Common house form of the early 20th century distinguished by its horizontal appearance, wide eaves, large porches and multilight doors and windows.

A

Bungalow