Persuasive Techniques. Flashcards

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1
Q

Ad hominem attack

A

Attack on a person rather than their opinion/reasoning.
- Emotive language to create a stong negative depiction of a person/group.
- Undermines the credibility of the opposition, positioning the audience to dismiss their ideas/viewpoints.

eg. “You’re stupid, so I don’t care what you have to say.”

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2
Q

Alliteration

A

Repetition of the same letter sounds at the start of a word.
- Adds emphasis.
- Draws attention to keywords - positive/negative.

eg. “Bob brought the box of bricks to the basement.”

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3
Q

Analogy

A

Comparison between 2 things helps the audience to draw conclusions about similarities
- Explains a complex point in more familiar terms - positive/negative.
- Helps make the contention look simple and obvious by linking it to something the audience knows well.

eg. “She’s as blind as a bat.”

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4
Q

Ancedote.

A

A story about someone/something that the writer has experienced or heard about.
- Lends credibility to the writer’s viewpoint, including the reader to trust in the opinion of the writer.
- Gives the issue more of a human angle, to seem more relevant and real.

eg. “I once had a border collie. She was so smart! Every morning, I’d open the front door and she’d run and pick up the newspaper and deliver it to my husband at the breakfast table.”

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5
Q

Appeal to being updated.

A

Engages with an individual’s desire to be part of the crowd and not be left behind.
- adopt new technology and practices.
- make changes less intimidating.

eg. “The Grand Prix form is terribly last century. Wake me up when it’s 100% electric and half of the drivers are women.”

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6
Q

Appeal to family values.

A

The assumption is that families are inherently good.
- Emotional security and a protective, nurturing environment for children.
- Work simplicity when antisocial behaviour is blamed on dysfunctional families.

eg. “Our kids are missing out on precious family time - having dinner together, playing board games. These experiences are the foundation of wellbeing and belonging.

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7
Q

Appeal to fear and insecurity.

A

Arouses fear and anxiety by suggesting that harmful/unpleasant effects will follow.
- Plays on people’s fears, eliciting a strong emotional reaction to the issue, rather than a logical response.
- Lessen the threat to themselves/society by taking the writer’s advice.

eg. “Smoking kills in many ways.”

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8
Q

Appeal to financial self-interest

A

People should pay the least amount possible - individually or as a society. Public funds should be used appropriately.
- + feels pleased about getting value for money.
- – annoyed about paying too much/misuse

eg. “The premier must stop spending taxpayer dollars to fund his own political advertising.”

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9
Q

Appeal to fairness and justice.

A

A belief that everyone has the right to be treated equally and fairly.
- Action should be taken to avoid injustice.
- Places any practice that treats people fairly in a positive light.

eg. “How is it fair that a man makes $1 to the 75c a woman would earn in the same job.”

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10
Q

Appeal to loyalty and/or patriotism.

A

The audience is loyal to their group/loves their country.
- Feelings of pride, shared identity and common purpose.
- Attack a practice or the points of view as being inconsistent with the group’s values.

eg. “I’d like to see an end to offshore detention centres - it would end the weight of shame and disgust that so many of us, as Australians, have carried on our shoulders.”

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11
Q

Appeal to tradition and custom.

A

Traditional values and customs are valuable and should be preserved.
- Resist change and favour past/existing traditions.
- Comparison with ‘modern’ lifestyles makes the audience feel that social cohesion is being lost.

eg. “Good Friday used to be primary a day of quiet, and reflection. There are AFL games on Good Friday, couldn’t we have kept a few days sport free?”

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12
Q

Cliche.

A

A common, overused phrase that can be quickly understood.
- Familiarity, reassuring the audience.
- Comic effect, reducing tension or producing a sarcastic critical tone as part of an attack.

eg. “There is plenty of fish in the sea.”
“Woke up on the wrong side of the bed.”

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13
Q

Creating a dichotomy.

A

Description of an issue with 2 opposing sides, good and bad.
- Positions the audience to see the writer’s viewpoint as obvious/self-evident.
- Loaded language to characterize both sides in strongly + or - terms.

eg.”Heaven-hell”
“Choose to lock emissions and deepen the energy crisis or take an earnest step towards a safer, cleaner future.”

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14
Q

Emotive Language.

A

Strong emotional impact, using the positive and negative connotations of words, influences the audience’s response.
- Encourages audience to response on an emotional level.
- Emotional response positions them to share the writer’s viewpoint.

eg. “An innocent bystander was murdered in cold blood in Downtown Chicago.”

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15
Q

Exaggeration, overstatement and hyperbole.

A

Exaggeration of the situation to add a dramatic effect.
- Attracts the audience’s attention through a surprising or extreme claim.
- Generate humour - positive viewpoint.

eg. “I’m so hungry I could eat a horse.”

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16
Q

Facts and Figures.

A

Numerical data, official information and research findings to suggest a rational/scientific point of view.
- Objective rather than subjective.
- Convincing but potentially misleading impressions through the subjective use of data.

eg. “85% of customers agree…”

17
Q

Figurative language.

A

Use of words/phrases in a non-literal way - similies and metaphors.
- Creates a striking image, emotional level - connotations of words/association of the image.
- Being more engaging than dry description.

eg. “Busy as a bee.”
“the warrior has a heart of stone.”

18
Q

Generalisation.

A

What is true for some is true for most or all.
- Appeals to a widely held belief or assumption.
- Manipulate the audience’s view by simplifying a complex issue.

eg. “Many children eat cereal for breakfast.”
“Everyone knows how to check in, with a QR code.”

19
Q

Inclusive Language.

A

we, our, us - includes the audience in the same group as the writer.
- Appeals to the desire for a sense of belonging, positioning the audience to want to share the same ideas as others within the group.
- not to be ‘left out’ or regarded as an outsider.

eg. “If we want our voices heard, the more signatures increase our chances of success.”

20
Q

Irony and Sarcasm.

A

Languaged is used so the real meaning is the opposite of what is literally being stated.
- Inclines the audience to disapprove of the situation/view.
- Aligns the audience with the viewpoint of the writer, subtly, which is represented as superior.

eg. “ They are really on top of things” –> describing someone who is disorganised.

21
Q

Jargon.

A

The specialised language used by experts in a field of knowledge.
- Conveys writer’s expertise in a field.
- Suggests objective or fact-based opinion, adding credibility.

eg. Plumbers use –> elbow, ABS, sweating the pipes.
Profession words.

22
Q

Puns and play on words.

A

Words that have multiple meanings, imply multiple ideas; a play on words with the same or similar sound but different spelling.
- Attracts audience attention.
- Generates humour to endorse or mock an idea/group.
- Present a POV on a topic through positive and negative connotations of the double meaning of a word.

eg. “the incredulous cat said you’ve got to kitten me right meow.”

23
Q

Reason and Logic.

A

Use of language and reasoning to show a logical or casual connection between facts and ideas.
- Suggest the writers’ viewpoint is true and not their opinion/ emotional response.
- Position the audience so then they feel that the opposing viewpoint lacks substance.
- Detect tone and/or form style to suggest authority.

eg. “All the studies in the last decade none recommend that this is an effective treatment for losing weight.

24
Q

Repetition.

A

Using the same word or phrase several times.
- Emphasises main point/key term.
- Used in speech to reinforce/highlight a point making it more memorable.

eg. “It is what it is.”

25
Q

Rhetorical Question.

A

A question with an implied but unstated answer.
- Mentally supply the answer and see things from the writer’s perspective.
- Implies the answer in itself/self-evident. Opposing viewpoints are rejected.
- Can be combined with emotional appeal/inclusive language.

eg. “Do we really want our planet to survive?”