Pedagogy Flashcards
1
Q
List 10 Ped Books
A
- Barbara Doscher “The Functional Unity of the Singing Voice”
- Scott McCoy “Your Voice:An Inside View”
- Clifton Ware “Basics of Vocal Pedagogy: The Foundations and Process of Singing”
- Giovanni Lamperti “Vocal Wisdom”
- Stephen Smith “The Naked Voice: A Holistic Approach to Singing”
- Ingo Titze and Katherine Verdolini Abbott “Vocology: The Science and Practice of Voice Habilitation”
- Richard Miller “On the Art of Singing”
- Richard Miller “The Structure of Singing”
- William Vennard “Singing:The Mechanism and the Technique”
- David Appelman “The Science of Vocal Pedagogy”
2
Q
List 5 Ped books with synopsis
A
- Barbara Doscher “The Functional Unity of the Singing Voice”
- connects breathing, phonation, resonance and articulation as “the voice” as a whole (not separate parts)
- descriptions and pictures of anatomy
- looks into acoustics of phonation and resonance
- Scott McCoy “Your Voice:An Inside View”
- covers basics of anatomy and functions of the units
- many charts and diagrams
- focus on resonance and vocal health
- Clifton Ware “Basics of Vocal Pedagogy: The Foundations and Process of Singing”
- along with anatomy, Ware includes pedagogical practices/warmups/exercizes for each section
- talks about psycological benefits of singing and possible mental barriers
- at the end, talks about repertoire and interpretation
- has sections of on how to teach people of different ages- from children to seniors
- how to audition/have a career
- Giovanni Lamperti “Vocal Wisdom”
- writings by William Brown of his teacher Lamperti
- less technical approaches to singing
- opens up new ideas for singer besides technical side
- Stephen Smith “The Naked Voice: A Wholistic Approach to Singing”
- focuses on technical and psychological aspects of singing
- care of physical and mental well being
3
Q
Outline most important principles of vocal pedagogy. Give examples of exercises and songs/arias you would use to teach certain aspects.
A
- Posture
- standing against a wall
- laying on the floor
- stretching
- rolling shoulders back
- hands on pant seams
- Breathing
- frog breathing
- arm motions with inhalation and exhalation
- hissing out
- pulsing breath
- imagery
- Phonation/Resonance
- sirens
- voiced consonants
- “ng”/”hm”
- snorting to find high palate
- specific vowel placement
- sing on all vowels
- sing section on one pitch to get similar resonance on other notes
- Articulation/Diction
- loosening of the jaw and tongue (tongue twisters, cork in the mouth)
- speaking text out of context
- loosening of the jaw and tongue (tongue twisters, cork in the mouth)
4
Q
List three songs you would give to a beginning male singer and justify with problems it would help fix.
A
- “Beautiful Dreamer”- Stephen Foster- legato lines, higher extension for short phrase, long phrases
- “Flow My Tears”- John Dowland- breath support, text stress, long phrases
- “Caro mio ben”- Giordani- maintaining legato at slow tempo, long phrases, pure vowels, extending top in B section
5
Q
List three songs you would give to a beginning female singer and justify with problems it would help fix.
A
- “You’re the Top”- Cole Porter- fast text, speaking range, mixing head and chest
- “Liebst du um Schoenheit”- Clara Schumann- German text, legato, strophic (ish), long phrases/breath control,
- “Wie Melodien zieht es”- Johannes Brahms- legato lines, from mid to high voice transition (not carrying weight)