Pedagogy Flashcards

1
Q

List 10 Ped Books

A
  1. Barbara Doscher “The Functional Unity of the Singing Voice”
  2. Scott McCoy “Your Voice:An Inside View”
  3. Clifton Ware “Basics of Vocal Pedagogy: The Foundations and Process of Singing”
  4. Giovanni Lamperti “Vocal Wisdom”
  5. Stephen Smith “The Naked Voice: A Holistic Approach to Singing”
  6. Ingo Titze and Katherine Verdolini Abbott “Vocology: The Science and Practice of Voice Habilitation”
  7. Richard Miller “On the Art of Singing”
  8. Richard Miller “The Structure of Singing”
  9. William Vennard “Singing:The Mechanism and the Technique”
  10. David Appelman “The Science of Vocal Pedagogy”
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2
Q

List 5 Ped books with synopsis

A
  1. Barbara Doscher “The Functional Unity of the Singing Voice”
    • connects breathing, phonation, resonance and articulation as “the voice” as a whole (not separate parts)
    • descriptions and pictures of anatomy
    • looks into acoustics of phonation and resonance
  2. Scott McCoy “Your Voice:An Inside View”
    • covers basics of anatomy and functions of the units
    • many charts and diagrams
    • focus on resonance and vocal health
  3. Clifton Ware “Basics of Vocal Pedagogy: The Foundations and Process of Singing”
    • along with anatomy, Ware includes pedagogical practices/warmups/exercizes for each section
    • talks about psycological benefits of singing and possible mental barriers
    • at the end, talks about repertoire and interpretation
    • has sections of on how to teach people of different ages- from children to seniors
    • how to audition/have a career
  4. Giovanni Lamperti “Vocal Wisdom”
    • writings by William Brown of his teacher Lamperti
    • less technical approaches to singing
    • opens up new ideas for singer besides technical side
  5. Stephen Smith “The Naked Voice: A Wholistic Approach to Singing”
    • focuses on technical and psychological aspects of singing
    • care of physical and mental well being
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3
Q

Outline most important principles of vocal pedagogy. Give examples of exercises and songs/arias you would use to teach certain aspects.

A
  1. Posture
    • standing against a wall
    • laying on the floor
    • stretching
    • rolling shoulders back
    • hands on pant seams
  2. Breathing
    • frog breathing
    • arm motions with inhalation and exhalation
    • hissing out
    • pulsing breath
    • imagery
  3. Phonation/Resonance
    • sirens
    • voiced consonants
    • “ng”/”hm”
    • snorting to find high palate
    • specific vowel placement
    • sing on all vowels
    • sing section on one pitch to get similar resonance on other notes
  4. Articulation/Diction
    • loosening of the jaw and tongue (tongue twisters, cork in the mouth)
      - speaking text out of context
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4
Q

List three songs you would give to a beginning male singer and justify with problems it would help fix.

A
  1. “Beautiful Dreamer”- Stephen Foster- legato lines, higher extension for short phrase, long phrases
  2. “Flow My Tears”- John Dowland- breath support, text stress, long phrases
  3. “Caro mio ben”- Giordani- maintaining legato at slow tempo, long phrases, pure vowels, extending top in B section
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5
Q

List three songs you would give to a beginning female singer and justify with problems it would help fix.

A
  1. “You’re the Top”- Cole Porter- fast text, speaking range, mixing head and chest
  2. “Liebst du um Schoenheit”- Clara Schumann- German text, legato, strophic (ish), long phrases/breath control,
  3. “Wie Melodien zieht es”- Johannes Brahms- legato lines, from mid to high voice transition (not carrying weight)
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