part a history of pantomime Flashcards

1
Q

the history of pantomime ……..

A

is considered complex and difficult to trace

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2
Q

it is widely regarded that…

A

modern day pantomime has its origins in Commedia Dell’Arte

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3
Q

Commedia Dell’arte was a classic Italian theatrical form that was…

A

extremely popular from the 1500s to the 1700s

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4
Q

According to an article from…

A

the Victoria and Albert museum

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5
Q

it was a form of theatre which used…

A

dance, music, tumbling, acrobatics and featured a cast of mischievous stock characters

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6
Q

Commedia Dell’Arte has had…

A

an impactful influence on many modern day theatre practices, such as pantomime

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7
Q

A key element of Commedia Dell’Arte was…

A

the utilization of the ensemble to further the story and enhance the viewing experience

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8
Q

Commedia Dell’Arte began to see it’s unfortunate decline…

A

towards the beginning of the 18th century

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9
Q

The decline was the result of…

A

many factors

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10
Q

Often, the witty dialogue of the performance was lost on audiences as…

A

they could not understand the Italian dialect

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11
Q

Once Commedia Dell’Arte became reliant on physical humour,

A

it began to lose its topical element and ceased to be relevant

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12
Q

Fortunately, many elements of Commedia Dell’Arte have survived,

A

and are present in British pantomime

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13
Q

By the 1700s,

A

Commedia Dell’Arte characters had made their way to the London stage (slide change)

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14
Q

Early pantomimes were mainly comprised of mime and music…

A

and the tales were often classic stories and fairytales.

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15
Q

For a long time, theatre licensing had restricted…

A

the use of spoken word in performances.

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16
Q

However, Victoria and Albert museum states that in 1843 this was lifted and

A

pantomime began to incorporate the use of dialogue comedy and audience participation.

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17
Q

By the late 1800s, pantomime was becoming increasingly popular and the most extravagant productions

A

could be hours long and included slapstick comedy, incredible costumes and casts of hundreds. (slide change)

18
Q

Nowadays, the shows are predominantly targeted towards children and…

A

are still mostly based on fairy tales and folk legends.

19
Q

According to pantomime Dame and historian Nigel Ellacott,

A

the most popular stories to perform are “Cinderella”, “Snow White”, and Aladdin.

20
Q

Arguably, the success of pantomime is due to its ability to adapt with its topical humour,

A

while still managing to keep classic elements that the audience know and love.

21
Q

What Drives the Energy of the Pantomime?

A

Many would argue that the energy of any pantomime comes from the

22
Q

fierce rivalry between the hero and the villain.

A

This dynamic fuels the story and

23
Q

captivates the audience.

A

Yet, the pantomime villain isn’t just any antagonist;

24
Q

the villain is uniquely crafted with a distinct style that

A

combines exaggerated movement and sound to embody their role as the ultimate baddie.

25
Q

The pantomime villain stands out through two defining aspects:

A

movement and sound.

26
Q

These elements work together to create a character that is

A

as menacing as they are entertaining.

27
Q

Classic pantomime villains often make their dramatic entrance from stage left,

A

a tradition rooted in ancient theatre.

28
Q

Historically, stage right symbolized heaven, while stage left represented hell—

A

a fitting origin for the villain’s first appearance.

29
Q

The villain’s movements need to be bold and commanding,

A

often focused on the use of their cape.

30
Q

Dramatic Swishes: A wide, sweeping motion of the cape not only dominates the stage

A

but also draws the audience’s attention to the villain’s imposing presence.

31
Q

Concealment: Using the cape to cover the lower half of their face evokes an air of mystery and deceit,

A

reinforcing the character’s sneaky, power-hungry persona.

32
Q

Through these movements,

A

the villain asserts their dominance and conveys their evil nature without needing to say a word.

33
Q

Sound is just as crucial in

A

bringing the pantomime villain to life.

34
Q

Their signature laugh—an over-the-top, exaggerated cackle

A

is a trademark of their character.

35
Q

This laugh is theatrical,

A

designed to provoke the audience.

36
Q

Equally important is the

A

villain’s interaction with the audience.

37
Q

They actively invite boos and hisses,

A

using the audience’s reaction to fuel their performance.

38
Q

this exchange not only establishes the villain’s role as the antagonist but

A

also makes them a beloved interactive part of the pantomime experience.

39
Q

By combining these elements of movement and sound,

A

the pantomime villain becomes an iconic character,

40
Q

embodying the energy and spirit

A

that drives the entire performance.