(Part 1) Unit 2: The Well-Tempered Clavier Flashcards

1
Q

Define:

Tierce de Picardie

A

A common mannerism in the Baroque era that concluded a work written in a minor key with a tonic triad containing a raised third

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2
Q

List the following for The Well Tempered Clavier, Book 1:

Genre and composition date

A

Solo keyboard music

Book 1: 1722, Book 2: 1742

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3
Q

In “The Well-Tempered Clavier”, what does “well-termpered” mean?

A

Refers to the (then) newly invented tuning system for keyboard instruments that allowed for pieces to be written in any key

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4
Q

In “The Well-Tempered Clavier”, what does “clavier” mean?

A

German word for any keyboard instrument other than organ

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5
Q

List the structure of the two books of “The Well-Tempered Clavier” (2)

A

2 books, each containing 24 preludes and fugues organized in pairs of parallel major and minor keys
Each book starts with preludes and fugues in C major/minor, going up by chromatically by half step, ending with B major/minor

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6
Q

List the key, form, tempo, meter, and texture of Prelude and Fugue in B flat major, BMV 866

A
B flat major
Incorporates aspects of binary form
No specific indication on score (style implies quick tempo, in the manner of toccata)
4/4 time
Homophonic and polyphonic
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7
Q

Define:

Toccata

A

A very fast keyboard work demonstrating a virtuosic, improvisatory character

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8
Q

In Bach’s Prelude in B flat Major, BMV 866:

In measures 1-2, ______-chord passages played in breathless ______-______ notes and treated ____________

A

Broken
Thirty-second
Sequentially

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9
Q

In Bach’s Prelude in B flat Major, BMV 866:

What key does measures 1-2 end on?

A

F major (dominant key)

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10
Q

True or False:

After ending on F major, measures 1-2 proceeds immediately to the next section

A

True

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11
Q

What section is measures 1-2 in Prelude in B flat Major, BMV 866?

A

Section A

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12
Q

In Bach’s Prelude in B flat Major, BMV 866:
In measures 11-13, it continues the _______-like style with rapid _______-like runs that emerge from arpeggiated _______ chords

A

Toccata
Cadenza
Seventh

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13
Q

In Bach’s Prelude in B flat Major, BMV 866:

Does Section B require virtuosity throughout?

A

Yes

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14
Q

What section is measures 11-13 in Prelude in B flat Major BMV 866?

A

Section B

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15
Q

In Bach’s Prelude in B flat Major, BMV 866:

Section B’s _____________ style contrasts with the __________ order demonstrated in the _____ that follows

A

Improvisatory
Controlled
Fugue

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16
Q

List the key, tempo, meter, texture, number of voices, and type of answer in the Fugue of the Prelude in B flat Major, BMV 866

A
B flat major
Moderately fast (Bach gave no tempo indications anywhere in the score)
3/4 time
Polyphonic texture
3 voices
Tonal answer
17
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

How many countersubjects are presented simultaneously through the fugue?

A

Two

18
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

What is the purpose of the two countersubjects?

A

Act as accompanying figures to the statements of the subject or answer

19
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

In measures 1-5, _______ in _ ____ _____ is presented in the ___ voice

A

Subject
B flat Major
Top

20
Q

True or False:

The subject in B flat major presented by the top voice in the Fugue is unusually long

A

True

21
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

How motives does the subject consist of? What are they?

A

Comprises two motives
First is mostly disjunct outlining the tonic-dominant seventh harmony
Second is conjunct, outlining the same harmonies

22
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

In measures 5-8, _____ _______ in ______ voice (_ _____)

A

Tonal answer
Middle
F major

23
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

In measures 5-8, what is in the top voice?

A

Countersubject 1

24
Q

In the Fugue of the Prelude in B flat Major, BMV 866:
In measures 9-13, subject is in ____ voice, countersubject 1 is in the ______ voice, countersubject 2 is in the ___ voice

A

Bass
Middle
Top

25
Q

True or False:

In measures 9-13, there is a redundant entry of the tonal answer in the middle voice in m. 12

A

False, there is a redundant entry of the tonal answer in the upper voice in m. 13

26
Q

List the events that take place in the middle section of the Fugue of the Prelude in B flat Major, BMV 866 (4)

A

First episode leads to G minor
The subject appears in G minor followed by a tonal answer in C minor
The second episode leads to E flat major
A partial (two-measure) entry of the tonal answer in m. 35 is interrupted by a complete entry in E flat major in m. 37

27
Q

What is the complete entry in E flat major in m. 37 of the Fugue known as?

A

False stretto

28
Q

List the events that take place in final section of the Fugue of the Prelude in B flat Major, BMV 866 (2)

A

Concludes with a tonal answer reaffirming the home key of B flat major
Final four measures act as a coda bringing the fugue to a strong close