Paleo-Christian & Byzantine Architecture Flashcards

1
Q

What date marks the start of Byzantine?

A
  • After 550AD at the latest, Christian art is classified as architecture
  • Used Roman forms & styles
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2
Q

What were the 3 main reasons behind the fall of the Western Roman Empire?

A
  • the internal struggles for power
  • the religious changes of the period
  • the efficiency of the civil administration
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3
Q

In what year was the seperation of the Western & Eastern parts of the Roman empire?

A

395 AD

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4
Q

Where was the eastern part of the Roman Empire centred around?

A

Constantinople (Istanbul)

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5
Q

Where was the western part of the Roman Empire centred around?

A

Mediolanum (Milan)

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6
Q

What was significant about Constantinople as a new city?

A

New capital at Constantinople was to be an important centre - art & architecture of the city became known as BYZANTINE.

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7
Q

What was the reason for the need of larger and grander public buildings in the 4th century?

A

the rapidly growing Christian population needed bigger, grander buildings for worship

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8
Q

Who was Constantine the Great?

A

the emperor of Constantinople, founded the city

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9
Q

What was the Basilica’s initial purpose?

A
  • for public use
  • served as a hall of assembly
  • commerce
  • reception
  • lawmaking
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10
Q

What meant that Christian church architecture was very open and light?

A

the high windows in the walls allowed for lots of light to get in

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11
Q

Where did worship take place before Emperor Constantine legalised christianity?

A
  • homes
  • grave sites of saints and loved ones
  • even outdoors
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12
Q

What did Emperor Constantine do to support his new state religion?

A

Began an extensive building campaign, in looking for a structure to address the spatial needs of the developing Christina liturgy, he adapted the Roman basilica

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13
Q

What does liturgy mean?

A

a form or formulary according to which public religious worship, especially Christian worship, is conducted (worship)

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14
Q

What was the Basilica of Maxentius & Constantine?

A

The Basilica of Maxentius and Constantine, sometimes known as the Basilica Nova ‐ meaning “new basilica” ‐ is an ancient building in the Roman Forum, Rome, Italy. It was the largest building in the Forum.

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15
Q

What did the Basilica of Maxentius & Constantine consist of?

A

The building consisted of a central nave covered by 3 groin vaults suspended 39 meters above the floor on four large piers, ending in an apse at the western end containing a colossal statue of Constantine.

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16
Q

What held up the lateral forces of the groin vaults?

A

the flanking aisles

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17
Q

How may barrel vaults did the Basilica of Maxentius & Constantine have?

A

3 -The aisles were spanned by 3 semi‐circular barrel vaults perpendicular to the nave, and
narrow arcades ran parallel to the nave beneath the barrel vaults.

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18
Q

What was significant about the Basilica of Maxentius & Constantine?

A
  • used the most advanced engineering techniques known at that time
  • unsurpassed example of the Romans’ structural understanding of the use of concrete
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19
Q

Where and when was Old St. Peter’s Basilica created?

A

319 AD, Rome

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20
Q

What was significant about Old St. Peter’s Basilica?

A
  • The church gradually gained importance, eventually becoming a major place of pilgrimage in Rome.
  • The design was a typical basilica form with the plan and elevation resembling those of Roman basilicas.
21
Q

What did Old St. Peter’s Basilica consist of?

A
  • 4 aisles, a wide central nave and 2 smaller aisles to each side, which were each divided by marble columns
  • It was built in the shape of a Latin cross, and had a gabled roof which was timbered on the interior and which stood at over 30 m at the centre
  • An atrium, known as the “Garden of Paradise”, stood at the entrance and had 5 doors which led to the body of the church
22
Q

What does an apse help to differentiate between?

A

Separates a basilica from a normal parish church

23
Q

Why was the basilica adapted by Christians?

A

to increase to a larger capacity

24
Q

What was the capacity of Old St. Peter’s Basilica?

A

3,000-4,000 worshippers at one time

25
Q

What was the Basilica of Santa Sabina?

A
  • 422 AD, Rome
  • oldest surviving Roman basilica in Rome that preserves its original colonnaded rectangular plan and architectural style
  • crossover from a roofed Roman forum to the churches of Christendom
26
Q

What was the Basilica of Santa Sabina?

A
  • 422 AD, Rome
  • oldest surviving Roman basilica in Rome that preserves its original colonnaded rectangular plan and architectural style
  • crossover from a roofed Roman forum to the churches of Christendom
27
Q

What was the Basilica of Santa Maria?

A
  • Cosmedin, Rome
  • created in the 6th century during Byzantine rule of the city
  • the current interior of S. Maria in Cosmedin has a nave with two aisles
28
Q

What is Cosmatesque/Cosmati and what basilica had this?

A
  • Basilica of Santa Maria
  • The church has a very fine Cosmatesque pavement. It is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings, and derived from that of the Byzantine
    Empire.
  • It was used most extensively for the decoration of church floors.
29
Q

What type of worship occurred in Istanbuls longitudinal basilicas and centralised churches?

A

congregational worship

30
Q

What is a drum?

A

a circular or polygonal wall supporting a dome

31
Q

What was the Mausoleum of Santa Costanza?

A
  • 350 AD, Rome
  • Combination of a ring of double columns supporting a drum
  • two spaces/world (light and dark), ambulatory and upper dome - the screens of the ambulatory and inner ring create a dark contrast to the bright upper space of the dome
  • 12 pairs of granite columns decorated with composite capitals supports the drum below the dome and separates the area of the ambulatory
  • barrel vault
32
Q

What was the Church of the Saints Sergius and Bacchus?

A
  • Istanbul, 527 AD
  • Little Hagia Sophia Mosque
  • Central dome plan erected by Justinian
  • One of the most important early Byzantine buildings in Istanbul
  • Exterior masonry
  • Umbrella dome
  • The central plan was consciously repeated in the basilica of San Vitale in Ravenna
  • Served as a model for Mimar Sinan
33
Q

In the Church of the Saints Sergius and Bacchus, why did the roof stand on an octagonal base?

A

So that no great problems were involved in converting the angular ground plan to a circle on which the dome could rest. But in the others the dome stands above a square, and the transition from SQUARE to CIRCLE was complicated.

34
Q

What did the developed byzantine type of church look like?

A

the “domed basilica” (but there was an unresolved issue of the connection between a dome and a polygonal drum)

35
Q

What was the squinches solution to the dome-drum connection?

A

A squinch in architecture is a construction filling in the upper angles of a square room so as to form a base to receive an octagonal or spherical dome.

36
Q

Where were squinches originally from?

A

The squinch may have been invented in Persia - It remained a feature of Islamic architecture, especially in Iran.

37
Q

What was the second solution to the dome-drum connection?

A
  • using a pendentive
  • technique by raising domes piers, permitting lighting and communication from 4 directions
  • uses four pendentives to transition from a cubic base to a dome (see diagram)
38
Q

What was the Mausoleum of Galla Placidia?

A
  • 425 AD, Ravenna
  • The Mausoleum of Galla Placidia was listed with 7 other structures in Ravenna in the World Heritage List. The UNESCO experts describe it as “the earliest and best preserved of all mosaic monuments, and at the same time one of the most artistically
    perfect”.
39
Q

What is special about the Mausoleum of Galla Placidia?

A

It is covered with rich Byzantine mosaics, and light enters through alabaster window panels. The inside is richer and more elaborate than the outside.

40
Q

What was the Basilica of San Vitale?

A
  • 527 AD, Ravenna

- focused height with longitudinal path towards the apse

41
Q

What was the novelty of the Asan Vitale?

A

The novelty of San Vitale was to counteract the sense of * focused height with a strong longitudinal path toward the apse.

42
Q

What was the Hagia Sophia?

A
  • 532 AD, Instanbul
  • full devlopment of the form (pendatives) was achieved in the 6th century
  • Eastern Roman Hagia Sophia at Constantinople
  • Though Justinian’s domed basilicas are the models from which Byzantine architecture developed, Hagia Sophia remained unique, and no attempt was thereafter made by Byzantine builders to emulate it.
43
Q

Who was the Hagia Sophia dedicated to?

A

to Christ, as Holy Wisdom

44
Q

What was significant about the layout of the Hagia Sophia?

A

The layout of a congregational basilica was married to a vaulted superstructure, but neither was allowed to dominate - this made the Hagia Sophia unique.

45
Q

The Hagia Sophia contains curtain walls, what are these?

A

Above the galleries are CURTAIN WALLS (non‐load‐bearing exterior walls) at either side, pierced by windows, and there are more windows at the base of the dome. They are walls aren’t supportive/structural.

46
Q

How did the Byzantine mind create an image of the entire universe within their buildings?

A
  • The visible universe was concretised in the Byzantine mind as a cube surmounted by dome. Hence, this structure can be read as the image of the ideal universe.
  • Here, The scale is god‐centred and therefore diametrically opposed to the humanistic scale of Classical architecture. The user no longer feels the bldg. empathetically with his body but instead is taken up by it and elevated.
47
Q

What made Constantinople and its territory a romanised city (the 2nd Rome)?

A

It had the usual features of a Romanised city - a forum, theatre, circus (or hippodrome) for the chariot races, temples and shrines.

48
Q

In the 5th & 6th centuries, Christian architecture aimed to fuse the forms of….

A

congregational and occasional buildings

two experiments of this were the Basilica of San Vitale in Ravenna and Hagia Sophia