Paints and Coatings Flashcards

1
Q

What sources of paint might forensics run into?

A

Automotive, architectural, specialty

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2
Q

What scenes would paint become relevant evidence?

A

Break and enter
Road incidents
Vandalism
Art fraud

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3
Q

Forensic analysis of coatings

A

Is the material paint?
How is it relevant to the case?
Comparison of two or more samples for common source
Identification of vehicle make/model
Identification or art forgeries based on paint type/colour

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4
Q

What are the four main elements of paint?

A

Solvent - suspension; uniform application
Binder - holds paint together
Pigment - impart colour, opacity, or other
Additives - corrosion, UV, plasticizers, catalysts

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5
Q

Paint - binders

A

Create cohesive solid paint - polymerization/pre-polymer species
Non-convertible: single molecule; extensive cross linking
Convertible: evaporation, entanglement of polymer chains

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6
Q

What are the common polymer groups used in paint binders?

A
Acrylics
Alkyds
Polyesters
Urethanes
Epoxies
Cellulose
Silicones
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7
Q

Automotive binders - paint layers

A
  1. Electrocoat primer
  2. Primer surfaces
  3. Basecoat
  4. Clearcoat
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8
Q

Electrocoat primer

A

Corrosion resistance

Epoxy based

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9
Q

Primer surface

A

Hide imperfections
Maybe pigments
Epoxy-modified polyester or polyurethane

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10
Q

Basecoat

A

Colour and aesthetic
Acrylic based polymer
Al - metallic

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11
Q

Clearcoat

A

Unpigmented resin
Gloss
Durability
Appearance

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12
Q

Lacquers

A

Pre-polymer dissolved in solvent
Evaporation
Weak forces - London, polar -> Redissolve
Eg. nail polish, nitrocellulose

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13
Q

Latex paints

A

Small micelles of polymer suspected in solvent
Evaporation -> micelles coalesce, further polymerization
Solubility depends on polymer and cross linking

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14
Q

Pigments

A

Coloured, white, or black
Crystalline in paint
Inorganic, organic, organometallic
Electron transitions

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15
Q

Inorganic pigments

A

Titanium dioxide - high RI
Aluminium and alkali earth metals
D-orbital splitting

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16
Q

What do inorganic pigments usually contains

A
Iron oxides
Chromates
Ferrocyanides
Bismuth vanadate/molybdate
Chromium oxides
Cadmium sulphides
17
Q

Organometallic pigments

A

Metal-ligand bonding
D-orbital splitting
Inorganic-organic hybrids - “lake” - organic bound to inorganic alumina

18
Q

Polymorphism - titanium dioxide

A
More than one crystal structure
Polymorphs may have different colours
Stability
Titanium dioxide: Anatase, rutile, Brookite
Brookite not in paint
Rutile more common - larger RI
19
Q

Organic pigments

A

Pi orbitals
Wide variety of colours
Flat planar systems, extensive conjugation
Better colour, more vivid, smaller particles, less durable, expensive

20
Q

Extender pigments

A
Do not have optical effects - similar RI to binder
Viscosity
Texture
Strength
Chemical resistance
Abrasion resistance

Ex: Talc, Kaolin, Calcite, Baryte

21
Q

Effect pigments

A

Sparkling effects - aluminum flakes
Silver: saturated fatty lubricants to force the flakes to the paint surface

Pearlescence: constructive/destructive interference; layers of titanium dioxide and mica; layer thickness

22
Q

Paint additives

A

UV protection - home, deck, car
UV stabilizers quench free radicals
Both can migrate

23
Q

Forensic analysis of paint samples

A
Complexity of paint
Organic and inorganic components
Rarely present as single layer
Can’t predict layer sequence
Heterogeneity 
Degradation 
Migration, continual cross linking, additional substances applied
24
Q

ASTM E1610 STANDARD GUIDE FOR PAINT ANALYSIS AND COMPARISON

A
  • consistent approach, analytical science
  • sample size, condition, layer structure complexity
  • More specific and least destructive tests first

Description -> additional samples (if needed) -> physical characteristics -> yes/no -> physical match? -> yes/no -> evaluate analytical approach -> sample prep -> binder/pigment/additive analysis

25
Sample preparation of paint
Oblique cut | Cross-sections - layer thickness, colour, pigment distribution
26
Stereomicroscopy of paint samples
``` Exclude based on layer structure Colour and shape across sample Surface # of layers Sequence Homogeneity Texture Thickness Gloss ```
27
PLM & fluorescence
Differentiate specimens based on mineral composition Differentiate by light absorbance and degree of refraction Sample that can transmit light Effect pigments differentiated
28
ASTM E2937 STANDARD GUIDE FOR USING IR SPECTROSCOPY IN FORENSIC PAINT EXAMINATIONS
Classify binders and pigments Probable paint types: auto, architectural, maintenance Many common paints - based on esters and urethanes CARBONYL BAND 1650 - 1750 C-O BOND STRETCH 1000-1300 MELAMINE MODIFICATION 1550, 815
29
Limitations of IR for paint analysis
Melamine migrates Weathering and other substances Analyze the middle
30
ASTM E2808 STANDARD GUIDE FOR USING MSP AND COLOUR MEASURMENT IN FORENSIC PAINT ANALYSIS
Crystal field effects of transition metals Electron transitions conjugated compounds Electron transitions in compounds with conductive energy Wave optics - scattering, interference, diffraction
31
ASTM E2809 SEM/EDS ANALYSIS OF PAINT
Define and compare layer structure | Bulk elemental composition - layers and particles
32
Limitations of SEM/EDS for paint analysis
- no trace concentrations - need conductive coating - cant remove sample from embedding - quantitative analysis not appropriate - heterogeneity