Painting :Perspective And Textures Flashcards

1
Q

Is the applications of pigment to a support surface that establishes an image designs or decorations

A

Painting

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2
Q

Two types of painting

A

Nabajo sand painting
Tibetan mandala painting

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3
Q

Is link to the idea that object of a similar size appear smaller as a distance between the object and viewer increases

A

Linear perspective

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4
Q

The effects that the atmosphere has upon object as they receive into the distance are referred to as ______

A

Aerial perspective

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5
Q

Is how an adult sees the world when standing up when fitting is a realistic style it is a view you will probably use because it what

A

Normal viewpoint

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6
Q

Is when you’re looking at the scenes from much lower than you would standing up

A

Low viewpoint

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7
Q

Is when you’re looking down on a scene you might be a ladder of a hill on the balcony of tall building

A

High viewpoint

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8
Q

Is an art technique for creating an illusions of three dimension (depth and space) on a two dimensional flat surface

A

Perspectives

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9
Q

Is the spot point from which you the artist is looking at viewing the scene

A

Viewpoint in perspective

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10
Q

Is an imaginary line used to create accurate perspective in a painting

A

The horizontal line in perspective

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11
Q

They are drawn on the top and the bottom horizontal edges of an object along the object and then extended to the horizon line

A

Vanishing lines in perspective

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12
Q

You’re looking at the one point perspective when you’re sending an a station staring down the railway truck which narrows and then disappears at the spots in the distance

A

One point perspective

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13
Q

The accurate relative skills of objects is part of illusions were creating when we apply the rules of perspective in composition

A

Things for their away are smaller

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14
Q

An artist may use his her skillful painting techniques to create the illusion of texture

A

Optical texture

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15
Q

An artist may paint with expensive brush strokes whose textures convey the physical and emotional energy of both the artistand his/her subject

A

Physical texture

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16
Q

This is a third category of texture whose splitting forms are subject to change like clouds smoke flames bubbles and liquids

A

Ephemeral texture