Pains Of Love Flashcards

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1
Q

“If it wasn’t for the mist, we could see your house across the bay”

A
  • Gatsby bought the house across the bay from Daisy and Tom as a result of his obsessive need to be close to Daisy.
  • This highlights the extent of his beliefs that his future with Daisy is inevitable.
  • The mist could symbolise Daisy and Tom’s facade of wealth and prosperity hiding their manipulative personalities
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2
Q

“I am of that farthest cometh behind”

A
  • Alliteration of ‘f’ sounds link the deer to the speaker, nevertheless they are separated by the line break.
  • Mirrors how he connected he is to her mentally (a compulsion) versus how she is not his.
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3
Q

“Graven with diamonds”

A
  • The word “graven” is a harsh verb, describing indenting something.
  • The diamond collar shows she belongs to someone of high status.
  • The phrase “graven with diamonds” is contradictory that something seemingly beautiful is being suppressed and indented.
  • The verb “graven” is harsh and evokes the speaker’s feeling of defeat over his opponent. It also suggests that the woman is bound captive forever in this relationship: linking with the idea of ‘Til death do us part’ .
  • The “diamonds” imply that the woman’s partner is extremely wealthy. There is a juxtaposition between the beautiful and precious “diamonds” and the dark imagery of “graven”.
  • This quote forms a direct parallel to Daisy and Tom in the Great Gatsby. On the eve of their wedding, Tom gifted Daisy “a string of pearls” which are worth over $5 million in modern day money.
  • She proceeds to “pull” them off her neck. The pearls symbolise how Tom effectively ‘bought’ his marriage to Daisy. Her passionate act of “pull[ing]” them off but then continuing to marry him suggests that she is a highly materialistic person.
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4
Q

“Sprees”

A
  • Tom shows how arrogant and possessive he is dismisses his own cheating, immoral behaviour in order to dismiss Gatsby’s claim that he and Daisy are going to run off together.
  • Trivialises and normalises his affairs as unimportant matters.
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5
Q

“Get on the next train”

A
  • Imperative, domineering language.
  • Views Myrtle as a possession of his.
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6
Q

“Now let us sport while we may”

A
  • He views sex as a purely physical relationship, objectifying the women as equipment.
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7
Q

“She carried her surplus flesh sensuously”

A
  • Myrtle is viewed as an object for purely sexual purposes.
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8
Q

“I saw pale kings and princes too”

A
  • The high born population — kings, princes, warriors — are described as “pale” and “death-pale”.
  • The strength and status of these once-powerful people have been depleted, drained of blood.
  • The repetition reinforces this, with the added “death-pale” for emphasis. - The only powerful entity is the “Belle Dame”.
  • The reader has no doubt that something disastrous will happen to the speaker.
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9
Q

“Daisy Fay”

A
  • Highlights how Daisy uses her superficial nature to attract and brutally dismiss those around her.
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10
Q

“They were careless people Tom and Daisy- they smashed up things and creatures and then retreated back into their money or vast carelessness”

A
  • Highlights their recklessness and carelessness to everyone around them, especially those of a lower class.
  • Their excessive wealth has not allowed them to appreciate others around them; they are consumed.
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11
Q

“Whatever it was that kept them together”

A
  • Nick is unable to give a reason apart from their dual carelessness to why Tom and Daisy are still together, this emphasises their flawed and manipulative characters.
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12
Q

“Cold chicken”

A
  • Shows how their relationship has been reduced to a stale shadow of what it once was- it has been destroyed by their lack of respect, and infidelity.
  • Their wealth and excessive lifestyle has poisoned their marriage.
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13
Q

“Though the sedge is withered from the lake/ And no birds sing”

A
  • The “sedge” is a marsh plant.
  • The fact that it is ‘withered’ suggests it is winter, a brutal, cold, sad season; the season of death.
  • This matches the mood of the knight, an example of pathetic fallacy
  • Keats subverts the traditional iambic meter — that is three or four ‘feet’ or metric beats to the line — of a ballad. This is a departure traditional ballad rhythm
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14
Q

“But of course I’ll say I was”

A
  • Gatsby says he will dishonestly admit to driving the car that killed Myrtle, even though it was Daisy.
  • Without hesitation, he admits to this, something that he knows will put him in great danger, and ultimately causes his death.
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