Overview Flashcards

1
Q

Three Areas of Literary Study

A

1.Literary Theory

2.Literary Criticism

3.Literary History

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

It is the systematic study of the nature of literature and the methods for analysis.

A

Literary Theory

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

It aims to demystify some assumptions and beliefs implicit in literature and literary criticism.

A

Literary Theory

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Types of Literary Theory (M.H. Abrams)

A
  1. Mimetic
  2. Pragmatic
  3. Expressive
  4. Objective
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

It is audience- oriented.

A

Pragmatic Theories

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

It is an imitation of the universe.

A

Mimetic Theories

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

It focuses on the artist.

A

Pragmatic Theories

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

It involves the literary piece itself.

A

Objective Theories

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

It involves the reading,
interpretation and commentary of a specific text or texts which have been designated as literature.

A

Literary Criticism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

It ought to provide the readers a range of criteria for identifying literature and an awareness of these criteria should inform critical practice.

A

Purpose of Literary Theory

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

It should make us aware of the methods and procedures which we employ in the practice of literary criticism so that we do not only interrogate the text, but also the ways in which we read and interpret it.

A

Purpose of Literary Theory

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

It is the historical development of writings in prose and poetry, which seeks to provide education and entertainment to the readers.

A

Literary History

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

It is also the development of literary techniques used by writers from different periods.

A

Literary History

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Historical Survey of Literary Criticism (authors)

A

Plato
Aristotle
Horace
Dante Alighieri
Sir Philip Sidney
John Dryden
Alexander Pope
William Wordsworth
Hippolyte Adolphe Taine
Matthew Arnold
Henry James

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

He systematically begins the study of literature
and criticism.

A

Plato

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

“Reality is spiritual and the spiritual realm is
composed of ideal forms.”

A

Plato

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Poets produce art irrationally.

A

Plato

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Poets must be supporters of the state.

A

Plato

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Poetry’s function is to sing the praises of loyal
Greeks.

A

Plato

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

He emphasized the characteristics and
elements of a work.

A

Aristotle

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Ars Poetica

A

Horace

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

answer to Plato’s accusations against poetry which later became the cornerstone of Western Literary Criticism.

A

Poetics

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Poets must imitate other poets.

A

Horace

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Dulce et utile

A

Horace

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
All good epics must begin in medias res.
Horace
19
On the Sublime
Longinus
20
The language spoken by people is an appropriate and beautiful language for writing.
Can Grande Della Scala
20
The Divine Comedy: Paradiso
Dante Alighieri
21
Single elements of a text.
Longinus
22
The proper language for poetry.
Dante Alighieri
22
The author, the work and the reader response
Longinus
22
First English critic-poet
Sir Philip Sidney
23
“epitome of the literary criticism of the Italian Renaissance”
Sir Philip Sidney's An Apology for Poetry (Defence of Poesy)
23
“poetry, above all the other arts and sciences, embodies truth, to take”
Sir Philip Sidney
24
The most prolific writer of the Restoration
John Dryden
25
Debate of Platonic and Aristotelian ideals
John Dryden's An Essay of Dramatic Poetry
26
Concerns (An Essay of Dramatic Poetry)
a.) language or diction of a play b.) issues of stage decorum c.) difference between English and French theaters d.) the value of rhymed verse as opposed to blank verse in drama.
26
“literary pope” of England
Alexander Pope
26
The golden age of criticism is the
Classical age
27
A good poet possess natural genius coupled with knowledge of the classics and understanding of the rules of poetry (literature).
Alexander Pope
28
Essay on Criticism
Alexander Pope
29
Poetic diction, the heroic couplet as a standard for verse, and personification of abstract ideas
Standards for Poetry
30
Free verse are unrefined.
Alexander Pope
31
Beginning of British romanticism.
Lyrical Ballads
31
Elements and the subject matter of literature with emphasis to common men and women will people his poetry to depict humble and rustic life everyday language
William Wordsworth's Lyrical ballads
31
“For all good poetry is the spontaneous overflow of powerful feelings.”
William Wordsworth's Lyrical ballads
32
No prescribed rules and the artist can freely express his or her individualism
William Wordsworth's Lyrical ballads
33
Historical approach to literary analysis.
Hippolyte Adolphe Taine's The History of English Literature
34
Studying a text without considering its author leads to incomplete analysis.
Hippolyte Adolphe Taine's The History of English Literature
35
race, milieu et moment
Hippolyte Adolphe Taine's The History of English Literature
36
can provide necessary truths, values, and guidelines for society.
Poetry (Matthew Arnold)
37
Objective touchstone theory
Matthew Arnold
38
Aristotle’s “high seriousness”; Longinus’ classic as “best class”
Matthew Arnold
39
The Art of Fiction
Henry James
40
He rejects the romantic notion of either Wordsworth or Coleridge.
Henry James
41
Good novels show us life in action and above all, interesting.
Henry James
42
indirect point of view
Henry James
43
Modern Criticism (century)
19th and 20th Century
44
What century did most critics emphasized either historical or biographical approach to the text.
19th
45
2 Literary approaches
Extrinsic and Intrinsic
45
What century did a variety of “schools of criticism” were brought to life abandonment of holistic approach
20th
45
a literary approach where the external context of a literary piece
Extrinsic approach
46
a literary approach where it focuses on the form, language, style, symbols, images, contrasts, structure, and plot development.
Intrinsic approach