Othello quotes Flashcards

1
Q

Act 1 Scene 1

I know my price, I am worth no worse a place

A

Iago

Immediate hate towards Othello within the first page, sense of jealousy

high sense of pride present

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2
Q

Act 1 Scene 1

his Moorship’s ancient

A

Iago

racial prejudice towards Othello due to Cassio gaining the promotion

absues Othello’s trust

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3
Q

Act 1 Scene 1

I follow him to serve my turn upon him

A

Iago

malicious intent, seeks revenge for promoting Cassio over him

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4
Q

Act 1 Scene 1

I am not what I am

A

Iago

presents his facade, sets up his betrayal for Othello

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5
Q

Act 1 Scene 1

thick-lips

A

Roderigo

racist stereotype towards Othello, highlights the racial abuse

21st Century audience would view this as a racist play yet a Jacobean aqudience would see this as normal

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6
Q

Act 1 Scene 1

Thieves, thieves!

A

Iago

presents imagery of theft

femenist interpretation would view this as seeing Desdemona being owned by her father, like she is property

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7
Q

Act 1 Scene 1

an old black ram is tupping your white ewe

A

Iago

animalistic imagery, suggests Othello is an animal

racist and sexual imagery

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8
Q

Act 1 Scene 1

the devil will make a grandsire of you

A

Iago

religious imagery

racist imagery towards Othello again = im some traditions the devil is depicted as black

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9
Q

Act 1 Scene 1

my daughter is not for thee

A

Brabantio

denies Roderigo Desdemona’s love, gives a sense that she is an object

femenist lens would see this as objectifying towards women

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10
Q

Act 1 Scene 1

Barbary horse

A

Iago

vulgar, racist imagery towards Othello

a Barbary horse is an African stallion, the African coast was most famous for horse breeding

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11
Q

Act 1 Scene 1

making the beast with two backs

A

Iago

animalistic and sexual imagery

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12
Q

Act 1 Scene 1

your daughter… hath made a gross revolt

A

Roderigo

stating how Desdemona has betrayed Brabantio by marrying Othello

shows traditional Jacobean societal norms where a father desides who his daughter marries then passes over the ‘ownership’ onto the husband once they are wed

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13
Q

Act 1 Scene 1

I do hate him as I do hell’s pains

A

Iago

sense of duplicity

needs to be publically seen with Othello to make it seem like his loyalties lie with him

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14
Q

Act 1 Scene 1

she decieves me

A

Brabantio

gives a sense that he is disgusted by Desdemona’s behaviour

feels a sense of betrayal from his daughter

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15
Q

Act 1 Scene 1

treason of the blood

A

Brabantio

dramatic, acts like Desdemona has done a terrible thing

seen as overdramatic from a 21st Century perspective but normalised from a Jacobean audience pov

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16
Q

Act 1 Scene 1

property of youth and maidhood

A

Brabantio

signifies how he believes he owns Des and should make all her decisions

17
Q

Act 1 Scene 2

spoke such scurvy and provoking terms against your honour

A

Iago

appearanve vs reality, duplicity of Iago’s character

appears outraged that Othello was being spoken about yet was the one speaking about him

18
Q

Act 1 Scene 2

gentle Desdemona

A

Othello

19
Q

Act 1 Scene 2

by Janus

A

Iago

Janus was a Roman God with 2 faces, signifies Iago’s duplicity

Shakespeare using Renaissance ideas within his work

20
Q

Act 1 Scene 2

thou hast enchanted her… in chains of magic

A

Brabantio

gives a sense she is trapped in her marriage due to being enchanted

Desdemona went against societal norms and Brabantio believes that because she did this she was under a spell

21
Q

Act 1 Scene 2

abused her delicate youth with drugs or minerals

A

Brabantio

speaking about Desdemona and how Othello ‘stole her’ from him

22
Q

Act 1 Scene 3

valiant Othello

A

Duke

greeting Othello before Brabantio emphasises his importance in society

23
Q

Act 1 Scene 3

Dead? Ay, to me

A

Senators, Brabantio

dramatic description, his daugter is dead bc she against societal norms

Jacobean audience would agree with Brabantio and the Dukes as women were seen as their fathers property, very corrupt ideals highlights the lack of freedom women possessed

24
Q

Act 1 Scene 3

the bloody book of law

A

Duke

dramatic irony, unaware that Desdemona ran away with ‘valiant Othello’

wants to punish whoever ran away and married Des yet changes his mind when he discovers it is Othello and hears his speech, corruption

25
Q

Act 1 Scene 3

most potent, grave, and reverend signors

A

Othello

flattery, greets the Dukes with the upmost respect, shows his loyalty

26
Q

Act 1 Scene 3

rude I am in my speech

A

Othello

sprezzatura, pretending to be bad at something you’re good at

pretends to be bad at public speaking even though he is not, due to either being insecure to being an outsider or being manipulative from the start

27
Q

Act 1 Scene 3

i won his daughter

A

Othello

portrays Des as an object, a prize to be won

shows Jacobean societal norms, a femenist interpretation would view this as disempowering to women