othello key quotes Flashcards

1
Q

“I follow him to serve my turn upon him. We cannot all be masters, nor all masters cannot be truly followed” Act 1 scene 1 line41 IAGO

A

equivocal language to impress R, long + confusing on purpose, he’s only with O to profit from him

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2
Q

“I am not what I am” act1 scene 1 line64 IAGO

A

duplicitous, biblical illusion, inversion of all that is good, encapsulates the theme of deception and duplicity, disconnect between outward appearance and inner reality, facade, complexity of I’s character, foreshadowing his deceptive natutre, “men should be what they seem” act 3 scene3

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3
Q

“look to your house, your daughter, and you’re bags…you’re robbed” act 1 scene 1 line79 IAGO, DESDEMONA

A

no name, commodity, list, objectification

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4
Q

“an old black ram is tupping your white ewe!” act1 scene1 line87 IAGO, OTHELLO, DESDEMONA

A

racial imagery, bestial imagery, aggressive plosives, contrast between O and D’s purity & naivety

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5
Q

“Let him do his spite” act 1 scene 2 line7 OTHELLO

A

calm, collected, eloquent, ready to face consequences of his actions, confident

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6
Q

“keep up your bright swords for the dew will rust them” act 1 scene 2 line58 OTHELLO

A

Menacing, monosyllabic line, authoritative yet calm = highly skilled general, doesn’t want to fight

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7
Q

“If she in chains of magic were not bound” act 1 scene 2 line65 DESDEMONA

A

sinister imagery of blackmagic, D was manipulated into the marriage, prisoner, O as the devil, racial stereotypes

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8
Q

“Were it my cue to fight I should’ve known it without a prompter” act 1 scene 2 line 82 OTHELLO

A

doesn’t have a violent nature, honourable, doesn’t fight for no reason

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9
Q

“For if such actions may have passage free, bond-slaves and pagans shall our statesmen be” act 1 scene 2 line 97 OTHELLO

A

rhyming couplets, world has turned upside down, subversion of natural order, reduces O to racial stereotypes, need to be cautious of foreigners

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10
Q

“She is abused, stolen from me from me and corruptedn by spells and medicine” act 1 scene 3 line 60 DESDEMONA OTHELLO

A

dehumanising, recurring motif of witchcraft associating O with the devil

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11
Q

“rude am I in my speech” act 1 scene 3 line 82 OTHELLO

A

imagery of weakness and innocence, humble, downplaying, his eloquence

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12
Q

“She loved me for the dangers I had passed, and I loved her that she did pity them” Act 11 scene 3 line 168 OTHELLO, DESDEMONA

A

equilibrium of love, mutual, doubts about validity of theur relationship, insecurities

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13
Q

“Twixt my sheets he’s done my office” act 1 scene 3 line 386 IAGO, OTHELLO

A

Believes O slept with Emilia, disrespected his honour, payback is fair

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14
Q

“sir would she give you so much of her lips…bestows on me” act 2 scene 1 line 100 IAGO

A

Iago belittles Emilia, insecure, male cliches, misogynistic, power dynamics, characterizes Iago as cruel and misogynistic, foreshadows deception through early indication of Iago’s moral depravity and ruthlessness, themes of gender - patriarchal society and abuse of power

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15
Q

“hail to thee, lady, and, the grace of heaven” act 2 scene 1 DESDEMONA

A

religious and godly imagery, lack of formality, courtly langauge, seductive, respectful of women

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16
Q

“the moor is of free and open nature that thinksmen honest that but seem to be so” act 1 scene 3 line398 OTHELLO

A

recognising his good qualities, foreshadowing, easily manipulated, appearance vs reality

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17
Q

“with as little a web as this I will ensnare as great a fly as Cassio” act 2 scene 1 line168 IAGO, CASSIO

A

metaphorically compares to a web, subtle but effective in trapping, Iago aims to disrupt O’s trust and sow seeds of doubt

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18
Q

“Reputation, reputation, reputation! O, I have lost my repuation!” act 2 scene 3, line 258 CASSIO

A

repetition, emphasis, also affects, heightens his insecurities & makes him

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19
Q

“You have not been a-bed then?” Act 3 scene 1 line 31 OTHELLO

A

Othello hasn’t slept, link to Macbeth, vulnerable, foreshadows downfall

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20
Q

“Why then, tomorrow night…let it not exceed 3 days” act 3 scene 2 line 60 DESDEMONA

A

persistent, loyalty to Cassio, power struggle

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21
Q

“When I love thee not chaos is come again” act 3 scene 3 line 91 OTHELLO

A

he’ll be dammed by his extreme love, foreshadowing, when their love ends he’ll adopt personal choas

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22
Q

“Men should be what they seem” Act 3 scene 3 line 131 IAGO

A

Dramatic Irony, gnomic comments, repitition by O = under his control

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23
Q

“Beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on” act 3 scene 3 line 166 IAGO, OTHELLO

A

warns O and sets stage for manipulation of his emotions, personifies jealousy, vivid metaphor emphasises it’s destructive + irrational nature, envy +sickness = corrosive, monstrous = consume + distort thoughts and perceptions, consumes it’s victims, “meat”= D’s infidelity, jealousy will lead him to doubt and destroy the thing he loves most

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24
Q

“And yet how nature erring from itself-“ act 3 scene 3 line 231 OTHELLO, IAGO

A

begins to question D, interupted by I, power shift

25
Q

“Not poppy nor Mandragora…which thou owedst yesterday” act 3 scene 3 line 333 IAGO, OTHELLO

A

Wants O to suffer unrest and pain, villainous, sleep deprevation = madness, drugs link to act 2

26
Q

“he that is robbed…not robbed at all” act 3 scene 3 line 345 OTHELLO

A

link to act 1, D = O’s possession, it’s better to be ignorant, tormented by lack of physical proof

27
Q

“I think my wife be honest, and think she’s not…black as mine own face” act 3 scene 3 line 387 OTHELLO, DESDEMONA

A

internal conflict, deteriorating mental state, acknowledges his insecurities

28
Q

“Were they as prime as goats, as hot as monkeys” act 3 scene 3 line 406 IAGO, DESDEMONA, CASSIO

A

goats = hell/devil, describing O and D as primal and bestial, animal imagery

29
Q

“Like to the pontic sea…to the propontic and the hellespont” act 3 scene 3 line 456 OTHELLO

A

naval imagery, lack of punctuation, O’s “bloody” thoughts are propelled towards an inevitable end as the waters of the pontic sea are propelled to Hellespont

30
Q

“Now art thou my lieutenant” act 3 scene 3 line 481 IAGO

A

recieves the promotion he wanted, continues his plan for: personal vendetta against Cassio, jealousy for cassio, power and control, and his psychological complexity which stems from nihilism

31
Q

“this argues fruitfullness and liberal heart: hot, hot and moist” act 3 scene 4 line 38 OTHELLO

A

Taunting her, mental turmoil, sexual language like Iago, confused speech pattern

32
Q

“the handkerchief did an Egyptian to my mother give…” act 3 scene 4 line 56 OTHELLO

A

loses our sympathy, spiteful and cruel, making her feel guilty, heartless

33
Q

“the handkerchief!” act 3 scene 4 line 94 OTHELLO

A

anger, harsh and demanding tone I uses, dismissive of D, symbol of her body and honour

34
Q

“they are all but stomachs and we all but food” act 3 scene 4 line 105 EMILIA

A

metaphor, men use women to satisfy their own greed then discard them, Emilia is shown to be independent of thought

35
Q

“Is this the noble moor whom our full senate call all in all sufficient?” act 4 scene 1 line 264 OTHELLO

A

loosing his reputation, O had a rep of being honourable + respectable, oxymoron

36
Q

“Lie with her? Lie on her? we say lie on her when they belie her” act 4 scene 1 line 35 OTHELLO

A

repetition, consuming his mind, disjointed speech, breakdown in his sanity, his anger inhibits clear thoughts

37
Q

“I will be found most cunning in my patience…most bloody” act 4 scene 1 line 91 OTHELLO

A

his jealousy has turned into violence, animalistic characteristics, living up to racist stereotypes

38
Q

“But yet the pity of it Iago, the pity of it Iago!” act 4 scene 1 line 192 OTHELLO

A

repetition, exclamation, highly emotive, sympathy

39
Q

“I will chop her into messes!” act 4 scene 1 line 197 OTHELLO

A

extreme turmoil, violent, brutal, heartless, jealousy consumes him

40
Q

“O devil, devil! If that the earth…prove a crocodile” act 4 scene 1 line 245 OTHELLO

A

contrasts his devotion in act 1, insulting her, tormented, hyperbolic

41
Q

“To whom my lord? with whom? how am I false?” act 4 scene 2 line 41 DESDEMONA

A

questions, naïve, besotted to him, her innocence creates more sympathy

42
Q

“committed?…impudent strumpet!” act 4 scene 2 line 74 OTHELLO

A

repetition of committed, lack of self control and emotional intelligence, crude language

43
Q

“lay on my bed my wedding sheets” act 4 scene 2 line 107 DESDEMONA

A

chilling, foreshadowing, I said O should strangle her with them

44
Q

“speak within doors” act 4 scene 2 line 147 OTHELLO, EMILIA

A

imperative, Iago is unable to control Emilia

45
Q

“Get you to bed on th’instant, I will be returned forthwith. Dismiss you attendant there: look’t be done” act 4 scene 3 line 5 OTHELLO

A

dismissive, short sentences, imperatives, militaristic tone, how he’s comfortable being, distance between him and D

46
Q

“my mother had a maid called barbary… and she died singing” act 4 scene 3 line 24 DESDEMONA

A

‘barbary horse’, D grew up with a black maid, similar to D’s situation, foreshadowing her death

47
Q

“I might do’t as well i’th’ dark” act 4 scene 3 line 66 EMILIA

A

Foil to Desdeomona, would cheat on Iago, opposite of female stereotypes, shocking to audience, pragmatic

48
Q

“If Cassio do remain he hath a daily beauty in his life that makes me ugly” act 5 scene 1 line 18 IAGO, CASSIO

A

Just be existing Iago is inferior to Cassio, emasculating, must kill him

49
Q

“Let me not name it to you, you chaste stars, It is the cause” act 5 scene 2 line 2 OTHELLO

A

going against God, overriding fate, cosmic imagery having conversation with the universe, repetition

50
Q

“Nor scar that whiter skin of hers than snow And smooth as monumental alabaster” act 5 scene 2 line 3 OTHELLO

A

supposed to be an act of hatred, but his love shines through - there is not an imperfection on Desdemona in his opinion. She is beautiful. Racial divide, focus on skin and beauty that comes from this.

51
Q

“she’ll betray more men. Put out the light, and then put out the light!” act 5 scene 2 line 7 OTHELLO

A

justifying his actions, selfless act, light imagery, recurring motif, hide his actions, extinguish all hope and clarity

52
Q

“Promethean heat That can thy light relume. When I have plucked the rose, I cannot give it vital growth again” act 5 scene 2 line 12 OTHELLO

A

Greek god, eternal suffering, doubt or second judgement, he doesn’t want to hurt her, he just wants to get back at her for what happened. She will not come back when she is dead. Images of beauty. The supernatural power he was claimed to have had in the beginning is what he needs now.

53
Q

“justice to break her sword!” act 5 scene 2 line 17 OTHELLO

A

Othello sees himself as an allegorical figure of justice, ironic as there is no justice

54
Q

“so sweet was ne’er so fatal…this sorrow’s heavenly” act 5 scene 2 line 20 OTHELLO

A

paradox = conflict, conflict between his humanity and duty, his tear’s are just for show, oxymoron

55
Q

“It is the very error of the moon; She comes more nearer earth than she was wont And makes men mad.” act 5 scene 2 line 107 OTHELLO, DESDEMONA

A

Men are driven mad by a natural phenomenon - moon is personified as a woman - moon orbits around the earth - patriarchal society and power of men. Power of women over men - love has completely altered Othello.

56
Q

“O, the more angel she, And you the blacker the devil!” act 5 scene 2 line 128 DESDEMONA, OTHELLO

A

Desdemona is only going to look better of a person - Othello is only going to look worse. Association with heaven and hell, fixation on religion.

57
Q

“O thou Othello, that wert once so good, Fall’n in the practice of a cursed slave” act 5 scene 2 line 287 OTHELLO

A

Othello was an image of a perfect man at the beginning of the play, despite his race. He is now associated with slaves, the lowest part of society, Racial imagery.

58
Q

“I kissed thee ere I killed thee; no way but this: Killing myself, to die upon a kiss” act 5 scene 2 line 356 OTHELLO

A

Full circle, He has killed her, so he too must die, his way of apologising to her.