Othello Critics Flashcards

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1
Q

“Othello lives because it exposes something within us, something we cannot-or do not want to-face”

A

Bonnie Greer

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2
Q

(women)”are tragically acted upon rather than being the mistresses of their own fates”

A

Nigel Wheale

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3
Q

“jealousy is destroying him. It is this trait of his nature that undermines his life. Not racism, although that plays a part. Not the unmotivated hatred of Iago, although that plays a part too”

A

Bonnie Greer

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4
Q

“what hurts Othello far more than losing Desdamona is losing the equanimity he needs to do his job”

A

Andrew McCulloch

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5
Q

“a searing critique of racial and sexual injustice, more powerful now in the 21st century”

A

Kiernan Ryan

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6
Q

“though he initiate and engineers it’s catastrophe, Iago is not the fundamental or sole cause of the tragedy,which could plainly have erupted in a similar form for the same reasons without his intervention”

A

Kiernan Ryan

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7
Q

“he is a stranger, a man of alien race”

A

Helen Gardener

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8
Q

“like most of Iago’s imagined stories, is produced by a sexual imagination and fuelled by sexual jealousy”

A

Bernard O’Keefe

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9
Q

“Othello is predisposed to believing (Iago’s) pronouncements about the inherent duplicity of women”

A

Ania Loomba

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10
Q

“‘the Moor’ a term both de-personalising and distancing (i.e. not one of us), if not quite openly offensive or degrading”

A

Richard Lees

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11
Q

“the horrific thing about Iago…is his utter lack of humanity”

A

Simon Bubb

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12
Q

“the really disturbing thing about Iago is not that he’s an unfathomable psychopath, but that he’s pathologically normal and theatrically irresistible”

A

Kiernan Ryan

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13
Q

“Othello does love Desdamona and he is fully responsible for her death”

A

Andrew McCulloch

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14
Q

“Othello’s tragic flaw-his love of his own ‘pride and purposes’”

A

Andrew McCulloch

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15
Q

“it is this sense of ‘otherness’, of belonging yet also being marginalised, that Iago is able to exploit”

A

Bernard O’Keefe

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16
Q

“a ‘colour blind’ or racially neutral response is impossible”

A

Emma Smith

17
Q

(Iago’s)”ability to use language better than anyone else”

A

Simon Bubb

18
Q

“women seem to be either subhuman (Bianca) or superhuman (Desdamona) most of the time. Emilia does counter this opinion”

A

Sarah Robertson

19
Q

“making us realise the frailty and vulnerability of human life”

A

Nigel Wheale

20
Q

(tragedy provokes)”the affects of admiration and commiseration”(and so demonstrates)”the uncertainty of this world”

A

Helen Gardener

21
Q

“Othello in is his own magnanimous way, is egotistic”

A

F.R. Leavis

22
Q

“naturally modest but fully conscious of his worth”

A

A.C. Bradley

23
Q

“what sets him apart most is his solitariness”

?

A

Helen Gardener

24
Q

“Othello seems to be trying excessively hard to prove he can make…elaborate speeches in their language which ironically has the effect of further distancing him from the other characters”

A

Marion Cox

25
Q

“any man situated as Othello was would have been disturbed by Iago”…“many men would have been made wildly jealous”

A

A.C. Bradley