Othello Critics Flashcards

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1
Q

Matt Simpson on Emilia

A

Emilia underscores Desdemona’s lack of knowledge in the world

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2
Q

A.C Bradley on Emilia

A

She nowhere shows any sign of having a bad heart

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3
Q

A.C Bradley on Emilia’s stupidity

A

Her stupidity in this matter is gross, but it is stupidity and nothing else

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4
Q

Matt Simpson on Emilia’s obedience

A

We have to acknowledge that wives were required to be obedient to understand Emilia’s handing over of the handkerchief

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5
Q

Lisa Jardine on female sexuality

A

All three [women] are accused of sexual misdemeanour in the course of the play

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6
Q

Marilyn French

A

Desdemona accepts her culture’s dictum that she must be obedient to males and is self-denying in the extreme

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7
Q

Marian Cox on Desdemona

A

Desdemona is accused of the double dishonesty of lying and lying with other men

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8
Q

Marian Cox on dichotomies

A

Characters divide into virgins and saints or whores and devils

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9
Q

G. Wilson Knight on Desdemona’s language

A

Domesticity and gentleness

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10
Q

Marian Cox on reputation

A

Men wish to marry virgins. This made reputation an essential commodity for social society

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11
Q

Jarvis on Desdemona’s death

A

A whore’s death for all her innocence

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12
Q

Adams on Desdemona

A

She falls in love…for no better reason than that he has told her a braggart story

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13
Q

Harold Goddard on Desdemona

A

Desdemona’s audacity in doing the right thing in the face of her father’s opposition is enough to answer those incredible readers who persist in thinking her weak

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14
Q

A.C. Bradley on Othello

A

He is by far the most romantic figure among Shakespeare’s heroes. He does not belong to our world

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15
Q

Lisa Jardine on Desdemona

A

Desdemona becomes a stereotype of female passivity

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16
Q

A.C Bradley on Cassio

A

There is something very loveable about Cassio. We trust him absolutely to never pervert the truth for the sake of some doctrine of purpose of his own

17
Q

S. Johnson on Cassio

A

Brave, benevolent and honest, ruined only by his want of stubbornness to resist an insidious invitation

18
Q

William R. Mueller on Cassio

A

This first [flaw] is Cassio’s overcavalerish manner

19
Q

Tucker Brooke

A

Cassio’s qualities would be almost condemnable in a fair lady

20
Q

W.H. Auden

A

Iago is motivated by the desire to know and show what Othello is really like

21
Q

Dostoevsky on Iago

A

Iago was not jealous, he was trustful

22
Q

Matt Simpson on Iago and Othello

A

Othello allows Iago to replace Desdemona in his esteem and affection, and as his confidant and soulmate

23
Q

Matt Simpson on Othello

A

In a sense, what Othello is doing is executing the Iago under his own skin

24
Q

Marian Cox on Iago

A

He is a black sheep and resists this state of affairs by turning everyone else black rather than allowing them to feel superior in their whiteness

25
Q

William Blake on Iago

A

He publishes doubt and calls it knowledge

26
Q

Alexandra Melville on Iago

A

Iago’s reputation for straightforward honesty is the foundation of his deceptions

27
Q

Matt Simpson on Iago

A

Iago is exposed as a shallow fool

28
Q

G. Wilson Knight on Othello’s language

A

Othello’s speech ‘holds a rich music of its own…its thought does not mesh with the reader’s:rather it is always outside us, aloof’

29
Q

A.C. Bradley on Othello’s feelings

A

Othello has no feeling that we should not have ourselves in his situation

30
Q

S. Johnson on Iago

A

The character of Iago is so conducted that he is from the first scene to the last hated and despised

31
Q

Charles Lamb on Iago

A

We think not so much of the crimes they commit, as of the ambition, the aspiring spirit