orientation Flashcards
gravity injector
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libitina
The ancient roman goddess of corpses and funerals
libitinarius
Head undertaker in ancient Rome; the secular role model for today’s funeral director; conducted his business at the temple of Libitina where death were also registered
Pollinctores
Name of the ancient Roman embalmers; they were either slaves or employees of Libitinarius
designator
acted as master of ceremonies and director of the funeral procession (ancient roman)
Osiris
god of underworld (judge of the dead) believed sun was center of universe
Anubis
god of death (god of embalming)
Herodotus (Greek)
father of history, first to state Egyptians believed in a soul
disease plaque
was another major reason Egyptians process of burial (sanitation) purification didn’t occur due to heat so extreme
kher- heb or priest
in charge of necropolis
embalmer/ surgeon
anatomist
pollinator/ apothecary
dispenses drugs
dissector/ paraschisties
made the incision stoned if incorrect
scribe/lawyer
gave path of incision
first method of embalming
mainly royalty
removed brain
cedar oil poured in vault through nostrils
second method of embalming
injection of cedar oil into body cavities evisceration
third method of embalming (popular)
the mummy type known best to the western world
(Greek) Golden age
art, religion, medicine reached its peak
a form of punishment for Greeks
DEATH
Hades realm
Greek afterworld
Greeks
burial was primary method of deposition
Elysian plain (field)
Greek afterworld was like the one they lived in. person must have lived a worthy life
obel/obol
pay “Charon” the ferryman for passage over the river “styx” to the elysian plain
for Greeks
burial occurred one hour before daylight, the funeral that day
suttee
self inflicted sacrificial/ cremation of a wife with her husband
romans
borrowed and adopted from Greek (art) secular- no religion basis
earlier animistic view (ancient romans)
the doctrine which holds the soul in the vital principle
epicureans (ancient romans)
bought a more philosophic conception, body and body, atoms, disintegration death life after was no different from before.
sanitization reasons
burial within the walls of Rome was prohibited
Commune sepulchral/ common burial pits
lower socio- economic class were buried along with slaves and aliens (foreign); outside of the walls
first memorial societies
were formed and founded in ancient romans
Misera plebs
common people
conclamatio mortis
the calling out of dead as tearing of their hair, rending their garment scratching their faces until blood dew out encircled the coffin and shrieking the deceased name.
basar
flesh
nefesh
(breath) spirit like substance
sheol (Hebrew)
the lead a shadowy afterlife in a netherland
Hebrew
burial took place usually on the evening of the day of death.
funeral wake
psychological need and conformation of death
Valhalla (Scandinavian)
the place of afterlife where the gods dwell, only reserved for aristocratic or heroes
everlasting battle
each night the dead would rise and do battle with enemy (buried)
Valkyries
supernatural guardian women who gave aid to certain hero’s during life
pax romona
roman peace
Venetian Doge Dandolo
started the first movement on sanitary methods because of the foul odors present in both the cemeteries and churches , establish the first health condition
Ambrose Pare
Father of French surgery, worked in sanitation research
doctrine of purgatory
belief of purgation, in which those whose souls are not perfectly cleansed undergo a cleansing process
leagues of purgation
club-like in nature and were organized formed to pray the dead out of purgatory
Hebrew
buried in everyday clothing
yahweh
ruler of sheol
sexton
officer of the church who was responsible for
care of the church properly, ringing of the church bell, digging graves in the churchyard cemetery, and care for god acre, took care of the undertaking tasks
during the middle ages most funeral practices were under the direction of church officials; also known as a vicar
Aanspreecker (Dutch)
a licensed official who directed the funerals
Monkey-spoon
an image of a Saint on the handle of spoons, which looked more like an animal than a human
Furious fusillade
the firing of the blunderbusses by the men, with both powder and shots provided by the widow
The Embargo Acts and changes brought about in the funeral customs
Use of clothing items as gifts decreased
Bands of crepe replaced the customary new suit for the funeral
Included a black band around the left arm and sometimes a black sash worn either around the waist or diagonally across one shoulder
Ribbons on bonnets and dresses replaced new dresses
Gloves were given only to the Bearers
8 shillings each was all the undertaker and sexton could charge for each service
Blanche White
an English woman, was first to advertise as an Undertaker
Michael Jenkins
the first cabinet maker to call himself an undertaker in Baltimore
Andrew Gardner
was a furniture and cabinet maker, and established himself as an undertaker
Sam Bleigh and Alexander Thorpe
were among the first to furnish the horse-drawn hearses
Nurses/midwives
are recognizes as a profession that cares for the dead
town undertaker
Handled county, indigent, or equal cases for the community
. Frequently acted as the sanitation officer
Was sometimes the registrar of deaths
Coroner
was commonly the undertaker
Inviter to funerals
retained by more prominent communities to go through the street knocking on doors and inviting people to a funeral
He was paid by families in some cases
He was generally paid by the community and a fee was levied on the family
Jean Nicholas Gannal (French Chemist)
wrote the first test on embalming,
The History of Embalming
Harlan
translated the work to English
This translation gave Americans the first text on embalming with instructions.
Dr. Thomas Holmes
Father of American Embalming,
Embalmed Colonel Elmer Ellsworth, developed the embalming pump
Prince Greer
First documented African American Embalmer
Richard Burr
Fraud, attempted extortion and arson
Cause for “Order Concerning Embalmers
Belly puncture
People who embalmed via the arterial system considered those who only cavity embalmed as substandard.
Joseph Clarke
Possibly the first school for embalming
August Renouard
second school of embalming, WROTE THE FIRST UNDERTAKING MANUAL
widow
Funeral clothes (black garments) were worn for two years
Widower
Black suit for a year, then grey
Allen Durfee
Father of the National Funeral Directors Association, he first state association was formed
Communication within the trade/profession
First method was by the way of “drummers” or salesmen
Trade journals later took over
American Funeral Director
Da’ vinci
who summarized 750 plates after dissecting over 50 cadavers.
also developed a system of venous injection which years later may have served as an inspiration to
Frederick R. Ruysch
was a Dutch professor who while searching for a means of inhibiting putrefaction in anatomical specimens, devised a technique for arterial embalming although he did not divulge his media or operative details
William Harvey
was an English physician and anatomist and greatest of physiologists, INJECTED COLORED SOLUTIONS solutions into the arteries to support his theories concerning the circulation of blood
William Hunter
A great Scotch Anatomist, included in his lectures, the use of arterial and cavity embalming for preserving the human body not only for laboratory use but for burial as well
John Hunter
hunter canal
Federal Trade Commission
A rigid container designed for the encasement of human remains which is usually constructed of wood, metal, or like material and ornamented and lined with fabric.
American board of funeral service education (ABFSE)
A case or receptacle in which human remains are placed for protection, practical utility, and a suitable memory picture; and any box or container of one or more parts in which the dead human body is placed prior to the interment, entombment, or cremation which may or may not be permanently interred, entombed or cremated with the dead human remains
softwood
any light, easily cut wood; cone bearing (coniferous) or fruit bearing (drupaceous)
a) Pine
b) Fir
c) Redwood
d) Cedar
e) Cypress
f) Spruce
hardwood
any tough, heavy timber with a compact texture; any deciduous tree (any tree that loses its leaves annually)
a) Birch
b) Cherry
c) Elm
d) Mahogany
e) Maple
f) Oak
g) Pecan
h) Poplar
i) Walnut
j) Willow
Engineered wood
a range of derivative wood products, which are manufactured by binding together wood strands, particles, fibers, or veneers, with adhesives to form composite materials. Sometimes referred to as composite wood or manufactured wood products
Laminates
made by uniting superimposed layers of different materials
Wood veneers
created by gluing a thin layer of superior value or excellent grain to an inferior wood
Corrugated fiberboard
corrugated container: a container used to hold a dead human body which is constructed out of a type of cardboard, which is made of alternate folds and ridges
Composition board
(fiberboard, particle board, hardboard, pressed board): particles of wood bonded together with waterproof glue; the different types are distinguished by the size and shape of the particles of wood used
Gauge
a measurement of the thickness of metals; the number of sheets of metal necessary to equal approximately one inch of thickness
16 gauge= 1/16 of an inch
20 gauge= 1/20 of an inch
Stainless steel
a metal alloy of steel, chromium, and sometimes nickel which is used in casket construction; noted for its ability to resist rust; SST
Shell
the component parts of the casket comprised of the cap (lid) and body of the casket
Cap/lid
the topmost part of the casket shell, including the ogee, crown, pie, and header
Rim/ogee
an “S” shaped molding that is a component part of the casket cap
Head panel
a component part of the casket interior which is inside the head portion of the cap; no distinction is made between the head panel and foot panel in full couch caskets
Foot panel
a component part of the casket interior which is inside the foot portion of the cap; no distinction is made between the head panel and foot panel in full couch caskets
Crown/swell
the uppermost part of the cap, extending from rim to rim; everything above the rim
Pie/fishtail
the wedge-shaped portion of the cap (lid) at each end of the crown
Header/bridge/cap filler
component part of cap that is constructed into caskets that display a cut top; provides strength/rigidity at the point of the transverse cut
Rim flange/ogee flange
the turned under edge or horizontal portion of the casket rim which comes into contact with the gasket or body ledge flange (top body molding flange)
Gasket channel
found on cut top gasketed caskets; is an integral part of the foot panel header on gasketed caskets; the function is to hold the transverse gasket to seal the space between the head and foot caps
Header flange
the turned under edge or horizontal portion of the header of the casket cap
Body
that portion of the casket shell containing the top body molding, body panels, base molding, and casket bottom
Top body molding/body ledge
a molding along the uppermost edge of the body panels
Body panels
compose the sides and ends of the casket shell
Base molding
molding along the lowermost edge of the body panels
Top body molding flange/body ledge flange
the horizontal portion of the top body molding (body ledge) where the gasket is placed on gasketed caskets
Hardware
the handles, ornamental fixtures, and their fittings, that are attached to the casket shell
Swing bar
a movable casket handle with a hinged arm
Stationary bar
a non-movable casket handle
Bail handle
a single handle in which the lug, arm, and bar are combined in one unit
Lug/ear/shield/escutcheon
the part of the casket handle that is attached to the casket body
Arm/bracket
that part of the casket handle, attached to the lug or arm, which is grasped by the casketbearer
Bar
that part of the casket handle, attached to the lug or arm, which is grasped by the casketbearer
Tip/end
the decorative or ornamental part of the casket handle that covers the exposed ends of the bar
Corner
an optional part of the hardware that is attached to the four corners of the body panels
Cast hardware
he most expensive hardware production method in which molten metal is poured into a mold, allowed to cool, and is then removed from the mold
Stamped hardware
a hardware production method of lesser expense (compared to cast hardware) whereby the casket hardware sections are pressed out on a hydraulic press
Plastic extrusion molding hardware
a method of molding plastic (forming items) by injecting molten plastic into a die
Cap panel
the focal part of the interior which fills the inside of the crown, sometimes bordered by the roll; may be referred to as the panel
Inner panel(s)/insert foot panel
functional or ornamental covering that usually covers the foot end of the casket in the full couch casket; may be located at both the head and foot of the full couch casket
Roll/cove/puffing/rail
a component part of the casket interior which lines the rim and surrounds the cap panel
Gimp/fold
a strip of metal, plastic, or cloth that is attached to the inside of the panel, covering the area at which point the roll is anchored
Throw/overthrow/overlay
the aesthetic covering for the foot cap or inner foot panel of the casket
Apron/skirt
the lining attached to the undersurface of the foot panel of the casket and/or a component part of the throw which extends downward into the body of the casket
Extendover/drop/valance
the portion of the casket interior which extends over the top body molding for aesthetic value
Hinge cover/hinge skirt
that portion of the casket interior covering the hinges that attach the casket cap to the casket body; usually extends from the roll and becomes a part of the body lining
Shirred interior
a style of casket interior in which the material is drawn or gathered in parallel fashion in a multiple needle head sewing process
Crushed interior
a form of casket interior created by placing the lining material on a metal form, weights added, the material steamed, and then attached to a suitable upholstery (backing) material
Tufted interior
a style of casket interior created by placing a padding material between a lining material and a backing material, with subsequent stitches taken, forming small raised puffs; carriage tufting and biscuit tufting are the two most common types used in caskets
Tailored interior
a tightly drawn form of casket interior style
Semi-tailored interior
a specialty head panels of a tailored interior with one or more other styles of interior, for effect
Crepe
a lining material thin crinkled cloth of silk, rayon, cotton, or wool
Satin
a fabric woven to create a smooth lustrous face and dull back
Velvet
a fabric of silk, cotton, and possibly rayon, with a nap; typically found in higher quality caskets
Linen
a fabric made from flax; noted for its strength, coolness, and luster
Linen weave
a fabric woven to look like linen used as casket lining material
Twill weave
a textile weave in which threads are crossed over one another to give an appearance of diagonal lines
Padding materials
Cotton
b) Kapok
c) Polyethylene foam
d) Shredded paper
e) Spun polyester or spun rayon
f) Excelsior/wood wool - wood that has been shredded into spaghetti-like strings
Polished finish/gloss finish
a surface made smooth and glossy usually by friction; brought to a highly developed, finished, or refined state; burnished
Semi-gloss finish
a low-luster finish
Matte finish/flat finish
a finish used on casket exteriors that is free of gloss; dull lusterless surface; no shine or gloss
Satin finish
a type of semi-luster or semi-gloss finish that is smooth with well-defined fine lines or striations (has less luster than semi-gloss)
Broadcloth
a twilled, napped, woolen, or worsted fabric with a smooth lustrous face and dense texture; a fabric usually made of cotton, silk, or rayon, woven in a plain or rib weave with a soft semi-gloss finish
Embossed
ornament with raised work; to raise relief from the surface; material having designs raised above the surface; frequently seen on cloth covered caskets
Brushed finish/scratched finish
bare metal is scratched with an abrasive material and then finished until a smooth high gloss is obtained. found mainly in stainless steel, copper, and bronze caskets
Plated finish
the finish created when base metal is coated by another metal via an electrolytic process; often found on casket hardware; in casket construction is identified by the term “deposit”, as in “copper deposit”
Crinkled finish
an exterior casket finish in which the metal is coated with a substance that wrinkles as it dries; usually used on less expensive caskets
Hammertone finish
a sprayed finish that has the appearance of small indentations in the metal (as if struck by a ballpeen hammer); the indentations are in the paint and appear as the paint dries; usually found on inexpensive caskets
Perfection full couch
a casket in which the rim, crown, and pies are formed as one unit and which raises (opens) as one piece
Perfection half couch
a casket in which the rim, crown, and pies are formed as one unit with a transverse cut in the cap, forming a two piece lid for the casket
Single hinged panel/single hinged cap
a casket in which the cap is in two pieces, the rim and foot panel is one piece which is hinged to the top body molding and the head panel being the second piece which is hinged to the rim
Slip panel/slip top/priest casket
a casket opening style in which the cap or lid at the head end of the casket is completely removed from the casket for the purpose of viewing; the remains may be viewed from either side of the casket
Elliptic
a casket having ends in the shape of a half circle
Octagon
a casket having eight angles or corners and therefore eight sides or body panels
Flaring side square
a casket shell design in which the sides and ends of the casket body flare out from the bottom to the top; a casket shell design that is narrower and shorter at the bottom than at the opening of the top
Vertical side
a casket body style with the body sides at a 90 degree angle to the bottom
State casket/vertical side square
a casket in which the body panels are at a 90 degree angle to the bottom and the corners form 90 degree angles; also called a vertical side square
Urnside
a casket design in which the body panels display the shape of an urn
Hermetically sealed
airtight; impervious to external influence; completely sealed by fusion or soldering
Casket liner or insert
a removable metal unit that is placed inside a wooden casket shell to provide protective qualities
Wood interior dimensions
75” x 22” inches on average, height 16-22 inches
Metal interior dimensions
78” x 23” inches on average, height 16-24 inches
infant caskets
Dimensions vary - beginning at about 18 inches or 2 feet and continue in length typically to about 5 feet
outer burial container
any container which is designed for placement in the grave around the casket including, but not limited to, containers commonly known as burial vaults, grave boxes, and grave liners
burial vaults
an outer enclosure which offers protection from the earth load as well as possessing sealing qualities or other protective qualities
purpose- support the load of the earth, limit intrusion of outside elements
Copper
a malleable, ductile, metallic element having a characteristic reddish brown color; frequently used in construction of caskets, urns, and vaults, due to its non-corrosive qualities
Bronze
a metal alloy consisting of 90% copper with tin and sometimes zinc comprising the other 10%
what is coated outside of the vault
asphalt
Dome (diving bell principle)
the top of an air seal burial vault which entraps air as it is put in position; it also supports the weight of the earth above
Galvanized
steel that has been coated with zinc for increased resistance to rust
Air seal (dome shaped)
a method of closure that utilizes the air pressure created by placing the dome of the vault onto the base of the vault; often called the diving bell principle
Top seal
a method of closure that utilizes an epoxy compound in conjunction with tongue-in-groove construction at the top edge and the lid of the vault
Double seal (dome shaped)
a method of closure that utilizes the principle of the air seal in conjunction with an epoxy material at the junction of the dome and the base of the vault
vault measurements
Standard size is typically 86” x 30” and 24 1/4” center height
Grave liners
an outer enclosure which offers protection from the earth load but without protection from the elements
Grave box/concrete box
an outer enclosure consisting of a body and a one or two piece lid
Sectional/concrete sectional
a grave liner consisting of six or eight slabs of unfinished concrete placed around the casket
Transfer container
an outer enclosure utilized for the protection of casketed remains during transportation
Air tray
a transfer container consisting of a wooden tray with a cardboard covering for the casket
Ziegler case/metal case
a gasketed container which can be used as an insert into a casket or as a separate shipping container; represents a specific brand of metal case, but in use have become synonymous terms
Combination case
a transfer container consisting of a particle board box with a cardboard tray and cover to satisfy air shipping regulations; frequently referred to simply as a combo
Alternative container
an unfinished wood box or other non-metal receptacle or enclosure without ornamentation or a fixed interior lining, which is designed for the encasement of human remains and which is made of fiberboard, pressed-wood, composition materials (with or without an outside covering), or like materials
Combination unit
any product consisting of a unit or a series of units which are designed or intended to be used together as both a casket and as a permanent burial receptacle
Monument
a structure usually of stone or metal, erected to commemorate the life, deeds, or career of a deceased person; derived from the Latin word meaning “to remind”
Marker
a small headstone, usually of one piece, used to identify individual graves
Memorial
a physical object that is designed for the purpose of remembering