ORG CHART Flashcards

1
Q

ALISON HOFFMAN

A

Alison Hoffman
President, Domestic Networks
Originals Marketing

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2
Q

JASON WYRICK

A

EVP TECHNOLOGY

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3
Q

AUDREY LEE

A

EVP GENERAL COUNSEL

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4
Q

Jennifer Minezaki

A

EVP, Corporate and Brand Communications

Starz Corporate Communications

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5
Q

Scott Macdonald

A

Chief Financial Officer

Finance

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6
Q

Brett Marottoli

A

SVP, Program Acquisitions

REPORTS TO: Jeff Hirsch

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7
Q

Kathryn Busby

A

President, Original Programming

Development

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8
Q

Superna Kalle

A

President, International Networks

Starz Ent - International

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9
Q

ERIC NEAL

A

EVP Program Planning

REPORTS TO: ALISON H
UNDER: Amy Kline, Joe Johnson

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10
Q

JOE JOHNSON

A

VP, CONTENT OPS

REPORTS TO: ERIC NEAL

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11
Q

DAVID CARY

A

Exec Dir Media Exchange & Management - Post Production

REPORTS TO: Joe Johnson, VP Content Ops

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12
Q

Sventon Burm

A

Proj Manger, Media Exchange
Post Production

REPORTS TO: DAVID CARY - Exec Dir Media Exchange

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13
Q

Michael Calhoun

A

Manager - Media Exchange

REPORTS TO:
David Cary, exec dir media exchange post production

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14
Q

JONATHAN MEEKER

A

Media Asset Specialist

REPORTS TO:
Michael Calhoun
Manager - Media Exchange

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15
Q

JOE GLENNON

A

EVP Affiliate Distribution

REPORTS TO:
Alison Hoffman

*Partner initiatives with Amazon-Apple-DirectTV

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16
Q

JIMMY HILBURN

A

CMO

REPORTS TO: ALISON HOFFMAN

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17
Q

ROBIN CHACKO

A

SVP OTT MARKETING

REPORTS TO: ALISON HOFFMAN

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18
Q

MATT DREHER

A

SVP, Insights & Analytics

REPORTS TO: ALISON HOFFMAN

*We loop Lisa Conneely into things - she gives us data

content, subscriber value, pricing, product, marketing, social, finance, press, and corporate strategy

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19
Q

LISA CONNEELY

A

VP, Audience & Marketing Insights Research

REPORTS TO:
MATT DREHER
SVP Insights & Analytics

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20
Q

AMY KLINE

A

SVP, Technical Ops Assets & Distribution Materials & QC

REPORTS TO:
Eric Neal, EVP Program Planning

*Photo ops, digital asset mgmt, localizing

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21
Q

LISA BRUNO - ED

A

ED Digital Assets, Materials & QC

REPORTS TO: AMY KLINE

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22
Q

TOM OLING

A

Sr Promotion Scheduler (Linear)

REPORTS TO:
Eric Neal, SVP Program Planning

*Ask for version of the media that we are overseeing within the campaign marketing flow - we have to know that linear needs a copy of it.

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23
Q

SIMONE GEORGE

A

VP, Program Strategy and Reporting - Program Planning

REPORTS TO: Eric Neal

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24
Q

GLOBAL PRODUCTION OPERATIONS

A
  • assets make it on the website, amazon, that it passes all the specs
  • To get something on Amazon takes 2-3 weeks minimum need assets done by then
  • With international build in longer timeline
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25
Q

CONTENT OPS

A
  • Prepped for delivery
  • Dave Cary work closely with him - building and developing new tool sets - he is thinking about technical tools for things like video editorial and how we move media in and out of the studio
  • How we receive from external vendors and how we coord with series post production
  • Keep all of our processes secure
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26
Q

STEPHEN WEBER

A

VP, Program Materials Operations - Materials & QC

REPORTS TO:
Amy Kline, SVP Technical Ops Assets & Distribution
Materials & QC

We bought The Great on Int’l platform making sure we have the trailer etc. and leveraging on STARS Play

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27
Q

Michael Carlin

A

VP, International Media - International Marketing

REPORTS TO: Barbara Jeffrey, SVP, Media & Strategy Planning
Originals Marketing

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28
Q

BARBARA JEFFREY

A

SVP Media & Strategy Planning - Originals Marketing

REPORTS TO: Jimmy Hilburn, CMO

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29
Q

Meg Troop

A

Exec. Dir Digital Mktg - Originals Marketing

REPORTS TO: Jimmy Hilburn

30
Q

Melissa Stankowski

A

VP, Creative Services

REPORTS TO: Jimmy Hilburn CMO

31
Q

STARZ Properties

A

STARZ = North America
STARZPLAY = Europe, LATAM, Japan
STARZPLAY ARABIA = MENA
LIONSGATE Play = India wip

Sub Brands

  • Starz in Black
  • Starz Kids & Family
  • Starz Encore
  • Starz Encore Westerns
  • Starz encore Espanol
  • Movie Plex

Original Series

  • Outlander
  • Power Book: Ghost
  • Power Universe
  • Run The World
  • P-VALLEY
  • BMF Black Mafia Family
  • High Town
  • Gaslit

Brand Initiatives
- Take The Lead

32
Q

Susan Ievoli

A

SVP, Content Publicity, Events, and Awards
Publicity
REPORTS TO: Jimmy Hilburn, CMO

33
Q

Brian N. Lo Truglio

A

VP, Events - Publicity

REPORTS TO: Susan Levoli

34
Q

Leslie Gwinn - Spoilers

A

VP, Publicity
REPORTS TO: Susan L
*Leslie is her VP more fall under traditional publicity assigned across series working with a Unit Publicist their daily on set info from spoilers that we need to be looped at where developing marketing and talent requests

35
Q

Linnea Hemenez - Team

A

Linnea team — international marketing

  • Candice Heath - social platform (dir, INTL Digital Media)
  • Christine Conor - partner affiliates region (partner marketing)
  • Gavin Hutt - content marketing original series
36
Q

JEFF COOKE

A

SVP Programming, INTL Digital Networks - INTL Programming

REPORTS TO: Superna Kalle, President INTL

37
Q

PAMELA NEMOTO

A

VP, Programming
REPORTS TO: Jeff Cooke
*Works closely with/gives into to CM Team

38
Q

Mike “Sal” Salvatore

A

Director, Motion Graphics Designn Post Production
REPORTS TO: Joe Johnson, VP Content OPS
*end cards, etc

39
Q

ERIC GERD

A

Manager, Post Production Audio - Post Production

REPORTS TO: Joe Johnson, VP Content Ops

40
Q

CAMPAIGN TYPES (BSP)

A
BRAND = Quarterly Brand, Tentpole Brand, Supplemental Stunts
SERIES = Original Series, Acquisition Campaign
PROMO = Offer Campaign, Affiliate Offer Campaign
41
Q

Bumpers

A

Bumpers are short pieces of music usually lasting no longer than fifteen seconds and are usedduring intros, outros, and transitions. Often paired with voiceovers, many broadcast shows use bumpers to transition from show to commercial and vice versa. Think of the classic “We’ll be right back after these messages.”’

BUMPER = In broadcasting, a commercial bumper, ident bumper, or break-bumper (often shortened to bump) isa brief announcement, usually two to fifteen seconds in length that can contain a voice over, placed between a pause in the program and its commercial break, and vice versa.

42
Q

Stinger

A

are shorter than bumpers, often lasting no more than five seconds. They can be a number of sounds from short music segments to a single sound effect. Like bumpers, stingers help keep things organized and provide a smooth flow to a story. They’re used to signal the end of a scene or a transition from one scene to another. You can find stingers all over sitcoms. A perfect example is the funky bass lines from Seinfeld.

43
Q

ADR =

A

Automated dialogue replacement (ADR) isthe process of re-recording an actor’s dialogue in a quiet environment, duringpost-production. During an ADR session, the performer watches a looped scene of themselves in order to dub new dialogue over the original production track.

44
Q

TERM MANAGER

A

what localization uses to send out translations

45
Q

BRD =

A

BRAND

46
Q

CA

A

Character Art

47
Q

DPK

A

Digital Press Kit

48
Q

DWK

A

Digital Watch Kit

49
Q

IDN

A

INTL Digital Networks

50
Q

KA

A

Key Art

51
Q

PBR

A

Publicity

52
Q

PPM

A

print production manager

53
Q

SPO sting

A

The STARZPLAY Original sting, a full-screen STARZPLAY logo over footage, typically at front of a spot.

54
Q

SPO Card

A

= STARZPLAY Original Card over brand background, rather than over footage

55
Q

Text

A

video asset that has any kind of text/overlay on the AV asset
ex: GFX card, title treatment, STARZ card

56
Q
  • Textless
A

same asset but does not have the GFX (just video and audio)

* If a partner needs to use it it has a blank slate

57
Q
  • Subtitle

* Dynamic Text

A
  • Subtitle > closed captioning

* Dynamic Text > certain words amplified

58
Q

Payoff poster

A

the payoff poster is a final poster when it is presumed that most people are already aware of the movie. It coveys more messages and specific themes from the film.

59
Q

Christine Hupalo

A

Executive Director, Brand Marketing - Originals
Marketing

REPORTS TO:
Melissa Stankowski
VP, Creative Services
Creative Services

60
Q

Edwin Gutierrez

A

Manager, Int’l Brand Marketing - Originals Marketing

REPORTS TO:
Christine Hupalo
Executive Director, Brand Marketing
Originals Marketing

61
Q

Lacey Batiste

A

Sr. Manager, Int’l Brand Marketing - Originals Marketing

REPORTS TO: Christine Hupalo
Executive Director, Brand Marketing
Originals Marketing

62
Q

Joshua Orr

A

Manager, Brand Marketing OTT - Originals Marketing

REPORTS TO:
Christine Hupalo
Executive Director, Brand Marketing
Originals Marketing

63
Q

Curtis Forristal

A

Executive Creative Director - AV Creative Services

Reports to Missy

64
Q

Kate Pappa

A

Photo Director - Creative Services

Reports to Rama Wong

65
Q

Cynthia Meda

A

Photo Editor

Reports to Kate Papa

66
Q

Dawn Flagg

A

Manager, Events, Awards and Talent Relations
Publicity
Reports to Brian Lo Truglio VP Events

67
Q

STACY NOBLE - DIGITAL

A

Executive Director, Digital Marketing - Originals

Reports to: Jimmy Hilburn

68
Q

Edwin Gutierrez

A

Manager, Int’l Brand Marketing - Originals Marketing

Reports to:
Christine Hupalo
Executive Director, Brand Marketing

69
Q

Lacey Batiste

A

Sr. Manager, Int’l Brand Marketing - Originals Marketing
Reports to: Christine Hupalo
Exec Director of Brand Marketing

70
Q

Samantha Scadron

A

Manager, International Programming
International Programming
Reports to: Jeff Cooke

71
Q

Official Trailer: Needs to be Creatively Locked when?

A

at least 6 weeks prior to the LAUNCH DATE to allow for

Localization, Finishing and Delivery to DTC