Open Forms Flashcards

1
Q

Question that elders have

A

What happened

I grew up reading poetry and liking it but something happened

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2
Q

Med and women who saw what happen

A

Great disjunction between poetic forms they grew up knowing reading remembering and sudden influx of different shapes on the page

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3
Q

The disjunction was not a disjunction

A

It was a dialogue in disguise

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4
Q

The powerful ? And convention that modernist poets initiated in the second decade of the ? We’re not ? They were

A

Fractures of form
Twentieth century
Willful abandonments of what had gone before
Passionate dialogue wit it

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5
Q

Is form fiction?
Which poets have asked
It is a question that goes to the heart of

A

Eliot pound Williams rich ashberry

Form is and was

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6
Q

This dialogue, this powerful and contentious discussion about ? Far from being ? Is one of the glories of this centuries lit

A

Relation of reality to expression

Headstrong rejection of the past

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7
Q

Problem is to

It is a discussion of rhythms rhymes stanzas and ?

A

Catch it and listen to it
Source: the powerful feelings and confusions about identity expression and subject matter that have prompted poets to voice their feelings

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8
Q

Years and Plath are here using traditional stanzas but

A

Reversing their containment’s with a argument tension and vision

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9
Q

Poetic form is a ? Not a

A

Continuum

Finished product

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10
Q

Diving into the wreck by

A

Adrienne rich

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11
Q

Born in ? When

Her work addresses

A

Baltimore Maryland
1929
Contradictions tensions paradoxes in both ethics and craft

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12
Q

Influenced by
Her first book won
And she wrote in

A

Ethos of American mid century
Yale younger poets award
Form

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13
Q

In those years she wrote in an essay called ?

Formalism was a part of ? Like? It allowed me to

A

When we dead awaken
Strategy
Abestos gloves
Handle materials I couldn’t pick up barehanded

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14
Q

Diving into the wreck employs subtle yet fierce ? While elaborating in and subverting ?

A

Arguments with the poetic tradition

shadows plays and past of canonical power

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15
Q

The speaker has the ? In ?

But the enterprise is

A

Authoritative tone of speaker in grand tradition

Different

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16
Q

Whereas poets of the past ? This poem with its open ? And eloquence of
Puts that voice at the service of

A

Mediated on the power and eloquence of expression
Weave of phrase, stanza, vernacular, and off kilter music
Powerlessness and silence

17
Q

This form challenges the past while ? This is a poem that mixes a
To achieve its

A

Adding to it
Panorama of the narrative the lyric and the dream convention
Powerful conclusion