Neoclassical Literary Terms Flashcards
Neoclassical
The time period between the restoration (1660) and 1800. The style of poetry, prose, satire, written during this period.
Satire
The use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues.
Juvenalian Satire
In literature, any bitter and ironic criticism of contemporary persons and institutions that is filled with personal invective, angry moral indignation, and pessimism.
Horatian Satire
Satire in which the voice is indulgent, tolerant, amused, and witty. The speaker holds up to gentle ridicule, the absurdities and follies of human beings.
Abolitionist Tract
Writing that discuss the conditions of slavery as a means of speaking out against the practice.
Travel Narrative
Story that features discussion of travel–often to exotic locales–in this period often inspired travel to the New World or other non-European locales featuring discussions of flora fauna and other elements.
Captivity Narrative
Usually stories of people captured by enemies whom they consider uncivilized, or whose beliefs and customs they oppose.
Mock Epic
Uses irony, exaggeration, and sarcasm to mock its original subject, usually in an undignified and grandiose manner. Elevates its subject to epic status for the purpose of humor.
Heroic Couplet
A pair of rhyming iambic pantameter lines of poetry, popularized by the poets of the 17th and 18th centuries such as Alexander Pope.
Personified Nouns
Especially Samuel Johnson (“The Vanity of Human Wishes”) uses these as a means of compressed meaning by assigning active dramatic verbs to general nouns.
Scatological Humor
A type of off-color humor dealing with defecation, urination, and flatulence–and to a lesser extent, vomiting and other body functions.
ProtoRomantic Poets
Late 1700 and early 1800 poets who feature sentimental writing with strong use of nature.
Discordia Concors
A rhetorical device in which opposites are juxtaposed so that the contrast between them is striking. Samuel Johnson defined discordia concors as “a combination of dissimilar images, or discovery of resemblances in things apparently unlike.”