National Artists of the Philippines for Music Flashcards
According to the musicologist, ______ ____ ______, “subsequent reports made by friars, civil servants and travelers include descriptions of instrumental and vocal music”
Corazon Canave-Dioquino
Ernani J. Cuenco’s year of conferment
1999
Repertoire as a musician include being a music teacher, a composer, a musical director, and a film scorer
Ernani J. Cuenco
As a film scorer, he composed music for the films Wild, Wild, Jess and El Vibora, which earned him the Best Music Award at the Metro Manila Film Festival in 1982 and the FAMAS awards respectively
Ernani J. Cuenco
Is also known for his Filipino love ballads such as, Kalesa, Bato sa Buhangin, Gaano Ko Ikaw Kamahal, Inang Bayan, which were enhanced by adding the elements of kundiman to the song
Ernani J. Cuenco
Give the 4 love ballads of Cuenco
Kalesa, Bato sa Buhangin, Gaano Ko Ikaw Kamahal, Inang Bayan
Cuenco’s ballads were enhanced by adding the elements of what?
Kundiman
What awards did Cuenco get from composing music for Wild, Wild, Jess and El Vibora?
Best Music Award at the Metro Manila Film Festival in 1982 and FAMAS Awards
Jovita Fuentes’ year of conferment
1976
In 1976, she made Philippine history by being given the honor as the first female National Artist for Music.
Jovita Fuentes
Trained to play the piano at age of five, famous italian singer Salvina Fornari mentored her to be a star
Jovita Fuentes
Jovita Fuentes’ mentor
Salvina Fornari
Jose Maceda’s year of conferment
1997
Was a highly acclaimed Filipino composer and ethnomusicologist.
Jose Maceda
Personalities working in this field have training in music, cultural anthropology, legend, performance studies, dance, and cultural studies, making the understanding of such music interdisciplinary
Ethnomusicology
His works have resulted in a vast collection of recorded music taken from the remotest region in the country
Jose Maceda
You will see that most of Jose Maceda’s compositions were performed as a what?
Communal ritual
Jose Maceda’s works
Ugma-ugma (1963), Pagsamba (1968), Udlot-udlot (1975), Ugnayan, Aroding, Suling-suling
Antonino R. Buenaventura year of conferment
1988
According to the NCCA, is a musical career that spanned seven decades of unwavering commitment to advancing the frontiers of Philippine music
Antonio R. Buenaventura
He popularized folksongs by creating music based on the wide array of folksongs from various ethnic groups in the Philippines
Antonino R. Buenaventura
Buenavantura’s famous works
Ode to Freedom, Echoes of the Past, Echoes from the Philippines, History Fantasy, and Triumphal March
Buenaventura brought this band back to its former glory, which was recognized as “ the only band that can sound like a symphony orchestra”
Philippine Army Band
Has truly been one arena that Filipinos excel
Music
Have definitely contributed to the enrichment of the country’s music through research, composition, and outreach
National Artists for Music
Levi Celerio’s year of conferment
1997
He was a highly talented lyricist with more than 4000 songs under his name. He was also known as an excellent leaf player, using a leaf to create music as cited by the Guinness Book of World Records
Levi Celerio
Celerio’s works
Saan Ka Man Naroroon, Ikaw, Misa de Gallo, Pasko na Naman
Felipe Padilla de Leon’s year of conferment
1991
Is a multitalented musician who was a composer, conductor, and a scholar. His works have “Filipinized Western music forms”
Felipe Padilla De Leon
His works include concertos, sonatas, and marches which often described how Filipinos express their feelings and their aspirations in times of strife and peace
Felipe De Leon
De leon’s works
Mariang Makiling Overture. Orchestertuk, Lupang Tinubuan, opera adaptation of Noli Me Tangere
Lucrecia R. Kasilag’s year of conferment
1989
A native of La Union, was a renowned Filipino composer
Lucrecia R. Kasilag
Her legacy in Philippine music, according to the NCCA is to discover the Filipino roots through ethnic music and fusing it with Western influences
Lucrecia R. Kasilag
Kasilag created this for research and theatrical presentations that urges to integrate native Filipino instruments in orchestral productions
Bayanihan Folk Arts Center
Kasilag’s popular orchestral music
Her Son, Jose, Sisa, Legend of Sarimanok
Antonio J. Molina’s year of conferment
1973
The Dean of Filipino composers. This national artist was a multi-talented musician, writer, and music educator. He was the last of the musical triumvirate.
Antonio J. Molina
It did not take long before Molina was playing for this opera house
Manila Grand Opera House
A popular serenade for solo violin and piano supplement, can be credited to him
Hatinggabi
