myth of venice Flashcards

1
Q

How did Petrarch describe Venice?

A

As ‘the one home of liberty, peace, and justice, the one refuge of honorable men’

Petrarch praised Venice for its tranquility and civic concord amidst tyranny and war.

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2
Q

What did Philippe de Commynes state about the population demographics of Venice in 1495?

A

Most of their people are foreigners

This highlights Venice’s cosmopolitan nature.

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3
Q

What was the Venetian Ghetto established in 1516 known for?

A

Curfew restrictions, Christian guards policing, and property ownership restrictions

The Ghetto was a segregated area for Jews with specific regulations.

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4
Q

True or False: Jews were permitted to reside in Venice before the establishment of the Ghetto in 1516.

A

False

Prior to 1516, Jews were not allowed to live in Venice, but there was a community in nearby Mestre.

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5
Q

What were some of the pragmatic motives behind the Venetian government’s policies towards Jews?

A
  • Refugees from Cambrai war
  • Commercial interests (Jewish merchants)
  • Fiscal needs (heavy taxes)
  • Welfare services (Jewish pawn banks)

These motives were more about practical needs than moral considerations.

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6
Q

What restrictions were placed on Jews in the Venetian Ghetto?

A
  • Residency in the ghetto
  • Curfew restrictions
  • Yellow head-covering

These regulations were part of the Condotta, the Jewish charter.

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7
Q

Fill in the blank: The Jewish right to reside in Venice was _______ and renewable every 5/10 years.

A

not permanent

This meant the Jewish community’s presence in Venice was contingent on government decisions.

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8
Q

What did Benjamin Ravid state about the ghetto in Venice?

A

It restricted Jews but recognized their legal right to live in the city

Ravid highlighted the dual nature of the ghetto’s implications.

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9
Q

What was the fondaco dei Tedeschi?

A

A German exchange house that housed German merchants

It was established to manage the presence of German merchants in Venice.

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10
Q

What was the status of Protestantism in Venice?

A

Not permitted publicly; tolerated only privately

Public expressions of Protestant heresy were persecuted.

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11
Q

What was the outcome of the 1573 petition by Ottoman merchants?

A

Establishment of the fondaco dei turchi in 1621 for Ottoman Muslims

This included curfew restrictions and was to segregate them from Christians.

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12
Q

How did Venice’s governance relate to antisemitic sentiments?

A

The government regulated clergy and inflammatory preaching

This was to mitigate popular hostility against Jews.

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13
Q

What was the primary purpose of the Senate Decree on March 29, 1516?

A

To allow Jews to live in Venice for pragmatic reasons, primarily to protect Christian property

This decree set the framework for Jewish residency in Venice.

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14
Q

What was a significant feature of the Venetian Ghetto regarding religious practice?

A

Guaranteed Jewish religious freedoms within the ghetto

This included the right to have synagogues and a cemetery.

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15
Q

True or False: Venice had a racial ideology that enforced strict ethnic segregation.

A

False

Venice had a hierarchical society based on nobility, occupational, and religious groups without a racial ideology.

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16
Q

What did David Ruderman suggest about the ghetto’s impact on Jewish identity?

A

It provided Jews a defined place within Christian society and opened new opportunities for cultural dialogue

Ruderman emphasized the paradoxical benefits of segregation.

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17
Q

What does Jacobello del Fiore’s work on Justice between the Archangels Michael and Gabriel emphasize?

A

Gentle with the pious, harsh with the evil, and haughty with the proud

The work reflects the moral expectations of justice.

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18
Q

What is a key characteristic of judges in Venice?

A

All judges drawn exclusively from the Venetian nobility

This indicates the aristocratic nature of the justice system.

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19
Q

What does Giulio Del Pozzo imply about the youth of Venice?

A

Born to rule, has justice instilled in its blood

Reflects the belief in noble lineage as a source of justice.

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20
Q

What was essential for becoming a judge in Venice?

A

Noble birth

This reinforces justice as a symbol of aristocratic rule.

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21
Q

How were judges primarily elected in Venice?

A

Majority elected by the Great Council

With some exceptions for superior and special magistracies.

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22
Q

What measures were taken in Venice to prevent corruption among judges?

A
  • Limited Term of Office
  • Contumacy Restrictions
  • All decisions put to vote
  • Quorum restrictions
  • No legal training required

These measures aimed to ensure fairness and reduce the potential for corruption.

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23
Q

True or False: The Venetian justice system was entirely impartial.

A

False

The system faced criticisms regarding its impartiality and favoritism.

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24
Q

What sources of law were recognized in Venice?

A
  • Statutes
  • Precedent
  • Custom and tradition

Roman law was formally excluded to maintain Venice’s political independence.

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25
Q

What does ‘Arbitrium’ refer to in the context of Venetian justice?

A

Judgement according to conscience rather than reason

It emphasizes a more flexible and pragmatic approach to justice.

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26
Q

Who criticized the Venetian government as a true aristocracy?

A

Jean Bodin

While he criticized the government form, he praised its justice.

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27
Q

What is the significance of equity in Venetian justice?

A

It emphasizes moral conscience and flexibility in legal judgments

Equity was seen as a necessary complement to rigid law.

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28
Q

Fill in the blank: According to Bodin, Venetian justice is described as an ideal combination of the ________ of law and the flexibility of equity.

A

[rigour]

This reflects Bodin’s view of a balanced justice system.

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29
Q

What was the role of the Council of Ten in Venetian justice?

A

State security and judicial authority

It was often criticized for being a symbol of oligarchy.

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30
Q

What happened to Antonio Foscarini in 1622?

A

Executed on secret charges

His case became emblematic of criticisms of the Venetian justice system.

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31
Q

What did critics say about the Council of Ten’s judicial processes?

A

Defendants were not informed of accusations or allowed proper defense

This raised concerns about fairness and transparency.

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32
Q

What does the term ‘anti-myth texts’ refer to?

A

Critiques linking judicial abuses to the oligarchy

These texts emerged in the 17th century as a response to perceived injustices.

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33
Q

How does Francesco Da Mosto describe St Mark’s Square?

A

As a great stage set for its ceremonial life

Francesco Da Mosto emphasizes the theatrical aspect of urban design in Venice.

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34
Q

What does Crouzet-Pavan state about urban construction in the sixteenth century?

A

It worked quite deliberately to create a theatrical setting in the central areas of the city

This reflects the intentional design of urban spaces to enhance public rituals.

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35
Q

What types of rituals are included in modern life?

A
  • Private ritual
  • Religious ritual
  • National ritual

These rituals play significant roles in cultural and social identity.

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36
Q

How does Johan Huizinga define ritual?

A

As serious play

Huizinga’s perspective highlights the importance of ritual in human culture and society.

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37
Q

What is Clifford Geertz’s definition of rituals?

A

Rituals are a story people tell themselves about themselves

This definition emphasizes the narrative aspect of rituals in shaping identity.

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38
Q

How does Muir describe rituals?

A

As dramatic illustrations of myth

This suggests that rituals serve to express and reinforce cultural myths.

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39
Q

What is Kertzer’s behavioural definition of ritual?

A

Symbolic behaviour that is socially standardized and repetitive

Kertzer emphasizes the structured and repetitive nature of rituals.

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40
Q

What is meant by the ‘ritual moment’?

A

Special moments in time that establish collective memory

These moments are significant for community identity and memory.

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41
Q

What does the 1495 Palm Sunday procession signify in terms of rituals?

A

A display of a gold cloth described as ‘a new thing… never done before’

This highlights the innovation and importance of ritual displays.

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42
Q

What functions do rituals serve?

A
  • Communicate shared values
  • Establish collective identity
  • Present a legible map of social hierarchy

Rituals play a crucial role in social cohesion and identity.

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43
Q

What is the Festival of Twelve Marys?

A

A traditional festival commemorating the rescue of twelve Venetian maidens captured by pirates

This festival reflects local culture and community engagement.

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44
Q

What role did local neighborhoods play in the Festival of Twelve Marys?

A

Competed with festive displays, including wooden effigies of Mary paraded in boats

This competition among neighborhoods illustrates local pride and community spirit.

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45
Q

Why was the Festival of Twelve Marys abolished in 1379?

A

On the pretext of needing to save money during the war with Genoa

Economic factors often influence the continuation or cessation of public rituals.

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46
Q

What was the Giovedi Grasso festival commemorating?

A

A twelfth-century dispute that led to an annual tribute of one bull, twelve pigs, and 300 loaves of bread

This illustrates the historical origins of specific rituals in Venice.

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47
Q

What changes occurred to the Giovedi Grasso festival in 1525?

A

The Council of Ten reform removed the 12 pigs, deeming the custom as ‘utterly ridiculous’

Changes in governance can lead to the transformation of traditional rituals.

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48
Q

What is the role of the Doge in the processions?

A

Symbolizes the importance of the Doge and his position in upholding the Venetian myth

The Doge’s role is central in both governance and cultural representation.

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49
Q

What were the key elements of the procession of the Doge?

A
  • Eight standard bearers
  • Musicians with silver trumpets
  • Squires of visiting ambassadors

This illustrates the elaborate nature of official processions in Venice.

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50
Q

What significant anniversaries were marked by rituals in Venice?

A
  • 6 Dec, anniversary of Conquest of Constantinople 1204
  • 7 Oct, anniversary of Lepanto 1570
  • 15 June, anniversary of the Querini-Tiepolo conspiracy 1310

These events reflect the historical significance and commemorative nature of rituals.

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51
Q

True or False: Ritual processions are a key part of Venetian religious and civic life.

A

True

Rituals are integral to the identity and governance of Venice.

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52
Q

What are the characteristics of ritual processions in Venice?

A
  • State regulation
  • Broad audiences
  • Hierarchical ordering

These characteristics highlight the organized and communal aspects of Venetian rituals.

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53
Q

What were some political movements in late medieval Italy?

A

Expansion of territorial states, political fragmentation, power increasingly transferred to signori (lords)

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54
Q

What were some key features of the Venetian Empire?

A

Maritime (until c15), colonial, powerful navy, reliance on trade

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55
Q

Name some examples of industries where Venetians traded

A

Spices, silks, slaves, wines

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56
Q

What notable events in Venice happened during the time of Contarini?

A

Italian wars (1494-1529), fall of Constantinople, Venice pursued foreign policy of peace and neutrality

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57
Q

What were Aristotle’s three virtuous forms of government?

A

Monarchy (rule of one), aristocracy (rule of the few) and popular government (rule of the many)

58
Q

How could each virtuous form of government be corrupted?

A

Monarchy-Tyranny, Aristocracy-Oligarchy, Popular government-Mob Rule

59
Q

What was the goal of medieval scholastic philosophy in Venice?

A

To reconcile select classical philosophers, chiefly Aristotle, with Christian teachings.

60
Q

How did humanists differ from medieval scholastics in their approach to philosophy?

A

Humanists adopted a more flexible, historicist approach, understanding authors in the context of their own times.

61
Q

Who were many of the humanists, and what did this signify about scholarship?

A

Many humanists were educated laity, signifying that scholarship was no longer exclusively clerical.

62
Q

What classical forms of writing did humanists study and imitate?

A

Humanists studied and imitated forms like the ‘panegyric’—a speech intended to praise something.

63
Q

What modern skill were humanists particularly known for, earning them a nickname?

A

They were skilled in rhetoric and known as the first ‘spin doctors’.

64
Q

Which classical philosopher was especially revered by humanists for his political philosophy?

65
Q

What was Machiavelli’s cycle of states?

A

Popular govt > mob rule > aristocracy > oligarchy > monarchy > tyranny > popular govt

66
Q

What was Machiavelli’s quote regarding the cycle of states?

A

“If in one and the same state there was principality, aristocracy and democracy each would keep watch over the other.”

67
Q

What comprised the ‘mixed government’ of Venice?

A

Monarchy (the Doge), Aristocracy (the Senate), Popular Government (the Great Council)

68
Q

What comprised the Great Council?

A

2500 adult male nobles with hereditary elective power

69
Q

What was the Serrata and when was it implemented?

A

The 1297 ‘closing’ - meaning no new families could be added to the Great Council

70
Q

What was the Libro d’oro (golden book) and when was it created

A

Created in 1506, was the state records of eligibility for council

71
Q

What comprised the senate?

A

300 wealthy and highly educated nobles

72
Q

What was the senate

A

The main legislative council

73
Q

What was the Collegio?

A

The steering committee of the senate

74
Q

What comprised the collegio?

A

The Doge, 6 Ducal Counsellors, 3 standing committees - Savi agli Ordini (maritime), Savi di Terraferma (mainland), Savi Grandi (general)

75
Q

What comprised the Doge’s role?

A

Elected for life, ceremonial role, chair of all executive committees, no independent power

76
Q

What was a main characteristic of Venetian political attitude?

A

Hated the idea of dynasties or hereditary ruling families

77
Q

What was the Council of Ten and when was it established?

A

The state security council established 1310

78
Q

What was the Council of Ten comprised of?

A

The 10 elected members, the Doge and the 6 Ducal Counsellors

79
Q

What was the Esecutori contro la bestemmia (1537) from the Council of Ten?

A

Enforced moral order vs blasphemy, gambling, publishing etc.

80
Q

What was the Inquisitori contro la propalazione dei pubblici segreti (1539) by the Council of Ten?

A

Prevented diffusion of political information by the ruling class

81
Q

What social change happened in the 1580s regarding the Venetian political system?

A

Struggles from the ‘lesser nobles’ (youth) to ‘correct’ the Council of Ten’s excessive powers

82
Q

When was Venice traditionally founded, according to legend?

A

25th March 421, the Feast of the Annunciation

83
Q

What phrase is associated with St Mark’s vision in Venice?

A

“Pax tibi, Marce, evangelista meus. Hic requiescet corpus tuum.” (“May Peace be with you, Mark, my evangelist. Here your body will rest.”)

84
Q

How did George of Trebizond describe Venice in terms of war in 1452?

A

As “the mistress of peace,”, whose wealth increased due to her pursuit of peace and God’s grace.

85
Q

What did Gabriele Fiamma claim about Venice’s greatness?

A

He attributed Venice’s greatness, victories and fortune to the protection of St. Mark

86
Q

What does the ‘translatio’ of St Mark’s body represent?

A

The transfer of St Mark’s relics to Venice, symbolising divine protection and legitimacy for the city

87
Q

How was religion strongly controlled by the Venetian state?

A

Through processes like St Mark’s Day processions, control of church appointments, and restricting papal influence in government

88
Q

Who was excluded from political office in Venice despite serving as clergy?

A

Venetian nobles who became clergy

89
Q

What was the Venetian Inquisition (Sant’Uffizio) and when was it established?

A

A mixed body of three churchmen and three Venetian nobles created in 1547 to combat heresy

90
Q

How did the Fourth Crusade benefit Venice?

A

Venice gained one third of Byzantine territory and art treasures, including the horses of St Mark, despite papal disapproval

91
Q

How did Venice justify its attack on Zara during the Fourth Crusade?

A

By arguing it was a rebellious city and by claiming the Pope supported the campaign to reconcile the Eastern Church with Rome

92
Q

What did Pope Pius II criticise about Venice in his ‘Commentaries’?

A

He accused Venetians of worshipping the state as a deity and prioritising state interests over faith and morality

93
Q

What triggered Venice’s excommunication and interdict in 1509?

A

Pope Julius II’s actions during the War of Cambrai due to disputes over church lands and taxation

94
Q

Who defended Venice’s secular authority during the Interdict Crisis (1606-7)

A

Paolo Sarpi, a Servite Friari and champion of secularism

95
Q

What role did art and monuments play in reinforcing Venetian myths?

A

They celebrated victories, like the Fourth Crusade, and symbols like the Lion of St Mark embodied Venetian power and divine favour

96
Q

What was the Venetian Senate’s response to papal decrees during interdicts?

A

They often forbade publication of papal decrees and kept churches under state guard

97
Q

How did Gentile Bellini’s ‘Procession in Piazza San Marco’ depict Venice?

A

As a city of grandeur and unity, with rituals reinforcing civic pride and divine protection

98
Q

What role did confraternities play in Venetian religious life?

A

They organised processions and charitable activities, blending civic and religious responsibilities

99
Q

What was the significance of the ‘Triumphal Quadriga’ in Venice?

A

It symbolised Venice’s spoils of war and cultural dominance after the Fourth Crusade

100
Q

What criticism did William Bedell make of Venetian religious practices in 1608?

A

He accused Venetians of idolatry and excessive reliance on visual splendour in religious ceremonies

101
Q

How did Venetian political flexibility influence its survival?

A

By balancing state and religious interests, and using myths and symbols to maintain internal cohesion and external prestige

102
Q

How was Venice often symbolised in literature and art?

A

As a feminine, virgin city, such as in James Howell’s description of Venice as “Neptune’s Minion” and “an intemerate Virgin”

103
Q

What parallel was drawn between Venus and Venice?

A

Both were seen as born of the sea, with Venus symbolising love and Venice symbolising political strategy

104
Q

What did Pietro Casola say about Venetian merchandise in 1494?

A

He noted the “quality of merchandise” in Venice was so vast it was “inestimable”

105
Q

How did Giovanni Botero describe Venetian trade in 1605?

A

As “a summary of the universe”, with goods from every corner of the world in abundance

106
Q

What role did Venice play in the production of erotic art and literature?

A

It became a centre for works by artists like Titian and writers such as Giorgio Baffo and Casanova

107
Q

How did Venice regulate prostitution in 1358?

A

The Great Council established a law designating specific places for prostitutes to operate

108
Q

What was the purpose of the Castelletto, established in 1456?

A

A fortified brothel at Rialto where all prostitutes were required to work

109
Q

What restrictions were placed on prostitutes in 1543?

A

They were banned from wearing gold, silver, silk, pearls or other fine adornments to distinguish them from noblewomen

110
Q

What vice did Venice aim to discourage through regulating prostitution?

A

Sodomy (anal sex), considered a greater sin, as noted in Priuli’s 1509 diary

111
Q

What did Ascham observe about Venetian marriage practices in 1570?

A

Families often only allowed one brother to marry, leaving the others to engage in licentious (promiscuous, unprincipled) behaviour

112
Q

What was a courtesan?

A

A woman who had relationships with rich, older men for money

113
Q

What exaggerated number of courtesans did Sanudo claim Venice had?

A

Over 11,000 courtesans, even though the city’s population was only around 150,000

114
Q

How did Fynes Moryson describe Venetian women to have dressed in the 16th century?

A

As wearing gowns with open necklines and breasts made to appear fuller with linens, symbolising beauty and artifice

115
Q

What did Pietro Casola note about Venetian womens appearances in 1494?

A

They displayed their chests and shoulders, wore splendid clothing and painted their faces to appear more beautiful

116
Q

How did Richard Lassels describe young travellers going to Venice?

A

As drawn there for the courtesans, often returning hope with diseases like syphilis1

117
Q

What was Lorenzo Venier’s ‘Tariff of the Whores of Venice’?

A

A dialogue poem listing over 50 women, acting as a catalogue of Venetian courtesans

118
Q

How was Venice described by Charles Baldwyn with regard to its courtesans and prostitutes?

A

He called it the “brothel house of Europe” due to its reputation for libertine behaviour

119
Q

How did Montesquieu describe Venetian liberty in 1748?

A

As a “scandalous liberty” involving open association with prostitutes, marrying them, and freedom from religious obligations

120
Q

How did Venice use art and literature to shape its image?

A

By celebrating its cultural and sensual sophistication through works like Titian’s ‘Venus of Urbino’

121
Q

What was the role of Venetian carnivals?

A

They showcased the city’s indulgence, luxury, sensuality and freedom, as depicted in works like Pietro Longhi’s ‘The Gambling House’

123
Q

How was Venice viewed by European travellers like Maximilian Misson?

A

As an “enchanted city” of masks, entertainment and pretence, offering both allure and moral decay

124
Q

How was the Venetian government structured by the 13th Century?

A

The Great Council, Senate, Doge and Council of Forty

125
Q

What event led to the creation of the Council of Ten?

A

The 1310 conspiracy of Marco Querini and Bajamonte Tiepolo against Doge Pietro Gradenigo

126
Q

What was the role of the Council of Ten?

A

It acted as a powerful body overseeing state security and suppressing conspiracies

127
Q

What happened to Doge Marino Faliero in 1355?

A

He was executed after plotting to seize power with the support of commoners

128
Q

What strategic losses did Venice face in the 15th century?

A

The loss of Constantinople in 1453, Negroponte in 1470 and mainland territories to the Ottomans

129
Q

What was Venice’s role in the Battle of Lepanto (1571)?

A

Venice participated in a Holy League alliance, defeating the Ottoman fleet but losing Cyprus

130
Q

What industries were central to Venice’s economy?

A

Shipbuilding at the Arsenal, textiles (wool and silk), glass on Murano and trade in spices and luxury goods

131
Q

How did Venice’s population change between 1200 and 1640?

A

It grew from 80,000 in 1200 to a peak of 190,000 in 1570, before declining due to plagues

132
Q

What caused Venice’s economic decline in the 17th and 18th centuries?

A

Competition from free ports like Livorno and Trieste and a shift in trade routes bypassing Venice

133
Q

How did Venetian nobility’s priorities shift over time?

A

They moved from mercantile activities to investing in land and public debt, building patrician villas

134
Q

What were the three divisions of Venetian nobility in the 16th-18th centuries?

A

Wealthy elite families, a middling group in judicial roles, and impoverished ‘barnabotti’ nobles

135
Q

What conflict defined the political divisions of the 1580-1630 period?

A

The “young” nobles favoured aggressive foreign policies, while the “old” nobles promoted neutrality and tradition

136
Q

What was the outcome of the War of Morea (1684-1699)?

A

Venice temporarily gained the Peloponnese (southern Greek island) but struggled to maintain control in later conflicts

137
Q

How did Venice transition economically in the 18th century?

A

It became a regional centre of agriculture and manufacturing, focusing on silk and rice production

138
Q

What role did tourism play in Venice’s 18th century economy?

A

Tourism, including carnival, operas and gambling, attracted nearly 50,000 visitors annually by 1700

139
Q

Who were notable figures in Venice’s cultural history during its “decline”?

A

Sculptor Antonio Canova, composer Antonio Vivaldi and playwright Carlo Goldoni

140
Q

What criticisms did anti-myth texts of the 17th century make about Venice?

A

They highlighted judicial abuses, oligarchic corruption, and immorality, as seen in works by Amelot and Limojon

141
Q

What did Montesquieu argue about Venice’s government in ‘The Spirit of the Laws’?

A

He criticised its lack of separation of powers and described the state inquisitors as tyrannical enforcers