my final art history Flashcards
Figure: The Nike of Samothrace The figure work was originally positioned (A) on a building (B) on a mountain (C) on a fountain (D) in a river
It was a centerpiece in a civic fountain that emulated the prow of a ship
Figure: The Disus Thrower The work is a copy that differed from the orginal in that the copy has (A) no ficial features (B) a tree stump (C) no negative space (D) many viewpoint
Original bronzes have no tree stumps; they are necessary to stabilize much heavier marble sculptures.
Figure: The Hagia Sophia the patron(s) of this building (A) was Constantine (B) was Basil II (C) was Suleyman the Magnificent (D) were Justinian and Theodora
The patrons were Emperor Justinian and Empress Theodora.
Figure: The Hagia Sophia A key architecture feature first developed in this building is the (A) squinch (B) pendentive (C) nave (D) narthex
The pendentive was invented at the Hagia Sophia to support a round dome by having trangular transitions pass the weight down to flat walls.
Figure: Minarets The interior is greatly changed from its original condition. Originally, the interior was filled with (A) fresco (B) stained glass (C) tempera (D) mosaic
The interior still has some original mosaic left, but most of it has been destroyed.
Figure: Portray kings The painting is by (A) Peter Paul Rubens (B) Anthony van Dyck (C) Nicolas Poussin (D) Titian
The painting was painted by Anthony van Dyck.
Figure: Burial at Ornans
This movement was influenced by posotivism, a philosophical theory that praised
(A) the return to rural values and the basic goodness of common people
(B) a scientific approach to understanding all things
(C) experience as the greateat teacher in life
(D) the power of positive thinking
The positivist movement stressed the logic of scientific understanding , and applied it to most endeavors.
Figure: Untitled The artist of the work is (A) Maya Lin (B) Donald Judd (C) Andy Warhol (D) Cindy sherman
Donald Judd is the artist. As much as possible, Judd avoid association in his work. Even his title is as abstract as possible. This id a very nonrepresentational work. This work resembles American Indian earthworks such as Serpent Mound in Ohio.
Figure: case Spiral Jetty works like this was also done by other artists like (A) Chirsto and Jeanne-Claude (B) Roy Lichtenstein (C) Louise Nevelson (D) Barbara Kruger
The works of Christo and Jeanne-Claude are similar in that they are outdoodr works that rely on their site to be understood.
Figure: example of Wedgwood pottery Pottery such as the one in this illustration were produced in (A) Greece (B) Rome (C) England (D) China</p>
This example of Wedgwood pottery is from England.
Velazquez's Las Meninas was meant to hang in (A) a chapel (B) the artist's workshop (C) the throne room of the king (D) the king's private study
Vwlazquez’s famous Las Meninas was roiginally meant to hang in the king of Spain’s study.
Figure: The Tetrarchs These sculptures are done in an imperial stone called (A) marble (B) granite (C) limestone (D) porphyry
The Tetrarchs are done in porphyry, a purple-colored stone with imperial connotations.
Figure: The Tetrarchs The Tetrarchs depicted here are four (A) emperors (B) generals (C) soldiers (D) warrior angels
The Tetrarchs were emperors of ancient Rome.
The subconscious world of sleep is explored by all of the following artists EXCEPT (A) Francisco de Goya (B) Henry Fuseli (C) Henri Rousseau (D) Claude Monet
Claude Monet did not paint images of sleep. Goya’s Sleep of Reason Produces Monsters, Fuseli’s Nightmare, and Rousseau’s Sleeping Gypsy are three examples fo artist’s exploring the unconscious.
Pablo Picasso's Guernica was painted for the (A) Prado Museum in Madrid (B) Crystal Palace Exhibition in London (C) World'd Fair in Paris (D) Museum of Modern Art in New York
Pable Picasso’s Guernica was first seen at the Spanish Pavilion of the 1938 World’s Fair in Paris.
The first large-scale use of iron architecture was designed by (A) Abraham Darby and Thomas Pritchard (B) Gustave Eiffel (C) Henri Labrouste (D) Sir Joseph Paxton
Abraham Darby and Thomas Pritchard designed the Coalbrookdale Bridge in England, the first large-scale use of iron in architecture.
Michelangelo’s Creation of Adam expresses the Renaissance interpretation of humanism in that
(A) man is physically a beautiful creation with innate integrity
(B) God is the supreme being; man is nothing
(C) humans need to have their behavior corrected by a stern, judging God
(D) God has created his equal in man
Michelangelo’s grand conception of Adam is in Harnony with the humanist ideals of Renaissance painting, and rejects the stern unforgiving God of the Middle Ages.
<p>Figure: The Lorsch Gatehouse This building was probably inspired by building like the (A) Arch of Titus (B) Arch of Constantine (C) Pantheon (D) Colosseum
The Lorsch Gatehouse somewhat resembles the Arch of Constantine in Rome, which may have served as an overall inspiration for the building.
Figure: The Migration of the Negro
This painting by Jacob Lawrence is one of a series about
(A) African-Americans and the rise of the middle class
(B) African-Americans and the return to Africa
(C) famous African-Americans and their contribution to American culture
(D) the migration of African-Americans from the plantations in the South to the industrial North
Jacob Lawrence painted a series of paintings called The Migration of the Negro that chronicle the movement of African-Americans from the rural South to the industrial Norht after World War I.
Figure: Aurora This kind of ceiling painting is called (A) tromp l'oeil (B) di sotoo in su (C) quadro riportato (D) metope
This ceiling painting is called quadro riportato
Figure: Aurora This work is painted by (A) Annibale Carracci (B) Pietro da Cortona (C) Guido Reni (D) Anthony van Dyck
This work is painted by Guido Reni.
Figure: ashlar masonry
This building is typical of Roman structures built of ashlar masonry in that it
(A) carefully balances the stones one atop the other without mortar
(B) uses concrete to mold and form into special shapes
(C) uses three blocks of stone for each one that was used before
(D) is ideal for the corbelled arches used here
Ashlar masonry carefully cuts stones so they fit into spaces neatly without the use of mortar as a supporting agent.
The artist who maintained that he wanted to "do Poussin over entirely from nature" was (A) Claude Monet (B) Eugene Delacroix (C) Vincent van Gogh (D) Paul Cezanne
Paul Cezanne claimed he wanted to "do Poussin over entirely from nature".
Figure: This type of photograph is called a (A) salt print (B) calotype (C) daguerreotype (D) photogram
This type of photograph is a daguerreotype, perhaps the oldest to survive.
Sculpted glazed terra-cotta was a specialty of (A) Andrea del Verrocchio (B) Giovanni da Robbia (C) Luda della Robbia (D) Lorenzo Ghiberti
Luca della Robbia specialized in glazed terra-cotta sculpture.
Which of the following artists specialized in images of herself in provocative poses? (A) Louise Nevelson (B) Barbara Kruger (C) Cindy Sherman (D) Maya Lin
Cindy Sherman photographed herself in a series called Untitled Film Stills, which are provocative and suggestive.
Figure: The Ghent Altarpiece These panels are part of a much larger work called (A) The Garden of Earthly Delights (B) The Ghent Altarpiece (C) Maesta (D) The Portinari Altarpiece
This is part of the outside panels of The Ghent Altarpiece by Jan van Eyck.
Figure: Royal Crescent This illustration shows (A) a large factory (B) a university (C) homes (D) a spa
These homes are part of the Royal Crescent in Bath.
This building is located in (A) Bath (B) London (C) Paris (D) Bruges
Royal Crescent is located in Bath, England.
Etchings are different from engravings in that etchings
(A) require a metal plate as a ground
(B) use a tool to cut into a surface
(C) must be realized by passing paper over the impression
(D) must be immersed in acid to achieve an image
Etchings have to be immersed in acid to produce an image. Engravings share all the other properties in choices A, B, and C.
Originally, Michelangelo's David was carved for placement (A) in the Pantheon (B) in Notre Dame, Paris (C) on Florence Cathedral (D) on Saint Peter's, Rome</p>
Originally, Michelangelo’s David was conceived as a project for one of the buttresses of Florence Cathedral, but when completed the city fathers thought it too grand to be placed so high, and removed it to a main square in Florence.
Figure: Bronze or brass Sculptures like these were produced by which African tradition? (A) Benin (B) Dogon (C) Mende (D) Egyptian
Bronzes ro brasses from Africa are generally Benin.
Figure: Very Rich Hours of the Duke of Berry This painting is an example of (A) the International Gothic Style (B) Mannerism (C) the Florentine School of painting (D) the Venetian Renaissance
This painting is a fine example of the courtly nature of the International Gothic Style
This work was painted in the (A) twelfth century (B) thirteenth century (C) fourteenth century (D) fifteenth century
This work was painted in the early fifteenth century.
Pottery that has stirrup-shaped handles comes from (A) North America (B) South America (C) Africa (D) Oceania<
Stirrup handles are trademaks of Moche pottery from South America.
Rock-cut temples are a specialty in (A) Spain (B) Japan (C) India (D) Russia
Rock-cut temples, particulary those in hollowed-out caves, are frequently seen in India.
Figure: Last Supper The work was painted by (A) Andrea del Castagno (B) Sandro Botticelli (C) Luca Signorelli (D) Giotto di Bondone
The work was painted by Andrea del Castagno.
Figure: Last Supper The work dates from the middle of which century (A) Twelfth (B) Fifteenth (C) Seventeenth (D) Nineteenth
Castagno’s Last Supper dates from the middle of the fifteenth century.
Figure: Last Supper The patrons of the work were (A) a group of cloistered nuns (B) the Medici family (C) a guild of merchants (D) friars of the Franciscan order
This painting was painted for a refectory, or dining hall, for cloistered nuns in Florence, where it still resides.
In the work, the figure on our side of the table is (A) Jesus (B) Saint John the Baptist (C) Judas (D) Saint Peter
The figure on our side of the table is Judas, symbolically separate from the faithful apostles on Jesus’ side of the table.
Figure: This work is typical of the style of painting produced in (A) Venice (B) Siena (C) Florence (D) Rome
This painting was produced in Siena
This work is an example of the following styles? (A) Baroque (B) Romanesque (C) Ottonian (D) Gothic
This painting was done in the Gothic era.
The work ows painted by (A) Amorogio Lorenzetti (B) Masacccio (C) Simone Martini (D) Luca Signorelli
This painting is by Ambrogio Lorenzetti
Works like this are related in style to which of the following artists? (A) Cimabue (B) Duccio (C) Rogier van der Weyden (D) Pietro Perugino
The style of this painting is closest to that of another great Sienese painter, Duccio.
Figure:
Both of these works were done in the manner typical of that time, which means that the artist
(A) went into the field and sketched disparate subjects and put them together in his studio
(B) copied and reworked the paints of old masters
(C) painted outdoors directly from the subject
(D) collaborated with many other artists on one painting
Impressionists were know for painting outdoors directly from nature.
Thess wosks are unusual in art history because
(A) th artist made many views of the same subject from different points of view
(B) the artist ignored tradition by painting landscapes
(C) these painting were meant to be exhibited together and always remain together
(D) both of these paintings were painted from a boat
Monet painted these in a series from many point of view.
The date for these paintings is around (A) 1830 (B) 1850 (C) 1870 (D) 1890
The paintings date from 1891.
The patron of the building on the left was (A) Socrates (B) Pericles (C) Phidias (D) Alexander the Great
Pericles started construction on the Parthenon and other buildings on the Acropolis in Athens.
Among the architectural innovations that appear in the work on the right (A) is concrete (B) are Tuscan columns (C) are metopes (D) are rip vaults
The Pantheon’s design could be achieved by the innovation of concrete construction.
English Gothic buildings are different from French Gothic in that the English have (A) large central spires (B) sculpture on the facade (C) flying buttresses (D) rib vaults
English Gothic buildings have large central spires. French buildings have much smaller ones. All the other characteristics are the same for both.
The sculptor who designed two sets of bronze doors for the Florence Baptistery was (A) Pilippo Brunelleschi (B) Donatello (C) Nanni di Banco (D) Lorenzo Ghiberti
The second and third sets of doors for Florence Baptistery were designed by Lorenzo Ghiberti
Figure: Charlemagne's Palatine Chapel This building is located in (A) Germany (B) France (C) Italy (D) Russia
Charlemagne’s Palatine Chapel is located in Aachen, Gemany.
The building is a (A) church (B) monastery (C) hall in a university (D) mosque
This building is a church.
The style of this work is (A) Early Christian (B) Carolingian (C) Ottonian (D) Romanesque
This building was constructed in the Carolingian era.
Figure: Japan woodblock printing Workd such as this influenced which of the following painters? (A) James McNeill Whistler (B) Engene Delacroix (C) Pablo Picasso (B) Auguste Rodin
Japanese prints were the rage in late nineteenth-century Europe and dramatically influenced Whistler’s work.
Figure: Building Villa Savoye This house was designed by (A) Le Corbusier (B) Walter Gropius (C) Frank Gehry (D) Rogers and Piano
Le Corbusier designed the Villa Savoye.
The approximate date for this building is (A) 1910 (B) 1930 (C) 1950 (D) 1970
The building dates from around 1930.
Greek pots such as these functioned primarily as (A) grave markers (B) drinking cups (C) a vessel for mixing water and wine (D) storage vessels
Greek pots such as these were used as grave markers. They even have scenes of the funerals painted on them.
The general Muslim and Jewish ban on religious images influenced the destruction of images in which period? (A) Byzantine (B) Romanesque (C) Gothic (D) Carolingian
Byzantine art had a ban on images that was at least partly inspired by the similar general ban among Muslims and Jews.
Abbot Suger was the patron responsible for the remodeling of (A) Notre Dame, Paris (B) Pisa Cathedral (C) St.-Denis (D) Amiens Cathedral
Abbot Suger was the patron who brought artists together to recreate St.-Denis.
Which of the following is a characteristic of a Romanesque church? (A) Ambulatory (B) Triglyph (C) Pediment (D) Double domes
Romanesque buildings developed the ambulatory to house relics.
Titian’s Masonna of the Pesaro Family symbolizes
(A) the Poper’s position as head of the church
(B) the Medici influence in the fine arts
(C) Venice’s victory over the Turks
(D) the power of the city of Florence
Titian’s Manonna of the Pesaro Family celebrates the Venetian victory over the Turks. Jacopo Pesaro was instrumental in that naval battle.
Which or the following is set in a chapel with other paintings based on the same theme?
(A) Parmigianino’s Madonna with a Long Neck
(B) Caravaggio’s Calling of Saint Matthew
(C) Veronese’s Christ in the House of Levi
(D) Leonardo da Vinci’s Last Supper
Caravaggio’s Calling of Saint Matthew is part of a suite of painting dedicated to Saint Matthew in a chapel in a church in Rome.
Eithteenth-century painting specializes in satirical works on contemporary subjects by artists such as (A) Thomas Gainsborough (B) Joshua Reynolds (C) Jean-Honore Fragonard (D) William Hogarth
William Hogarth’s paintings often took a satirical view of English society in the eighteenth century.
The compositional arrangement of these figures is influenced by
(A) Byzantine art
(B) Roman wall paintings
(C) the architecture of the building the works are attached to
(D) manuscripts from this period
Portal sculptures from the Gothic period often reflect the verticality of the buildings behind them.
A mudra is (A) a sculpture of Buddha (B) a gesture in Buddhist art (C) a Buddhist temple (D) the direction Buddhists face in prayer
A midra is a symbolic gesture seen in Buddhist or Hindu works or art.
Antonio Canova's sculptures are known for their (A) opulence and grandeur (B) Mannerist characteristics (C) smooth surface texture (D) use of mixed media
Antonio Canova’s sculptures, such as the Pauline Borghese or the Cupid and Psyche, have a smooth, glossy surface texture.
Figure: The artist of the work is (A) Meret Oppenheim (B) Andy Warhol (C) Kasimir Malevich (D) Georges Braque
Kasimir Malevich is the artist.
This work was painted in the (A) 1890s (B) 1910s (C) 1940s (D) 1970s
The work , from the 1910s, is an early example of Abstraction.
The artist of this work was assiciated with (A) DeStijl (B) Cubism (C) Surrealism (D) Suprematism
Kasimir Malevich called his abstractions Suprematist paintings because he believed that their abstraction placed them above all other forms of painting.
Roy Lichtenstein's art is inspired by (A) ready-mades (B) comic strips (C) still lives (D) portraits based on photography
Roy Lichtenstein’s works are inspired by comic strips.
Figure: This work is a model for (A) an observatory (B) a factory (C) a government building (D) a department store
Valadimir Tatlin’s construction was for an office building(which was never built) that was to house various government bureaus.
This work was designed to bu built in (A) Russia (B) Germany (C) France (D) Japan
Vladimir Tatlin’s work was designed for Moscow, Russia.
Figure: This capital is from which of the following orders? (A) Doric (B) Ionic (C) Corinthian (D) Tuscan
This capital is from a Tuscan column.
It is said that Old Saint Peter’s was built over
(A) the place where Saint Peter died
(B) the place where Saint Peter was buried
(C) both of the above
(D) none of the above
Old Saint Peter’s was built over the place where, it is said, Saint Peter was buried.
All of the following are characteristic of the Colosseum in Rome EXCEPT
(A) the use of groin and barrel vaults
(B) it once had a retractable canvas roof
(C) it was built of concrete and brick and faced with marble
(D) it was used fro chariot races.
Chariot races could not take place in the Colosseum: The stage was too small. They were held nearby at the Circus Maximus.
Figure: Durham Cathedral-building This building was built in the (A) sixth century (B) ninth century (C) eleventh century (D) fifteenth century
Durham Cathedral was built in the eleventh century
The vaults on the ceiling are (A) barrel (B) groin (C) rib (D) fan
Rib vaults are on the ceiling
The chevron designs on the piers were inspired by (A) Early Medieval manuscript designs (B) Early Christian mosaics (C) Roman wall paintings (D) Gothic sculptrue
The chevron designs were inspired by Early Medieval manuscript designs.