Musical form and meaning in the Remede Flashcards
Selection of song forms
Carefully chosen to suit certain moments in the narrative and to convey certain moods
RF1 - Lay - relationship between form and meaning
12 verses - long and complex form - enables the expression of the lover’s fluctuating moods
Double function
Both represents Machaut’s poetic and musical skill (as the first item in the work) and also offers an immediate insight into the mental state of the dit’s protagonist
David Fallows
“quadruple versicle” structure - creates a 12-song cycle he argues - each song = 4 versicles
adds to complexity
Significance of first item being Lay? Wimsatt and Kibler
Machaut begins with the most complex form in the work and ends with the least (Rondeaux)
Kevin Brownlee - technical excellence of this lay…
is ‘an indication of the presence of the poète in the very text of the dit’
Leach on the function of the lay form
It ‘offers a composer - and a singer - a large canvas on which to develop melodic musical ideas’
Leach on lay and fluctuation of lover’s mood
‘The length and complexity of the lay have allowed this fluctuation to take place inside a single musico-poetic piece.’
Evidence for fluctuating mood of the protagonist
5th stanza = grief born from Desire
8th stanza = very joyful
10th and 11th - lover reveals that he is not always in the same mood - hence the variety in the lay he has just sung
RF2 - Complainte - position in narrative?
Comes just after the lover feels as he cannot admit to his lady that it was he who had written the songs about her (that she overheard) - otherwise he would reveal his love for her
Leach on complainte
‘the staging of the self as victim in the complainte is done overtly, bitterly, repetitiously, and lengthily’
Nature of the complainte
Goes around and around - very repetitive - almost boring
Reflects the lover’s despair and inner torment