Musical form and meaning in the Remede Flashcards

1
Q

Selection of song forms

A

Carefully chosen to suit certain moments in the narrative and to convey certain moods

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2
Q

RF1 - Lay - relationship between form and meaning

A

12 verses - long and complex form - enables the expression of the lover’s fluctuating moods

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3
Q

Double function

A

Both represents Machaut’s poetic and musical skill (as the first item in the work) and also offers an immediate insight into the mental state of the dit’s protagonist

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4
Q

David Fallows

A

“quadruple versicle” structure - creates a 12-song cycle he argues - each song = 4 versicles
adds to complexity

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5
Q

Significance of first item being Lay? Wimsatt and Kibler

A

Machaut begins with the most complex form in the work and ends with the least (Rondeaux)

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6
Q

Kevin Brownlee - technical excellence of this lay…

A

is ‘an indication of the presence of the poète in the very text of the dit’

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7
Q

Leach on the function of the lay form

A

It ‘offers a composer - and a singer - a large canvas on which to develop melodic musical ideas’

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8
Q

Leach on lay and fluctuation of lover’s mood

A

‘The length and complexity of the lay have allowed this fluctuation to take place inside a single musico-poetic piece.’

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9
Q

Evidence for fluctuating mood of the protagonist

A

5th stanza = grief born from Desire
8th stanza = very joyful
10th and 11th - lover reveals that he is not always in the same mood - hence the variety in the lay he has just sung

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10
Q

RF2 - Complainte - position in narrative?

A

Comes just after the lover feels as he cannot admit to his lady that it was he who had written the songs about her (that she overheard) - otherwise he would reveal his love for her

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11
Q

Leach on complainte

A

‘the staging of the self as victim in the complainte is done overtly, bitterly, repetitiously, and lengthily’

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12
Q

Nature of the complainte

A

Goes around and around - very repetitive - almost boring

Reflects the lover’s despair and inner torment

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