Music pt.2 Flashcards
Performing forces in defying gravity
Large orchestra
Melody Defying gravity
- Syllabic throughout
- Vocalisation in final bar
- Bar 6 and 7 ascending sequence
- Leaps often feature a rising 5th
Technology used in defying gravity
overdrive, distortion
Structure defying gravity
Verse chorus
Texture defying gravity
- Melody dominated homophony- singer accompanied by chords in orchestra
- Some unaccompanied bars (eg bar 3)
- The ending is contrapuntal
Tonality defying gravity
- Chromatic movements and unrelated chord progression= unease
- D-Major
Harmony defying gravity
- Chords in root position= lowest
- In the opening theme are downward shifts in parallel semitones
- Pedal at bar 168
Temp, metre and rhythm defying gravity
- Tempo constantly changes
- Rallentando at the end of sections#
- 3/2 to 2/2 in opening then goes to 4/4 at b. 88. Then at b.115 it goes to 2/2
- Frequent syncopation
How dramatic effect is made in defying gravity
- Strings use tremolo
- Brass section plays homophonic chordal music in fanfare- like manner.
- Cymbal roll adding excitement
- Full band plays at climax
- Drum kit always plays adding momentum
performing forces in star wars
Full symphony orchestra
Texture star wars
- Homophonic
2. Inverted tonic pedal at intro- many pedal textures used throughout
Structure star wars
AA BA
Tonality star wars
- Clear Bb major for first 27 bars -onwards, it is less clear
- More complex chords and much dissonance making some passages almost atonal
Harmony star wars
- Tonal but doesn’t always use chords 1, 1V and V
2. Imperfect cadence used in first phrase of A section (Bar 7)
Melody star wars
- Bar 1 has rising perfect fifth from tonic- dominant= heroic
- Section B starts with an anacrusis
- Contrary motion- (b.18)
Rhythm, tempo and metre star wars
- 4/4 reflects marching
- Fast tempo
- Homorhythm (rhythmic unison) chords from b.44-50 to create drama
Performing forces Afro Celt sound system release
- African: Kora, talking drum
- Celtic: Hurdy-gurdy, uillean pipes, bodhran, fiddle, whistle, accordion
- Western: Synthesisers, drum-machine, electric piano, shaker and tambourine
Structure Afro Celt sound system release
Clear verse form= intro, solo, breaks, outro
Melody Afro Celt sound system release
- Main verse syllabic
- Repetitive
- Glissando
Texture Afro Celt sound system release
- Main texture is homophonic
2. Loops
Harmony and tonality Afro Celt sound system release
- C Major
- Drone
- Chord sequences repetitive
Tempo, metre and rhythm afro celt
- Free time at start
- 4/4
- Triplets
- Accents
- Short riffs
When was Sama Em Preuldio
1962
Genre Sama Em Preuldio
Bossa nova
Sama Em Preuldio structure
AB
Tonality Sama Em Preuldio
- B minor
- Many bossa novas use minor keys
- Music doesn’t always modulate (change key)
Texture Sama Em Preuldio
- Intro is monophonic and throughout it is mainly homophonic
Harmony Sama Em Preuldio
- Tonal
- Influence of jazz in being quite complex
- Frequent chord extensions
Melody Sama Em Preuldio
SECTION A
1. First note of each phrase descends by a semitone
SECTION B
1. Entirely conjunct
Tempo, metre and rhythm Sama Em Preuldio
- 4/4
2. Frequent triplets