Music pt.2 Flashcards

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1
Q

Performing forces in defying gravity

A

Large orchestra

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2
Q

Melody Defying gravity

A
  1. Syllabic throughout
  2. Vocalisation in final bar
  3. Bar 6 and 7 ascending sequence
  4. Leaps often feature a rising 5th
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3
Q

Technology used in defying gravity

A

overdrive, distortion

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4
Q

Structure defying gravity

A

Verse chorus

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5
Q

Texture defying gravity

A
  1. Melody dominated homophony- singer accompanied by chords in orchestra
  2. Some unaccompanied bars (eg bar 3)
  3. The ending is contrapuntal
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6
Q

Tonality defying gravity

A
  1. Chromatic movements and unrelated chord progression= unease
  2. D-Major
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7
Q

Harmony defying gravity

A
  1. Chords in root position= lowest
  2. In the opening theme are downward shifts in parallel semitones
  3. Pedal at bar 168
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8
Q

Temp, metre and rhythm defying gravity

A
  1. Tempo constantly changes
  2. Rallentando at the end of sections#
  3. 3/2 to 2/2 in opening then goes to 4/4 at b. 88. Then at b.115 it goes to 2/2
  4. Frequent syncopation
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9
Q

How dramatic effect is made in defying gravity

A
  1. Strings use tremolo
  2. Brass section plays homophonic chordal music in fanfare- like manner.
  3. Cymbal roll adding excitement
  4. Full band plays at climax
  5. Drum kit always plays adding momentum
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10
Q

performing forces in star wars

A

Full symphony orchestra

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11
Q

Texture star wars

A
  1. Homophonic

2. Inverted tonic pedal at intro- many pedal textures used throughout

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12
Q

Structure star wars

A

AA BA

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13
Q

Tonality star wars

A
  1. Clear Bb major for first 27 bars -onwards, it is less clear
  2. More complex chords and much dissonance making some passages almost atonal
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14
Q

Harmony star wars

A
  1. Tonal but doesn’t always use chords 1, 1V and V

2. Imperfect cadence used in first phrase of A section (Bar 7)

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15
Q

Melody star wars

A
  1. Bar 1 has rising perfect fifth from tonic- dominant= heroic
  2. Section B starts with an anacrusis
  3. Contrary motion- (b.18)
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16
Q

Rhythm, tempo and metre star wars

A
  1. 4/4 reflects marching
  2. Fast tempo
  3. Homorhythm (rhythmic unison) chords from b.44-50 to create drama
17
Q

Performing forces Afro Celt sound system release

A
  1. African: Kora, talking drum
  2. Celtic: Hurdy-gurdy, uillean pipes, bodhran, fiddle, whistle, accordion
  3. Western: Synthesisers, drum-machine, electric piano, shaker and tambourine
18
Q

Structure Afro Celt sound system release

A

Clear verse form= intro, solo, breaks, outro

19
Q

Melody Afro Celt sound system release

A
  1. Main verse syllabic
  2. Repetitive
  3. Glissando
20
Q

Texture Afro Celt sound system release

A
  1. Main texture is homophonic

2. Loops

21
Q

Harmony and tonality Afro Celt sound system release

A
  1. C Major
  2. Drone
  3. Chord sequences repetitive
22
Q

Tempo, metre and rhythm afro celt

A
  1. Free time at start
  2. 4/4
  3. Triplets
  4. Accents
  5. Short riffs
23
Q

When was Sama Em Preuldio

A

1962

24
Q

Genre Sama Em Preuldio

A

Bossa nova

25
Q

Sama Em Preuldio structure

A

AB

26
Q

Tonality Sama Em Preuldio

A
  1. B minor
  2. Many bossa novas use minor keys
  3. Music doesn’t always modulate (change key)
27
Q

Texture Sama Em Preuldio

A
  1. Intro is monophonic and throughout it is mainly homophonic
28
Q

Harmony Sama Em Preuldio

A
  1. Tonal
  2. Influence of jazz in being quite complex
  3. Frequent chord extensions
29
Q

Melody Sama Em Preuldio

A

SECTION A
1. First note of each phrase descends by a semitone

SECTION B
1. Entirely conjunct

30
Q

Tempo, metre and rhythm Sama Em Preuldio

A
  1. 4/4

2. Frequent triplets